Programs No. 13 through No. 16 reproduces video discs, video tapes and similar sources which are Dolby Surround encoded and bear the “DOLBY SURROUND” logo.
13. 70 mm MOVIE THEATER 1: | 15. PRO LOGIC: |
This program is ideal for precisely reproducing the sound design | The digital Dolby Pro Logic decoder reproduces sounds and |
of the newest movies. The sound field is made according to the | sound effects of a source encoded in Dolby Surround. The |
design of the newest movie theaters, so the reverberations of the | realization of a highly efficient decoding process improves |
sound field itself are restrained as much as possible. The three | crosstalk and channel separation and makes sound positioning |
dimensional feeling of the sound field is emphasized, and dialog | smoother and more precise. |
is precisely oriented on the screen. You can enjoy watching |
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S.F.X., adventure movies, etc. with this program. |
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14. 70 mm MOVIE THEATER 2: | 16. PRO LOGIC ENHANCED: |
This program is for reproducing sounds on a 70 mm | This program ideally simulates the |
film, and characterized by a soft and extensive sound field. The | systems of the 35 mm film theater. Surround signals by the Dolby |
front presence side of the sound field is relatively narrow. It | Pro Logic decoder are processed on the surround side of the |
spatially spreads all around and toward the screen, restraining | sound field based on the data of the sound field of a |
echo effect of conversations without losing clarity. For the | hall. The surround effects produced by this sound field folds the |
surround side, the data of the sound field of an opera house is | viewer naturally from the rear to the left and right and toward the |
used on an enlarged scale, so the harmony of music or chorus | screen. |
sounds beautifully in a wide space at the rear of the sound field. |
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NOTE: The Dolby Pro Logic Surround system is designed to be used with program material (mainly videotaped movie soundtracks) encoded with the Dolby Surround system.
NOTE: If the main and center channel sound is considerably altered by overadjustment of the BASS or TREBLE controls, the relationship with the rear channels may produce an unnatural effect.
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