Recording on MDs

Marking Track Numbers While Recording (Track Marking)

You can mark track numbers either manually or automatically. By marking track numbers at specific points, you can quickly locate the points later using the AMS Function or Editing Functions.

EDIT/NO YES

r

Marking track numbers manually (Manual Track Marking)

You can mark track numbers at any time while recording on an MD.

Press rat the place you want to add a track mark while recording.

To display “LEVEL-SYNC”

1While the recorder is stopped, press EDIT/NO twice to display “Setup Menu”.

2Turn AMS until “LevelSync?” appears in the display, then press AMS.

3Turn AMS until “LevelSync ON” appears in the display, then press AMS.

4Press EDIT/NO.

To cancel Automatic Track Marking

1Carry out Steps 1 and 2 in “To display “LEVEL-SYNC”” above.

2Turn AMS until “LevelSync OFF” appears in the display, then press AMS.

3Press EDIT/NO.

When you want to mark track numbers after you‘ve finished recording

Use the Divide Function (see “Dividing Recorded Tracks” on page 22.)

Note

If you turn off the recorder or disconnect the AC power cord, the recorder will recall the last setting (LevelSync ON or OFF) of the Automatic Track Marking Function the next time you turn on the recorder.

Marking track numbers automatically (Automatic Track Marking)

The recorder adds track marks differently in the following cases:

When recording from CDs or MDs with INPUT set to DIGITAL and the source connected through

DIGITAL IN:

The recorder marks track numbers automatically. When you record from a CD or MD, the track numbers are marked as they are found on the original.

In the case other than the above

While “LEVEL-SYNC” appears in the display, the recorder marks a new track number whenever the signal level drops and rises to a certain point (Automatic Track Marking). If “LEVEL-SYNC” does not light up, set the LevelSync to ON as follows:

Starting Recording With

6 Seconds of Prestored Audio

Data (Time Machine Recording)

When recording from an FM or satellite broadcast, the first few seconds of material are often lost due to the time it takes you to ascertain the contents and press the record button. To prevent the loss of this material, the Time Machine Recording Function constantly stores 6 seconds of the most recent audio data in the buffer memory so that when you begin recording the program source, the recording actually begins with the 6 seconds of audio data stored in the buffer memory in advance, as shown in the illustration below:

When you press

End of the program

AMS in Step 3

source to be recorded

Time Audio data in 6-second buffer memory

Recorded portion

Beginning of the program source to be recorded

12

1/09-14_MDS-E52.12E

12

99.1.29, 10:20 AM

Actual total number:

Sony Sound Tec MDS-E52(E) 2-346-702-12(1)

 

 

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Sony MDS-E52 manual To display LEVEL-SYNC, To cancel Automatic Track Marking, Case other than the above

MDS-E52 specifications

The Sony MDS-E52 is a remarkable piece of audio technology introduced as part of the MiniDisc lineup, which was popular during the late 1990s and early 2000s. This device exemplifies Sony's commitment to high-quality sound and innovative features, making it an appealing option for audiophiles and casual listeners alike.

At its core, the MDS-E52 is a MiniDisc recorder that allows users to record and playback digital audio on MiniDiscs. One of its defining features is the Adaptive TRK function, which enables the unit to automatically allocate recording space depending on the length of the audio being captured. This functionality ensures that users can maximize the capacity of their MiniDiscs, accommodating various recording lengths without wasting valuable space.

The MDS-E52 supports various recording modes, including SP (Standard Play), LP2 (Long Play 2), and LP4 (Long Play 4), allowing users to choose between sound quality and recording time. In SP mode, the highest audio fidelity is achieved, while LP modes extend recording time significantly—up to four times the capacity of a standard MD in LP4 mode. This versatility makes it suitable for both high-quality music playback and lengthy voice recordings.

Moreover, the MDS-E52 boasts a digital optical input, making it easy to connect to other digital audio devices. This feature facilitates high-quality audio transfers, preserving the integrity of the sound during recording. The built-in A/D converter ensures that analog audio signals are accurately converted to a digital format, thereby maintaining sound clarity.

Another significant technological advancement of the MDS-E52 is its ability to edit recordings post-capture. Users have the freedom to create playlists, erase tracks, and move audio segments with ease, providing a level of flexibility that earlier formats didn't offer. The user-friendly interface, complete with a clear display and intuitive controls, enhances the overall user experience.

Additionally, the MDS-E52 features a variety of playback options, including shuffle and repeat modes, which allow users to enjoy their favorite tracks in a customizable manner. Its compact design makes it easy to integrate into various audio setups, whether at home or on the go.

Overall, the Sony MDS-E52 stands out as a noteworthy example of early digital audio technology, combining high-quality sound, versatility in recording capabilities, and user-friendly features. Its legacy is marked by its contribution to the evolution of portable and digital music formats, making it a cherished piece of equipment for many music enthusiasts.