Quick Function Guide

Functions to adjust exposure (in the recording mode)

•In a dark place

NIGHTSHOT (p. 19)

•In insufficient light

Low lux mode (p. 37)

•In dark environments such as sunset, fireworks,

Sunset & moon mode (p. 37)

or general night views

 

•Shooting backlit subjects

BACK LIGHT (p. 19)

•In spotlight, such as at the theater or a formal

Spotlight mode (p. 37)

event

 

•In strong light or reflected light, such as

Beach & ski mode (p. 37)

at a beach in midsummer or on a ski slope

 

Functions to give images more impact (in the recording mode)

•Smooth transition between scenes

FADER (p. 31)

•Taking a still picture

PHOTO (p. 27)

•Digital processing of images

PICTURE EFFECT (p. 33)

•Processing a scene using digital effects

DIGITAL EFFECT (p. 35)

•Creating a soft background for subjects

Soft portrait mode (p. 37)

Functions to give a natural appearance to your recordings (in the recording mode)

•Preventing deterioration of picture quality in digital zoom

•Focusing manually •Shooting distant subjects •Recording fast-moving subjects

D ZOOM [MENU] (p. 76)

Manual focus (p. 40) Landscape mode (p. 37) Sports lesson mode (p. 37)

Functions to use in editing (in the recording mode)

•Watching the picture on a wide-screen TV

Wide mode (p. 29)

Functions to use after recording (in the playback mode)

•Digital processing of recorded images

PICTURE EFFECT (p. 42)

•Processing a recorded scene using digital effect

DIGITAL EFFECT (p. 43)

•Displaying the date/time or recording data

 

when you recorded

Data code (p. 23)

•Quickly locating a desired scene

Zero set memory (p. 41, 44, 53)

•Searching for scenes recorded in the

 

photo mode

Photo seach (p. 47)

•Scanning scenes recorded in the Photo mode

Photo scan (p. 48)

•Playing back on monaural sound or sub sound

HiFi SOUND [MENU] (p. 76)

•Playing back the picture on a TV without

LASER LINK (p. 26)

connecting a cord

 

Functions using the built-in flash memory

•Connecting to your PC

PC mode (p. 68)

•Recording still pictures at high quality

FRAME (p. 57)

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