4 - Recording operations

vious one. If the digital signal is not resumed within 30 seconds of interruption, recording will stop.

As mentioned earlier, 4.3.4, "Track number incrementing", when digital recordings are made through the COAXIAL inputs, track numbers are incremented automatically as PQ code is read from CD or MD, or START IDs are read from DAT. However, if a source track is less than three seconds in length, a new track will probably not be started on the MD-801.

4.3.9 Analog recording

1Set the INPUT selection switch [28] to

ANALOG.

2Set the ANALOG INPUT switch [31] to UNCAL or CAL.

UNCAL enables the input level controls, while CAL disables them, and inputs the analog signal “as given”. In this case, a signal input received at nomi- nal level (+ 4dB in the case of the balanced inputs1, and –10 dB in the case of the unbalanced inputs) will register –16 dB. You should take care that analog signals never go more than 16 dB above the nominal level, or clipping will occur.

If your program material includes such passages, re suggest that you use the UNCAL setting, and attenu- ate the signal a little using the input level controls.

3If you require mono recording (combines the left and right channels, and doubles the avail- able recording time), set the REC MODE switch [30] to MONO, otherwise, make sure it is set to STEREO.

4Press and hold down the RECORD key [8] and press the READY key.

5Start recording by pressing the PLAY key [6], and finish by pressing the STOP key [5].

Track numbering is incremented as described in 4.3.4, "Track number incrementing".

1.Provided that the trimmer potentiometers at the balanced inputs have been left in the posi- tion as shipped from the factory. If these set- tings have been changed, the reference level will be altered accordingly.

4.3.10Track title copying together with audio

This is a special case when making copies between two MD-801 units. Titles may be copied in either the analog or the digital copying modes.

A special optional cable (PW-1XMD) is required, to link the two serial ports of the two units [45]. Set up the serial communication parameters to the default values, as described in 3.11, "Serial communica- tions", with the baud rate set to 9600.

Apart from ensuring that this connection is made, there are no special settings to be made on the master (source) unit.

To copy titles along with the audio data:

1Put the slave unit into record ready mode.

2Press the RECORD key (again on the slave unit). The display shows:

A - TitleW ON

3Use the RECORD key to toggle this mode between on and off.

4The title will now be copied automatically when the mode is set to on, and the track number on the slave is incremented (see 4.3.4, "Track num- ber incrementing" for details of when tracks are incremented).

In addition, you can copy the title of the current track of the master unit by pressing RECORD on the slave unit when it is in record mode, and the track title copy mode is on.

The Sound Synchro function (see 4.3.7, "Sound synchro recording") can be used for automati- cally putting the slave unit from record ready to record when the master unit’s audio level exceeds a threshold.

NOTE

Tracks of less than seven seconds in length cannot have their titles copied automatically in this way. You will have to copy the titles man- ually in these cases.

For information regarding the copying of disc titles between MD-801 units using the serial link, see 5.11.6, "Copying disc and track titles".

4–8TASCAM MD-801R/P Mk II

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Tascam MD-801P Mk II, MD-801R/P Mk II owner manual Analog recording, 10Track title copying together with audio

MD-801R/P Mk II, MD-801P Mk II specifications

The Tascam MD-801P Mk II and MD-801R/P Mk II are professional MiniDisc players and recorders that cater to a wide range of audio applications. Recognized for their resilient build quality and impressive sound fidelity, these models bring versatility and reliability to both studio and live environments.

One of the standout features of the MD-801P Mk II and MD-801R/P Mk II is their compatibility with both Playback and Recording functionalities. With support for the MiniDisc format, these devices enable users to record and playback high-quality audio. The MD-801P Mk II focuses on playback, while the MD-801R/P Mk II combines recording and playback capabilities, making it suitable for various audio production needs.

Another notable feature is their digital input and output. Both models are equipped with optical digital connections, ensuring minimal signal degradation during transfer. This is especially valuable for professionals looking to maintain the integrity of their recordings. Additionally, the devices offer analog connections, enhancing their versatility and enabling integration into different audio setups.

The MD-801P Mk II and MD-801R/P Mk II benefit from advanced error correction technology. This aids in maintaining audio quality, even when the disc is scratched or other minor issues occur. The robust error correction systems allow for reliable performance that professionals can depend on, whether in mastering sessions or during live events.

The user interface is designed with simplicity in mind. The clear LCD display provides essential information at a glance, while the intuitive layout of controls allows for easy navigation through functions and settings. Fast access to features like track selection and recording settings empowers users to focus on creativity without unnecessary distractions.

Furthermore, the compact form factor of the MD-801 series makes them ideal for mobile applications, fitting well into both travel and live sound rig setups. Their sturdy construction protects against the rigors of transport, securing the investment for audio professionals.

In conclusion, the Tascam MD-801P Mk II and MD-801R/P Mk II stand out as dependable tools for musicians, sound engineers, and content creators. By combining high-quality audio handling, strong build design, and user-friendly operation, these MiniDisc recorders play an essential role in various audio workflows, ensuring that the delivery of audio remains exceptional and professional.