Guided Tour - S83 Main Section

output signal. At the fully clockwise (“+10”) position, approximately 10 db of gain is being added by the mixer to the output signal. For more information, see the “Setting Up and Using the S83/S63” section in this manual.

5:Phantom switch - When this switch is pressed in, the S83 delivers 48 volts of phantom power to pins 2 and 3 of all XLR microphone connectors in all eight channels. WARNING: Only use this switch with the S83 powered down. Before turning phantom power on, be sure to disconnect all non-microphone signal sources (such as direct injection boxes) from the XLR mic jacks. Although phantom power will have no adverse affect on connected dynamic microphones, it should be used only when one or more condenser microphones are connected to the S83. Refer to the owners manual of your microphone to determine whether or not it requires 48 volts phantom power—we cannot assume responsibility if you damage a mic by incorrectly applying S83 phantom power. If you’re not completely certain that one or more connected mics require 48 volts phantom power, leave this switch off (its out position).

6:Return 1-2 Level (green) - This knob determines the input level of signal arriving via Effects returns 1 and 2 (mixed together in mono). This signal is at unity gain (no boost or attenuation) when the knob set to the 0 position and is boosted when the knob is turned to the right of 0 and attenuated when turned to the left of 0. For information on how to properly set this, see the sections in this manual entitled “Setting Up and Using the S83/S63” and “Using the Effects Sends and Returns.”

7:Return 3-4 Level (green) - This knob determines the input level of signal arriving via Effects returns 3 and 4 (mixed together in mono). This signal is at unity gain (no boost or attenuation) when the knob set to the 0 position and is boosted when the knob is turned to the right of 0 and attenuated when turned to the left of 0. For information on how to properly set this, see the sections in this manual entitled “Setting Up and Using the S83/S63” and “Using the Effects Sends and Returns.”

8:Reverb Level (green) - This knob determines the level of the return signal from the internal reverb unit. The amount of incoming reverb signal is increased as the knob is turned clockwise. For more information, see the “Using the Effects Sends and Returns” section in this manual.

9:Monitor Level (green) - This knob determines the overall level of the signal being output from the rear panel Monitor jack. The amount of signal sent is increased as the knob is turned clockwise. For more information, see the “Using the Effects Sends and Returns” section in this manual.

10:Headphone Level (black) - This knob sets the level of the signal sent to the headphone jack. WARNING: To avoid possible damage to connected head- phones (or, worse yet, to your ears!), always turn this all the way off (to the fully counterclockwise “0” position) before plugging in a pair of headphones— then raise the level slowly while listening. The Headphone Level has no effect on the final output level.

11:Headphone jack - Connect any standard stereo headphones to this jack (via a standard 1/4” TRS plug) for private monitoring of the final output signal. NOTE: The S83 main speaker outputs are not muted when headphones are

inserted into the Headphone jack— to monitor your main mix in privacy, it is necessary to set the Main Level control to its fully counterclockwise (“∞ ”) position. The built-in S83 headphone amplifier delivers 20 mW into 8 ohms.

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Samson S63, S83 manual Guided Tour S83 Main Section
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S63, S83, S83 specifications

The Samson S63 and S83 microphones are notable products in the realm of professional audio equipment, offering high performance and reliability for various sound applications. These microphones cater to a wide range of users, from musicians to broadcast professionals, ensuring superior sound quality in every scenario.

The Samson S63 is a cardioid dynamic microphone renowned for its robust construction and versatility. It is designed to provide excellent sound capture, especially for live performances and studio recordings. One of its main features is its high output level, which enables the microphone to pick up sound effectively while minimizing background noise. The cardioid pattern is particularly useful for isolating the sound source, reducing the interference from other instruments or background sounds. The S63's frequency response spans from 50 Hz to 15 kHz, making it suitable for a variety of vocal ranges and instruments.

On the other hand, the Samson S83 is a boundary microphone that excels in capturing sound from a wider space, making it ideal for conference rooms, boardrooms, and live events. This microphone features a low-profile design that allows for discreet placement on surfaces, ensuring it blends into any environment. The S83 also employs an omnidirectional pickup pattern, allowing it to capture sound equally from all directions, which is essential in group settings or panel discussions. With a frequency response of 40 Hz to 20 kHz, the S83 ensures clarity for both speech and music.

Both the S63 and S83 are built with durability in mind, featuring sturdy metal construction that can withstand the rigors of frequent use. They also come equipped with internal pop filters, which help to reduce plosive sounds when speaking or singing closely into the microphones. Additionally, these microphones are compatible with various audio equipment, including mixers and audio interfaces, making them highly adaptable for different audio setups.

In summary, the Samson S63 and S83 microphones offer distinct advantages tailored to specific use cases. The S63 is perfect for vocalists and performers requiring a reliable dynamic microphone that handles sound isolation with ease. Meanwhile, the S83 serves as an excellent choice for capturing sound in a broader space, ideal for panel discussions and conferences. Together, they exemplify quality sound engineering and effectiveness essential for both live events and studio environments.
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