VX | CENTURY SERIES |
Rear Connections
The rear connections facilitate the numerous inputs and outputs necessary for successful mixing. Since the console is of little use until it is wired into a whole system, an understanding of what each input and output does is necessary before it can be properly connected. Use the descriptions and diagrams on the next two pages to plan your cabling scheme.
Levels
Unless specified, nominal levels are:
O VU = +4dBu = 1.23V RMS
Max Level = +28 dBu balanced, +22dBu unbalanced
Impedances
Mic In - 4kΩ
Line In - greater than 10kΩ
Outputs
Input Module Connections
Direct Out
This unbalanced 1/4" TRS jack delivers the direct output signal (post fader & post mute) from the associated
input channel.
Insert Send |
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This unbalanced 1/4" TRS jack is used for |
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sending a |
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Filter, | DIR OUT |
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sor. The signal at this jack is unbalanced and |
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always active regardless of the Insert Switch | INSERT SEND | |||
setting. | ||||
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Bal Insert Return |
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This balanced 1/4" TRS jack receives it’s | BAL INSERT RTN | |||
signal from an outboard processor. It can |
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also be used to bring a signal into the chan- |
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nel, bypassing the input preamp and gain | BAL LINE IN |
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circuit. The return input is balanced and |
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must be enabled by depressing the channel |
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Insert switch. | BAL MIC IN |
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Bal Line In |
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This balanced 1/4" TRS jack accepts a bal- |
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anced or unbalanced line level input, and |
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delivers it to the input selector switch. |
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Mic In |
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This female XLR connector accepts bal- |
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anced microphone inputs for the associated |
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input channel. |
| X | INPUT |
Stereo Input Module
Insert L / Insert R
These ‘combined send & return’ female TRS jacks are used to insert effects or signal process- ing into the Left and Right channels of the Stereo Input module. They can also be used to bring a signal into the channel, bypassing the input pre- amp and gain circuit. The return input is enabled by depressing the channel Insert switch.
Bal Line In L / Bal Line In R
These balanced 1/4" TRS jacks accept balanced or unbalanced line level inputs, and delivers them into the associated (Left or Right) selector switch.
Bal Mic In L / Bal Mic in R
These female XLR connectors accept balanced microphone inputs, and deliver them into the associated (Left or Right) selector switch.
Group Module
Group Bal Out
This male XLR jack carries the
Group Ins Send
This balanced 1/4" TRS jack allows for the group signal to be sent to an effect or signal processor.
Bal Ins Return
This balanced 1/4" TRS jack allows for the return of the effected and/or processed group sig- nal back into the associated group.
Bus In
This female XLR connector delivers the connect- ed signal directly to the associated group bus. (Useful for connection of expander mixers)
Matrix Out
This male XLR connector delivers a balanced signal from the associated matrix.
Matrix Ext In
This balanced female XLR connector is designed to accept an external signal that is inserted into the Matrix. This level is controlled by the Matrix Ext Level control.
Aux In A/B Left/Right
These female XLR jacks (on group modules
INSERT L
INSERT R
BAL LINE IN L
BAL LINE IN R
BAL MIC IN L
BAL MIC IN R
X | INPUT |
GRP BAL OUT | |
INSERT SEND | |
BAL |
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RTN |
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| BUS |
| IN |
| OUT |
| M |
| A |
| T |
| R |
| I |
| X |
| EXT |
| IN |
| AUX |
| IN |
| A |
| LEFT |
VX | GROUP |
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