81

Effects List

fig.MFX-77

On an acoustic piano, holding down the damper pedal allows other

strings to resonate in sympathy with the notes you play, creating rich

and spacious resonances. This effect simulates these sympathetic

resonances.

fig.MFX-78

77: CHORUS

→

FLANGER

Parameter Value Description

Chorus Pre
Delay

0.0–100.0 ms

Adjusts the delay time from the direct

sound until the chorus sound is heard.

Chorus Rate

0.05–10.00 Hz, note Modulation frequency of the chorus
effect

Chorus Depth

0–127
Modulation depth of the chorus effect

Chorus Balance

D100:0W–D0:100W
Volume balance between the direct
sound (D) and the chorus sound (W)

Flanger Pre
Delay

0.0–100.0 ms
Adjusts the delay time from when
the direct sound begins until the
flanger sound is heard.

Flanger Rate

0.05–10.00 Hz, note Modulation frequency of the flanger
effect

Flanger Depth

0–127

Modulation depth of the flanger effect

Flanger
Feedback

-98– +98%
Adjusts the proportion of the flanger
sound that is fed back into the ef-
fect. Negative (-) settings will invert
the phase.

Flanger Balance

D100:0W–D0:100W
Adjusts the volume balance between
the sound that is sent through the
flanger (W) and the sound that is not
sent through the flanger (D).

Level

0–127 Output Level
Feedback
Flanger
L in
R in
L out
R out
Balance W
Balance W
Balance D
Balance D
Chorus
Balance W
Balance W
Balance D
Balance D

78: SYMPATHETIC RESO(SYMPATHETIC RESONANCE)

Parameter Range Explanation

Depth

0–127 Depth of the effect

Damper

0–127
Depth to which the damper pedal is
pressed (controls the resonant
sound)

Pre LPF

16–15000 Hz,
BYPASS
Frequency of the filter that cuts the
high-frequency content of the input
sound (BYPASS: no cut)

Pre HPF

BYPASS,
16–15000 Hz
Frequency of the filter that cuts the
low-frequency content of the input
sound (BYPASS: no cut)

Peaking Freq

200–8000 Hz
Frequency of the filter that boosts/
cuts a specific frequency region of
the input sound

Peaking Gain

-15– +15 dB
Amount of boost/cut produced by
the filter at the specified frequency
region of the input sound

Peaking Q

0.5, 1.0, 2.0, 4.0,
8.0
Width of the frequency region
boosted/cut by the ‘Peaking Gain’
parameter (larger values make the
region narrower)

HF Damp

16–15000 Hz,
BYPASS
Frequency at which the high-fre-
quency content of the resonant
sound will be cut (BYPASS: no cut)

LF Damp

BYPASS,
16–15000 Hz
Frequency at which the low-frequen-
cy content of the resonant sound will
be cut (BYPASS: no cut)

Lid

1–6
This simulates the actual changes in
sound that occur when the lid of a
grand piano is set at different
heights.

EQ Low Freq

200, 400 Hz Frequency of the low-range EQ

EQ Low Gain

-15– +15 dB Amount of low-range boost/cut

EQ Mid Freq

200–8000 Hz Frequency of the midrange EQ

EQ Mid Gain

-15– +15 dB Amount of midrange boost/cut

EQ Mid Q

0.5, 1.0, 2.0, 4.0,
8.0
Width of midrange (larger values
make the region narrower)

EQ High Freq

2000, 4000, 8000
Hz Frequency of the high-range EQ

EQ High Gain

-15–+15 dB Amount of high-range boost/cut

Level

0–127 Output Level
L in
R in
L out
R out

Sym. Resonance

3-Band

EQ

3-Band

EQ
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