Convenient Functions
When you want to perform using a tuning other than equal
temperament, you’ll need to specify the keynote (tonic for
major, sixth for minor) appropriate for the key of the song
you want to play.
Key | Temperament Description | |
C4 | Equal | With this tuning, the octave is divided |
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| into twelve equal intervals. Regardless |
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| of the interval, very little ambiguity is |
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| produced. |
D4 | Pythagorean | Developed by the philosopher |
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| Pythagoras as a method of tuning that |
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| resolved the ambiguousness of fourths |
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| and fifths. As a result, melodies sound |
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| cleaner, but a certain amount of |
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| ambiguousness is produced with |
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| triads. |
E4 | Just Major | This tuning eliminates the |
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| ambiguousness of fifths and thirds. |
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| This tuning is not suitable for melodies, |
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| and transposition is impractical, but |
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| rich sonorities can be produced by |
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| chords. |
F4 | Just Minor | Just Major and Minor tunings are |
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| different. You can get the same effects |
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| in the minor scale as in the major scale. |
G4 | Mean Tone | A partial compromise of the Just Major |
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| tuning, created to make transposition |
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| possible. |
A4 | Werckmeister | A combination of the Mean Tone and |
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| Pythagorean tunings. This tuning can |
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| be used in all keys. |
B4 | Kirnberger | As a result of improvements made to |
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| the Mean Tone and Just temperaments, |
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| it is relatively tolerant towards |
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| transposition, and can be used to play |
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| in all keys. |
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NOTE
When performing in ensemble with other instruments, be aware that depending on the key, there may be some shifting of the pitch. Please tune to the other instruments in the ensemble.
NOTE
When you play back a recorded performance, it will be played using the temperament that was selected at that time.
Changing Tuning Curves
Pianos are commonly tuned so pitches in the lower registers are adjusted relatively flat, and pitches in the higher registers are tuned sharper compared to equal temperament. This kind of tuning method for the piano is called “Stretch Tuning.”
The graphic representation of the differences in pitch when comparing
“Type 2” (Stretch Tuning) is the
Power |
C3 D3
While holding down the [GRAND PIANO] button, [E.PIANO 1] button, and [STRINGS] button, the “C3” note to turn the setting Type 1, or press the “D3” note to turn the setting Type 2.
fig.7-11.e
Type 1 Type 2
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While holding down three buttons | C3D3 |
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| Press one of these keys | ||||||||||||||||
Key |
| Type | Description | ||||||||||||||||||
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C3 |
| Type 1 | Standard tuning curve. This is the right | ||||||||||||||||||
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| choice when using Dual Play (p. 16), or | ||||||||||||||||
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| when playing in ensemble with other | ||||||||||||||||
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| instruments. | ||||||||||||||||
D3 |
| Type 2 | A tuning curve wherein the low and | ||||||||||||||||||
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| high registers are widened slightly— | ||||||||||||||||
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| low pitches are a little lower, the high | ||||||||||||||||
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| pitches a little higher (Stretch Tuning). | ||||||||||||||||
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| Appropriate for piano solos. | ||||||||||||||||
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NOTE
This setting is only available with piano tones.
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