Due to the flexibility of your ToneLab, mixing and matching all of the amp and cabinet models can be done with the turn of a switch, without any risk of blow- ing the speakers up. Something that cannot be done in real life (unfortu- nately!). This capability can lead to some very interesting combinations, some useful, perhaps some not, but only you can decide what is useful to you, as your tone requirements are unique. Please feel free to explore all combinations of amps and cabinets. That is the beauty of ToneLab.
NOTE: Product names appearing in this manual are trademarks of their respective owners, which are not associated or affiliated with VOX in any way. Names and descriptions of these products are provided only for the purpose of identifying spe- cific products that were studied by VOX in the course of developing this product.
C. PEDAL EFFECTS
The pedal effects are placed in front of the amp.
PEDAL | DRIVE: knob 1 | TONE: knob 2 | LEVEL: knob 3 |
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COMP | “SENS” 1.0... | 10.0 | “ATTACK” 1.0 10.0... | “LEVEL” 0.0... | 10.0 |
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ACOUSTIC | “BASS” 0.0... | 10.0 | “BODY” 1.0... | 10.0 | “TREBLE” 0.0 10.0... |
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VOX WAH | “CLOSE” 1.0... | 10.0 | “PEDAL” 0.0... | 10.0 | “OPEN” 1.0... | 10.0 |
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AUTO WAH | “SENS” 0.0... | 10.0 | “ATTACK” 1.0 10.0... | “POLARITY” uP, dn |
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“SPEED” 1.00... | 10.00 | “MIX” 0.0...10.0 | “DEPTH” 0.0... | 10.0 |
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OCTAVE | “1OCTAVE” 0.0... | 10.0 | “DIRECT” 0.0 10.0... | “2OCTAVE” 0.0 10.0... | ||||
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TREBLE BOOST | “DRIVE” 1.0... | 10.0 | “TONE” 1.0... | 10.0 | “LEVEL” 0.0... | 10.0 |
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TUBE OD | “DRIVE” 1.0... | 10.0 | “TONE” 1.0... | 10.0 | “LEVEL” 0.0... | 10.0 |
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FAT OD | “DRIVE” 1.0... | 10.0 | “TONE” 1.0... | 10.0 | “LEVEL” 0.0... | 10.0 |
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FUZZ | “DRIVE” 1.0... | 10.0 | “TONE” 1.0... | 10.0 | “LEVEL” 0.0... | 10.0 |
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1. OFF
Select this when you don’t want to use a PEDAL effect.
2. COMP
Gotta play a clean passage that needs to be nice, smooth and even? Need a hair more sustain on a lead line? Then, look no further; COMP is the pedal for you. Modelled on a compressor pedal that is hugely popular due to the percussive clean sound it can produce - making it perfect for ’80s and ’90s pop and funk rhythm work. It can also add a singing, mellow sustain to lead lines - clean or dirty.
[1] “SENS” 1.0...10.0 Adjusts the sensitivity of the compressor (i.e. when its “smoothing” effect kicks in). The amount of compres- sion/sustain will increase the more you turn this control up.
[2]“ATTACK” 1.0...10.0 Adjusts the strength of the attack.
[3]“LEVEL” 0.0...10.0 Adjusts the output level.
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