What cords will I need?

• Audio connecting cords (pin type)

White

White

(L)

(L)

Red

Red

(R)

(R)

 

Optical cable

Coaxial digital connecting cable

Control-S cord (mini jack type)

Connection

Connecting the recorder to an analog component such as a mixer, etc.

ANALOG INPUT

ANALOG (BAL) OUTPUT

SELECTOR Switch

LEVEL Switch

LINE(ANALOG)

 

DIGITAL

 

CTRL-S

REMOTE

ANALOG INPUT

ANALOG (BAL)

 

 

ANALOG (BAL)

 

 

IN

OUT

COAXIAL

COAXIAL

 

RS-232C

SELECTOR

OUTPUT LEVEL

R

IN

L

R

OUT

L

L

 

IN

OUT

IN

OUT

IN

 

UNBAL

BAL

-10dBu

+4dBu

 

 

 

 

 

 

R

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

ANALOG (UNBAL)

ANALOG (BAL)

IN/OUT Jack

IN/OUT Connector

Two kinds of connection as follows are possible by switching the ANALOG INPUT SELECTOR switch.

When the SELECTOR switch is set to BAL

The signals are input or output from the ANALOG (BAL) IN/OUT connector (XLR-3-31, XLR-3-32 equivalent).

XLR connector XLR-3-31

XLR connector XLR-3-32

equivalent

 

 

equivalent

 

 

 

Press here to disconnect.

Align

Press here to

disconnect.

 

 

1: GND

 

 

 

1: GND

2

 

1

 

1

 

2

 

 

2: HOT

 

 

Align

3

 

 

3

2: HOT

 

 

 

 

 

 

3: COLD

 

 

 

3: COLD

 

 

 

 

 

The OUTPUT LEVEL can be selected -10dBu or +4dBu by the ANALOG (BAL) OUTPUT LEVEL switch.

When the SELECTOR switch is set to UNBAL

The signals are input or output from the ANALOG (UNBAL) IN/OUT jack. Be sure to match the color-coded cords to the appropriate jacks on the components: red (right) to red and white (left) to white. Be sure to make connections firmly to prevent hum and noise.

MD recorder

ç

Mixer

LINE(ANALOG)

2TR

IN OUT

 

OUT IN

L

 

L

R

 

R

Ç

ç: Signal flow

zRegardless of the setting of the ANALOG INPUT switch, signals are transferred to both the UNBAL and BAL output terminals.

1/04-05_MDS-E52.12E5

Getting Started

Connecting the recorder to a digital component such as a CD player, DAT recorder, another MD recorder, or mixer

Connect the component through the DIGITAL IN/OUT connectors with two optical cables or coaxial digital connecting cables.

Using the optical cables

Take the caps off the connectors before plugging in the cables.

MD recorder

Digital component

DIGITAL

DIGITAL

OPTICAL

COAXIAL

OPTICAL

IN OUT

IN OUT

 

 

 

IN OUT

 

 

Ç

Ç

ç: Signal flow

• Using the coaxial digital connecting cables

MD recorder

Digital component

DIGITAL

DIGITAL

OPTICAL

COAXIAL

COAXIAL

IN OUT

IN OUT

 

 

 

IN OUT

 

 

Ç

Ç

ç: Signal flow

zAutomatic conversion of digital sampling rates during recording

A built-in sampling rate converter automatically converts the sampling frequency of various digital sources to the 44.1 kHz sampling rate of your MD recorder.

This allows you to record sources such as 32 and

48 kHz DAT or satellite broadcasts, as well as compact discs and other MDs.

Connecting the AC power cord

Connect the AC power cord to a wall outlet.

5

99.1.29, 10:20 AM

Actual total number:

Sony Sound Tec MDS-E52(E) 2-346-702-12(1)

 

 

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Sony MDS-E52 manual Connection, Connecting the AC power cord, What cords will I need?

MDS-E52 specifications

The Sony MDS-E52 is a remarkable piece of audio technology introduced as part of the MiniDisc lineup, which was popular during the late 1990s and early 2000s. This device exemplifies Sony's commitment to high-quality sound and innovative features, making it an appealing option for audiophiles and casual listeners alike.

At its core, the MDS-E52 is a MiniDisc recorder that allows users to record and playback digital audio on MiniDiscs. One of its defining features is the Adaptive TRK function, which enables the unit to automatically allocate recording space depending on the length of the audio being captured. This functionality ensures that users can maximize the capacity of their MiniDiscs, accommodating various recording lengths without wasting valuable space.

The MDS-E52 supports various recording modes, including SP (Standard Play), LP2 (Long Play 2), and LP4 (Long Play 4), allowing users to choose between sound quality and recording time. In SP mode, the highest audio fidelity is achieved, while LP modes extend recording time significantly—up to four times the capacity of a standard MD in LP4 mode. This versatility makes it suitable for both high-quality music playback and lengthy voice recordings.

Moreover, the MDS-E52 boasts a digital optical input, making it easy to connect to other digital audio devices. This feature facilitates high-quality audio transfers, preserving the integrity of the sound during recording. The built-in A/D converter ensures that analog audio signals are accurately converted to a digital format, thereby maintaining sound clarity.

Another significant technological advancement of the MDS-E52 is its ability to edit recordings post-capture. Users have the freedom to create playlists, erase tracks, and move audio segments with ease, providing a level of flexibility that earlier formats didn't offer. The user-friendly interface, complete with a clear display and intuitive controls, enhances the overall user experience.

Additionally, the MDS-E52 features a variety of playback options, including shuffle and repeat modes, which allow users to enjoy their favorite tracks in a customizable manner. Its compact design makes it easy to integrate into various audio setups, whether at home or on the go.

Overall, the Sony MDS-E52 stands out as a noteworthy example of early digital audio technology, combining high-quality sound, versatility in recording capabilities, and user-friendly features. Its legacy is marked by its contribution to the evolution of portable and digital music formats, making it a cherished piece of equipment for many music enthusiasts.