AX-397

STANDBY

 

 

 

 

 

 

 

 

POWER

AUX

MD

TAPE

CD/DVD

TUNER

PHONO

TAPE MONITOR

CD/DVD DIRECT AMP

ON

OFF

 

 

 

 

 

 

 

 

 

 

 

 

16

 

 

 

 

 

 

 

 

 

 

 

20

12

 

 

 

 

 

 

 

 

 

 

 

VOLUME

 

INPUT

 

 

 

 

 

 

 

 

 

 

26

8

PHONES

SPEAKERS

BASS

TREBLE

BALANCE

LOUDNESS

 

 

 

A

B

1

1

1

1

1

1

1 FLAT

–30dB

40

4

 

2

2

2

2

2

2

2

10

STANDBY

 

 

3

3

3

3

3

3

3

9

 

 

/ON

 

 

 

 

 

ON

OFF

4

4

4

4

4

4

4

8

 

 

 

 

 

5

5 +

5

5 +

L 5

5 R

5 6 7

 

60

2

0

-dB

23

1Play the source.

2Rotate the INPUT selector on the front panel (or press one of the input selector buttons on the remote control) to select the input source you want to listen to.

INPUT

 

 

 

POWER

or

CD/DVD

PHONO

TUNER STANDBY

 

MD

TAPE

AUX

Front panel

Remote control

Note

You cannot select any input source while the TAPE MONITOR indicator on the front panel lights up.

3Rotate VOLUME on the front panel (or press VOLUME +/– on the remote control) to adjust the sound output level.

 

16

20

12

VOLUME

26

 

8

 

+

40

 

4

or

VOLUME

60

 

2

 

0

 

 

 

 

-dB

 

 

 

Front panel

 

 

Remote control

PLAYING AND RECORDING

4Begin recording on the tape deck or the MD recorder.

y

If the 3-head tape deck is used for recording, you can monitor the sound of recording by pressing TAPE MONITOR.

OPERATION

15

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Image 19
Yamaha AX-397, AX-497 owner manual Begin recording on the tape deck or the MD recorder

AX-397, AX-497 specifications

The Yamaha AX-497 and AX-397 are two notable integrated amplifiers from Yamaha's renowned hi-fi audio lineup, designed to deliver exceptional sound quality and performance for audiophiles and music enthusiasts alike. While both models share a strong foundation, they exhibit distinct features and technologies that cater to different listening preferences.

The Yamaha AX-497 is the more advanced of the two, boasting a power output of 80 watts per channel at 8 ohms, which provides ample power for driving various speakers effectively. The AX-497 utilizes Yamaha's proprietary ToP-ART (Total Purity Audio Reproduction Technology) design, which focuses on preventing signal degradation and ensuring a clean, natural sound. This model features a discrete amplifier configuration, providing lower distortion levels and a more dynamic soundstage.

One of the standout features of the AX-497 is its comprehensive tone control system. Users can finely adjust the bass, treble, and balance, allowing for personalized sound tailored to individual preferences and room acoustics. Additionally, the AX-497 includes a direct input for bypassing tone controls during critical listening sessions, effectively providing an uncolored sound reproduction.

On the other hand, the Yamaha AX-397 offers a slightly reduced power output of 60 watts per channel at 8 ohms, making it suitable for smaller speaker systems and listening environments. Despite this lower output, the AX-397 still maintains an impressive sound quality, thanks to a similar ToP-ART design that ensures purity in audio reproduction.

The AX-397 is equipped with a high-quality phono stage, allowing for a seamless connection with turntables, which is becoming increasingly popular among vinyl enthusiasts. Additionally, it features a simple yet elegant user interface with easy-to-use controls for volume, input selection, and tone adjustments.

Both models utilize a robust build quality, reflecting Yamaha's commitment to durability and longevity. The sleek design of the amplifiers complements any audio setup, adding a touch of sophistication.

In summary, the Yamaha AX-497 and AX-397 integrated amplifiers are distinguished by their power outputs, features, and target users. The AX-497 is ideal for those seeking higher power and extensive control over sound, while the AX-397 suits casual listeners who appreciate quality sound in a more compact form. Regardless of the choice, both amplifiers exemplify Yamaha's dedication to delivering superior audio experiences.