75

Effects List

A virtual tape echo that produces a realistic tape delay sound. This

simulates the tape echo section of a Roland RE-201 Space Echo.

fig.MFX-55

In addition to a lo-fi effect, this adds various types of noise such as

white noise and disc noise.

fig.MFX-56

This is an effect that intentionally degrades the sound quality for

creative purposes.

fig.MFX-57

55: TAPE ECHO

Parameter Value Description

Mode

S, M, L, S+M,
S+L, M+L,
S+M+L
Combination of playback heads to use
Select from three different heads with dif-
ferent delay times.
S:
short,
M:
middle,
L:
long

Repeat Rate

0–127
Tape speed
Increasing this value will shorten the spac-
ing of the delayed sounds.

Intensity

0–127 Amount of delay repeats

Bass

-15– +15 dB

Boost/cut for the lower range of the echo sound

Treble

-15– +15 dB

Boost/cut for the upper range of the echo sound

Head S Pan

L64–63R Independent panning for the short, middle,
and long playback heads

Head M Pan
Head L Pan
Tape Distortion

0–5
Amount of tape-dependent distortion to be
added
This simulates the slight tonal changes
that can be detected by signal-analysis
equipment. Increasing this value will in-
crease the distortion.

Wow/Flutter
Rate

0–127
Speed of wow/flutter (complex variation in
pitch caused by tape wear and rotational ir-
regularity)

Wow/Flutter
Depth

0–127 Depth of wow/flutter

Echo Level

0–127 Volume of the echo sound

Direct Level

0–127 Volume of the original sound

Level

0–127 Output level

56: LOFI NOISE

Parameter Value Description

LoFi Type

1–9
Degrades the sound quality. The sound quali-
ty grows poorer as this value is increased.

Filter Type

OFF, LPF,
HPF
Type of filter
OFF:
no filter is used
LPF:
cuts the frequency range above the
Cutoff
HPF:
cuts the frequency range below the
Cutoff

Filter Cutoff

200–8000 Hz Center frequency of the filter

W/P Noise
Type

WHITE, PINK Switch between white noise and pink noise.
Echo Level
Echo Level
L in
R in
L out
R out

Tape Echo

Direct Level
Direct Level
R in R out
L in L out
Lo-Fi
Lo-Fi

Noise Gen.

2-Band
EQ
2-Band
EQ

W/P Noise
LPF

200–8000 Hz,
BYPASS
Center frequency of the low pass filter applied
to the white/pink noise (BYPASS: no cut)

W/P Noise
Level

0–127 Volume of the white/pink noise

Disc Noise
Type

LP, EP, SP,
RND
Type of record noise
The frequency at which the noise is heard
depends on the selected type.

Disc Noise
LPF

200–8000 Hz,
BYPASS
Adjusts the cutoff frequency of the low pass
filter applied to the record noise. If you don’t
want to filter out any high frequencies, set
this parameter to BYPASS.

Disc Noise
Level

0–127 Volume of the record noise

Hum Noise
Type

50 Hz, 60 Hz Frequency of the hum noise

Hum Noise
LPF

200–8000 Hz,
BYPASS
Center frequency of the low pass filter ap-
plied to the hum noise (BYPASS: no cut)

Hum Noise
Level

0–127 Volume of the hum noise

Low Gain

-15– +15 dB Gain of the low range

High Gain

-15– +15 dB Gain of the high range

Balance

D100:0W–
D0:100W
Volume balance between the direct sound
(D) and the effect sound (W)

Level

0–127 Output level

57: LOFI COMPRESS

Parameter Value Description

Pre Filter Type

1–6
Selects the type of filter applied to the sound
before it passes through the Lo-Fi effect.
1: Compressor off
2–6: Compressor on

LoFi Type

1–9 Degrades the sound quality. The sound qual-
ity grows poorer as this value is increased.

Post Filter Type

OFF, LPF, HPF
Type of filter
OFF:
no filter is used
LPF:
cuts the frequency range above the
Cutoff
HPF:
cuts the frequency range below the
Cutoff

Post Filter
Cutoff

200–8000 Hz Basic frequency of the Post Filter

Low Gain

-15– +15 dB Gain of the low range

High Gain

-15– +15 dB Gain of the high range

Balance

D100:0W–
D0:100W
Volume balance between the direct sound
(D) and the effect sound (W)

Level

0–127 Output level

Parameter Value Description
L in
R in
L out
R out

Compressor

Lo-Fi
Lo-Fi

Compressor

2-Band
EQ
2-Band
EQ
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