2Cue the playback point to the place that you want to start recording.

3Press the READY key [7] to put the MD-801 into play ready mode. This step is the primary difference between replace recording and ordi- nary post-script recording.

4Press and hold down the RECORD key [8] and press the READY key. The display will show:

Replace REC

5To start recording, press PLAY [6]. When you have finished recording, press STOP [5].

If you want to cancel the recording operation after step 4, press the STOP key [5].

NOTES

You cannot use the input monitor function before entering the replace record mode. You must stop the transport first if you want to use the record monitor function.

Many replace recording functions carried out on the same track may result in sections which it is later impossible to combine using the edit functions.

4.3.7 Sound synchro recording

With this facility, the MD-801 goes from record ready to record mode when a signal threshold is exceeded. The threshold is the same as for the Auto Cue function (4.2.12, "Cueing to the first audio posi- tion in a track") and is set in the Auto Cue menu (3.3, "Auto cue").

The facility also allows the unit to go automatically from recording to record ready mode, if the input sig- nal drops below the threshold and stays at this lower level for five successive seconds.

1Make sure the MD-801 is recording or in record ready mode.

2Use the “previous” TRACK key [4] to toggle between turning the Sound Synchro function on and off (the screen below shows it turned on).

S _ SYNC ON

If the MD-801 is in record ready mode, start playing the source. As soon as the signal level goes above the threshold, the MD-801 will go from record ready to record mode.

If the MD-801 is in record mode, it will drop back to

4 - Recording operations

record ready mode as soon as a period of relative silence of more than five seconds in length is detected. Recording will start again as soon as a sig- nal which is over the threshold is detected again, and the Sound Synchro mode is still on.

NOTE

If the Sound Synchro mode is on, and a man- ual change is made from record ready to record (or the other way round), the Sound Synchro mode is automatically turned off.

4.3.8 Digital recording

Since the MD-801 incorporates a frequency conver- tor, digital recordings can be made from a wide vari- ety of sources, including sources played back at non- standard frequencies (varispeed and pitch shifting are therefore possible).

1Set the INPUT selection switch [28] to

DIGITAL.

2Set the DIGITAL INPUT selection switch [29] to either AES/EBU or COAXIAL, depending on the source.

NOTE

When recording from a digital source, remem- ber that the input level controls [27] have no effect.

3If you require mono recording (uses the left channel only, and doubles the available record- ing time), set the REC MODE switch [30] to MONO, otherwise, make sure it is set to

STEREO.

4Press and hold down the RECORD key [8] and press the READY key.

5Start recording by pressing the PLAY key [6], and finish by pressing the STOP key [5].

NOTES

If the selected digital input is not correctly connected, or is not present, the D-IN UNLOCK! message will appear on the display to inform you of this.

If the digital input signal is interrupted and resumes within 30 seconds of the interruption, a new track will be started on the MD-801, with a number that is one higher than the pre-

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Tascam MD-801R/P Mk II, MD-801P Mk II owner manual Sound synchro recording, Digital recording

MD-801R/P Mk II, MD-801P Mk II specifications

The Tascam MD-801P Mk II and MD-801R/P Mk II are professional MiniDisc players and recorders that cater to a wide range of audio applications. Recognized for their resilient build quality and impressive sound fidelity, these models bring versatility and reliability to both studio and live environments.

One of the standout features of the MD-801P Mk II and MD-801R/P Mk II is their compatibility with both Playback and Recording functionalities. With support for the MiniDisc format, these devices enable users to record and playback high-quality audio. The MD-801P Mk II focuses on playback, while the MD-801R/P Mk II combines recording and playback capabilities, making it suitable for various audio production needs.

Another notable feature is their digital input and output. Both models are equipped with optical digital connections, ensuring minimal signal degradation during transfer. This is especially valuable for professionals looking to maintain the integrity of their recordings. Additionally, the devices offer analog connections, enhancing their versatility and enabling integration into different audio setups.

The MD-801P Mk II and MD-801R/P Mk II benefit from advanced error correction technology. This aids in maintaining audio quality, even when the disc is scratched or other minor issues occur. The robust error correction systems allow for reliable performance that professionals can depend on, whether in mastering sessions or during live events.

The user interface is designed with simplicity in mind. The clear LCD display provides essential information at a glance, while the intuitive layout of controls allows for easy navigation through functions and settings. Fast access to features like track selection and recording settings empowers users to focus on creativity without unnecessary distractions.

Furthermore, the compact form factor of the MD-801 series makes them ideal for mobile applications, fitting well into both travel and live sound rig setups. Their sturdy construction protects against the rigors of transport, securing the investment for audio professionals.

In conclusion, the Tascam MD-801P Mk II and MD-801R/P Mk II stand out as dependable tools for musicians, sound engineers, and content creators. By combining high-quality audio handling, strong build design, and user-friendly operation, these MiniDisc recorders play an essential role in various audio workflows, ensuring that the delivery of audio remains exceptional and professional.