11
Operation
4. Set the desired channel volume level
slide control to the preset position.
5. Adjust CUE LEVEL to a comfortable lis-
tening level.
6. Start playback of the input source you
want to play next through your sound
system.
7. Set the input device to the desired sec-
tion of music, then stop or pause the
input device.
Switching to the Second Input
Source
1. Start playback of the second input
source.
2. Slide
CROSS FADER from A to B when
you are ready to play the second
source’s sound through your sound sys-
tem.
Slide CROSS FADER:
• To the left to fade in the channel
selected by ASSIGN A and fade out
the channel selected by ASSIGN B.
• To the right to fade in the channel
selected by ASSIGN B and fade out
the channel selected by ASSIGN A.
• To the
center
to equally mix the two.
Notes on Mixing
• If you set CROSS FADER to A to play the
channel selected by ASSIGN A, then you
must set CUE ASSIGN to CH 1 to monitor
CH 1, to CH 2 to monitor CH 2, to CH 3 to
monitor CH 3, and to CH 4 to monitor CH
4. The same applies when you set
CROSS FADER to B.
• To mix any two inputs selected by the
ASSIGN switches, set each ASSIGN
switch to the desired channel. Then use
CROSS FADER to mix the two.
• Do not slide CROSS FADER to the center
if you want to
monitor
one channel while
the other is playing. Otherwise, the
sound from the channel you monitor will
also be heard through your sound sys-
tem. Instead, slide CROSS FADER to the
channel you are not monitoring. For
example, to monitor channel 1 (selected
by ASSIGN A) while channel 2 (selected
by ASSIGN B) is playing, slide CROSS
FADER to B.
• Use CUE LEVEL to listen to the input
controlled by the CUE ASSIGN switch
and what is playing on the currently
selected output device.
USING THE SPECIAL CONTROLS Using the Tone Controls
Your mixer has a set of tone controls for
each microphone and for channels 1–4. You
can tailor the high, middle, and low frequen-
cy sounds for each.
For normal sound, leave BASS, MID, and
HIGH set to 0.
Rotate HIGH, MID or BASS toward +10 to in-
crease, or toward –10 respectively to de-
crease the high, middle, and low frequency
sounds.
Using Gain
Since the input levels of each sound source
are different, the GAIN controls let you fine
tune each selected input's volume. Rotate
the desired GAIN control toward MAX to in-
crease the volume and toward MIN to reduce
it.
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