R E P E AT

mode, the indicator will be shown on the dis- play. See 4.2.9, "Repeat playback" for further details of this mode.

R[27] INPUT LEVEL controls

These controls adjust the level of the signal at the analog connectors selected using the INPUT selec- tion switch [28] (either the balanced inputs [36] or the unbalanced inputs [37]) when the ANALOG INPUT switch [31] is set to UNCAL.

When these controls are at about the “12 o’clock” position, they represent a nominal level for the unbal- anced inputs (and for the balanced inputs if the trim- mer potentiometers of the balanced inputs are still at the factory positions).

If the REC MODE switch [30] is set to the MONO position, the L (MONO) INPUT control is used to control the level of the monaural signal.

NOTE

The level of signals received at the digital inputs [32] and [34] cannot be adjusted.

R[28] INPUT selection switch

Use this switch to choose between the unbalanced analog inputs (UNBAL [37]), the balanced analog inputs (BAL [36]) or digital input (DIGITAL).

R[29] DIGITAL INPUT switch

Use this switch to choose between the AES/EBU digital input [32] and the COAXIAL digital input [34] when the INPUT selection switch [28] is set to the DIGITAL position.

R[30] REC MODE switch

Use this switch to choose between monaural and ste- reo recording.

In monaural recording mode, the left and right sig- nals are combined, and only the left INPUT level control [27] is used to control the level of the analog signals.

In monaural recording, twice the recording time is available on a disc than when recording in stereo.

R[31] ANALOG INPUT switch

When an analog input has been selected using the INPUT selection switch [28], you can use this switch to bypass the INPUT level controls [27].

When this switch is in the CAL position, these con- trols are bypassed, and have no effect. Signals are

2 - Display

neither boosted nor attenuated, and a nominal signal will be received at the standard level of either +4 dBu (balanced, [36]) or –10 dBV (unbalanced, [37]).

A signal at the nominal analog level (0 dB) will show as a reading of –16 dB on the unit’s meters (put another way, there is 16 dB of headroom available on the MD-801 relative to the nominal 0dB point).

2.2 Display

The different indicators and parts of the display are shown here. We refer to the parts of the display which light and show preset messages as “preset indicators” or simply “indicators”.

(1) RESUME indicator

Lights when the resume mode is enabled from a menu (see 3.6, "Resume setting").

(2)indicator

Lights when the entry of Japanese katakana charac-

ters (is the word “katakana” written in katakana characters) is enabled, and will light if the TITLE key [16] is pressed when the MEMO IN/ CAPS indicator [23] is lit. Press the TITLE key once more to turn this off, and return to the entry of alpha- numeric characters.

(3) CAPS indicator

Lights when capital (uppercase) letters are being used for title entry and editing (see [23]).

(4) EDIT indicator

Lights when the unit is in EDIT mode. See 5, "Edit- ing operations" for details of editing operations.

(5) DATE indicator

Lights when the unit is displaying the date on which a recording was made (the MD-801R records the date automatically). See 4.2.18, "Setting the time and date" for details of facility.

TASCAM MD-801R/P Mk II 2–6

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Tascam MD-801R/P Mk II, MD-801P Mk II owner manual Display

MD-801R/P Mk II, MD-801P Mk II specifications

The Tascam MD-801P Mk II and MD-801R/P Mk II are professional MiniDisc players and recorders that cater to a wide range of audio applications. Recognized for their resilient build quality and impressive sound fidelity, these models bring versatility and reliability to both studio and live environments.

One of the standout features of the MD-801P Mk II and MD-801R/P Mk II is their compatibility with both Playback and Recording functionalities. With support for the MiniDisc format, these devices enable users to record and playback high-quality audio. The MD-801P Mk II focuses on playback, while the MD-801R/P Mk II combines recording and playback capabilities, making it suitable for various audio production needs.

Another notable feature is their digital input and output. Both models are equipped with optical digital connections, ensuring minimal signal degradation during transfer. This is especially valuable for professionals looking to maintain the integrity of their recordings. Additionally, the devices offer analog connections, enhancing their versatility and enabling integration into different audio setups.

The MD-801P Mk II and MD-801R/P Mk II benefit from advanced error correction technology. This aids in maintaining audio quality, even when the disc is scratched or other minor issues occur. The robust error correction systems allow for reliable performance that professionals can depend on, whether in mastering sessions or during live events.

The user interface is designed with simplicity in mind. The clear LCD display provides essential information at a glance, while the intuitive layout of controls allows for easy navigation through functions and settings. Fast access to features like track selection and recording settings empowers users to focus on creativity without unnecessary distractions.

Furthermore, the compact form factor of the MD-801 series makes them ideal for mobile applications, fitting well into both travel and live sound rig setups. Their sturdy construction protects against the rigors of transport, securing the investment for audio professionals.

In conclusion, the Tascam MD-801P Mk II and MD-801R/P Mk II stand out as dependable tools for musicians, sound engineers, and content creators. By combining high-quality audio handling, strong build design, and user-friendly operation, these MiniDisc recorders play an essential role in various audio workflows, ensuring that the delivery of audio remains exceptional and professional.