Basic Operation
Connections
1Connect headphones to one of the [PHONES] terminals.
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| LOAD | CRATES | FILES | BACK |
| LOAD PREPARE | BROWSE | PREPARE | LOAD |
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| MIC1 |
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| 2 | MIC2 / AUX |
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| FX CH SELECT | TRIM | BROWSE | TRIM | FX CH SELECT |
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HOT CUE |
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| BRAKING |
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| HOT CUE |
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| BRAKING |
SAMPLER |
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| HI | MASTER | HI |
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| SAMPLER |
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1 |
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| SPEED ADJUST | EFFECT SELECT | EFFECT SELECT | 1 |
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| SPEED ADJUST | |||||
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| LEVEL |
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2 | NEEDLE SEARCH / |
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| PARAMETER | MID |
| MID | PARAMETER | 2 | NEEDLE SEARCH / |
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| JOG MODE |
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| JOG MODE | ||||||||
| LOOP/ GRID |
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| EQ | HEADPHONES | EQ |
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| LOOP/ GRID |
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| VINYL |
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| MIXING |
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| VINYL | ||||
3 |
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| 3 |
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| TEMPO | LEVEL / DEPTH | LOW |
| LOW | LEVEL / DEPTH |
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| TEMPO | ||
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| RANGE |
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| RANGE |
4 |
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| LEVEL |
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| 4 |
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| SLIP | KEY LOCK |
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| SLIP | KEY LOCK |
5 |
| G |
| ON / OFF |
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| ON / OFF | 5 |
| G |
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| RIDAD |
| CUE |
| CUE |
| RIDAD |
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| JUST |
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| JUST |
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| TAP/ | AUTO | 1 | LEVEL | 2 | TAP/ | AUTO |
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| FX1 |
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| FX2 |
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| 0 |
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| 0 |
CUE |
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| FADER START |
| FADER START |
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| CUE |
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| C.F.REV |
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| REV | FWD |
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| REV | FWD |
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| SYNC |
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| SYNC |
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| PHONES |
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| MIC/AUX THRU | MIC 2 |
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PHONES 
!There are two input jacks, both a stereo phones jack and a mini phones jack, but do not use both simultaneously. If both are used simultaneously, when one is disconnected and/or connected, the volume of the other may increase or decrease suddenly.
2Connect powered speakers, a power amplifier, components, etc., to the [MASTER OUT 1] or [MASTER
OUT 2] terminals.5 V
USB | ON OFF DC IN |
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| LOAD | CRATES | FILES | BACK |
| LOAD PREPARE | BROWSE | PREPARE | LOAD |
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| MIC1 |
| 1 |
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| 2 | MIC2 / AUX |
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| FX CH SELECT | TRIM | BROWSE | TRIM | FX CH SELECT |
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HOT CUE |
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| BRAKING |
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| HOT CUE |
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| BRAKING |
SAMPLER |
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| HI | MASTER | HI |
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| SAMPLER |
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1 |
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| SPEED ADJUST | EFFECT SELECT | EFFECT SELECT | 1 |
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| SPEED ADJUST | |||||
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| LEVEL |
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2 | NEEDLE SEARCH / |
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| PARAMETER | MID |
| MID | PARAMETER | 2 | NEEDLE SEARCH / |
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| JOG MODE |
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| JOG MODE | ||||||||
| LOOP/ GRID |
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| EQ | HEADPHONES | EQ |
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| LOOP/ GRID |
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| VINYL |
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| MIXING |
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| VINYL | ||||
3 |
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| 3 |
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| TEMPO | LEVEL / DEPTH | LOW |
| LOW | LEVEL / DEPTH |
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| TEMPO | ||
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| RANGE |
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| RANGE |
4 |
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| LEVEL |
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| 4 |
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| SLIP | KEY LOCK |
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| SLIP | KEY LOCK |
5 |
| G |
| ON / OFF |
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| ON / OFF | 5 |
| G |
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| RIDAD |
| CUE |
| CUE |
| RIDAD |
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| JUST |
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| JUST |
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| TAP/ | AUTO | 1 | LEVEL | 2 | TAP/ | AUTO |
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| FX1 |
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| FX2 |
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| 0 |
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| 0 |
CUE |
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| FADER START |
| FADER START |
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| CUE |
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| C.F.REV |
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| REV | FWD |
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| REV | FWD |
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| SYNC |
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| SYNC |
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| PHONES |
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| MIC/AUX THRU | MIC 2 |
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!This product satisfies electromagnetic noise regulations when it is connected to other equipment through shielded cables and connectors.
Use only the furnished accessory connecting cables.4Turn on the computer’s power.5Connect the power plug to the AC adapter.Slide the power plug into the AC adapter’s guide rails as shown on the diagram and press in until a click is heard.
1GND 2 HOT
3 COLD
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| PUSH |
L | R | L R |
| L | MIN MAX | |
MASTER ATT. | MASTER OUT 1 | MASTER OUT 2 | AUX IN |
| VOL | |
R L
PUSH
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| LOAD | CRATES | FILES | BACK |
| LOAD PREPARE | BROWSE PREPARE | LOAD |
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| MIC1 | 1 |
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| 2 | MIC2 / AUX |
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| FX CH SELECT | TRIM | BROWSE | TRIM | FX CH SELECT |
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HOT CUE |
| BRAKING |
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| HOT CUE |
| BRAKING |
SAMPLER |
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| HI | MASTER | HI |
| SAMPLER |
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1 |
| SPEED ADJUST | EFFECT SELECT | EFFECT SELECT | 1 |
| SPEED ADJUST | ||||
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| LEVEL |
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2 | NEEDLE SEARCH / |
| PARAMETER | MID |
| MID | PARAMETER | 2 | NEEDLE SEARCH / |
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| LOOP/ GRID | JOG MODE |
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| EQ | HEADPHONES | EQ |
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| LOOP/ GRID | JOG MODE |
| VINYL |
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| MIXING |
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| VINYL | ||||
3 |
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| 3 |
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| TEMPO | LEVEL / DEPTH | LOW |
| LOW | LEVEL / DEPTH |
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| TEMPO | |
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| RANGE |
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| RANGE |
4 |
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| LEVEL |
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| SLIP | KEY LOCK |
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| SLIP | KEY LOCK |
5
GRID A D J U S T
ON / OFF | ON / OFF | 5 |
CUE | CUE |
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GRID A DJ U S T
| TAP/ AUTO | 1 | LEVEL | 2 | TAP/ AUTO |
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| FX1 |
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| FX2 |
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| 0 |
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| 0 |
CUE |
| FADER START |
| FADER START | CUE |
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| C.F.REV |
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REV | FWD |
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| REV | FWD |
| SYNC |
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| SYNC |
PHONES |
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| MIC/AUX THRU | MIC 2 |
!For details on the connections of the input/output terminals, see Connecting the input/output terminals (p.8).