Therefore, although it may result in a setting contrary to the above explanation, we recommend that you playback multi channel surround encoded software and select the setting that provides a good sense of spaciousness and that best succeeds in forming a cohesive space between the surround sound from the surround speakers and the sound of the front speakers. If you are not sure which sounds best, select “BEHD” and then use the speaker distance parameter and speaker level adjustments to obtain proper balance.
xCROSS > XXX Hz(Speaker crossover frequency)Initial setting: 100 Hz
Lets you set the bass crossover frequency of speakers set to “SMALL” in the SP. SET UP menu. You can adjust the bass crossover frequency in three steps (60 Hz, 100 Hz, and 150 Hz).
Advanced LEVEL menu parametersWhen “MENU EXP.” is set to “ON”, all of the following parameters are displayed and adjustable.
See page 38 for the LEVEL menu adjustments. Initial settings are underlined.
All LEVEL menu parametersTEST TONE
PHASE NOISEa)
PHASE AUDIOa)
BAL. L_I_R
CENTER XXX.X dB
SURR L XXX.X dB
SURR R XXX.X dB
SB XXX.X dBb)
SB LEFT XXX.X dBc)
SB RIGHT XXX.X dBc)
SW XXX.X dB
MULTI 1 SW XXX dB
MULTI 2 SW XXX dB
D. COMP.a)
EFFECT LEVEL XXX%
a)Adjustable only when “MENU EXP.” is set to “ON”.
b)When surround back speaker is set to “SINGLE” or “YES” (page 21).
c)When surround back speaker is set to “DUAL”
Initial setting: OFF
Lets you output the test tone sequentially from adjacent speakers.
x PHASE AUDIO (Phase audio)Initial setting: OFF |
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Lets you output the front 2 channel source sound |
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(instead of the test tone) sequentially from adjacent |
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Advanced | ||
speakers. | ||
Lets you compress the dynamic range of the sound | ||
x D. COMP. |
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(Dynamic range compressor) | Adjustments | |
track. This may be useful when you want to watch | ||
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movies at low volumes late at night. |
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• OFF |
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The dynamic range is not compressed. |
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• STD |
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The dynamic range is compressed as intended by the | and | |
recording engineer. | ||
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• MAX | Settings | |
The dynamic range is compressed dramatically. | ||
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Tip |
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Dynamic range compressor lets you compress the |
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dynamic range of the soundtrack based on the dynamic |
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range information included in the Dolby Digital signal. |
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“STD” is the standard setting, but it only enacts light |
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compression. |
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Therefore, we recommend using the “MAX” setting. |
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This greatly compresses the dynamic range and lets |
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you view movies late at night at low volumes. Unlike |
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analog limiters, the levels are predetermined and |
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provide a very natural compression. |
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Note |
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Dynamic range compression is possible with Dolby |
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Digital sources only. |
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continued