Convenient Functions

When you want to perform using a tuning other than equal

temperament, you’ll need to specify the keynote (tonic for

major, sixth for minor) appropriate for the key of the song

you want to play.

Key

Temperament Description

C4

Equal

With this tuning, the octave is divided

 

 

into twelve equal intervals. Regardless

 

 

of the interval, very little ambiguity is

 

 

produced.

D4

Pythagorean

Developed by the philosopher

 

 

Pythagoras as a method of tuning that

 

 

resolved the ambiguousness of fourths

 

 

and fifths. As a result, melodies sound

 

 

cleaner, but a certain amount of

 

 

ambiguousness is produced with

 

 

triads.

E4

Just Major

This tuning eliminates the

 

 

ambiguousness of fifths and thirds.

 

 

This tuning is not suitable for melodies,

 

 

and transposition is impractical, but

 

 

rich sonorities can be produced by

 

 

chords.

F4

Just Minor

Just Major and Minor tunings are

 

 

different. You can get the same effects

 

 

in the minor scale as in the major scale.

G4

Mean Tone

A partial compromise of the Just Major

 

 

tuning, created to make transposition

 

 

possible.

A4

Werckmeister

A combination of the Mean Tone and

 

 

Pythagorean tunings. This tuning can

 

 

be used in all keys.

B4

Kirnberger

As a result of improvements made to

 

 

the Mean Tone and Just temperaments,

 

 

it is relatively tolerant towards

 

 

transposition, and can be used to play

 

 

in all keys.

 

 

 

NOTE

When performing in ensemble with other instruments, be aware that depending on the key, there may be some shifting of the pitch. Please tune to the other instruments in the ensemble.

NOTE

When you play back a recorded performance, it will be played using the temperament that was selected at that time.

Changing Tuning Curves

Pianos are commonly tuned so pitches in the lower registers are adjusted relatively flat, and pitches in the higher registers are tuned sharper compared to equal temperament. This kind of tuning method for the piano is called “Stretch Tuning.”

The graphic representation of the differences in pitch when comparing equal-tempered tuning with the actual tuning used is called the “Tuning Curve.” Changing the tuning curve results in a subtle change in the sound of the chords. pt-2700 can switch the tuning curve.

“Type 2” (Stretch Tuning) is the power-on default for the tuning curve.

fig.7-10

Power

C3 D3

While holding down the [GRAND PIANO] button, [E.PIANO 1] button, and [STRINGS] button, the “C3” note to turn the setting Type 1, or press the “D3” note to turn the setting Type 2.

fig.7-11.e

Type 1 Type 2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

While holding down three buttons

C3D3

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Press one of these keys

Key

 

Type

Description

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

C3

 

Type 1

Standard tuning curve. This is the right

 

 

 

 

 

choice when using Dual Play (p. 16), or

 

 

 

 

 

when playing in ensemble with other

 

 

 

 

 

instruments.

D3

 

Type 2

A tuning curve wherein the low and

 

 

 

 

 

high registers are widened slightly—

 

 

 

 

 

low pitches are a little lower, the high

 

 

 

 

 

pitches a little higher (Stretch Tuning).

 

 

 

 

 

Appropriate for piano solos.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

NOTE

This setting is only available with piano tones.

29

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Image 29
Roland pt-2700 owner manual Changing Tuning Curves, Key Temperament Description