Yamaha DSP-A970 VIDEO SUPERIMPOSE

VIDEO SUPERIMPOSE

If you connect your video cassette recorder, video disc player, video monitor, etc. to this unit, you can take advantage of this unit’s capability to display program titles, parameter data and information about other various settings and adjustments on your video monitor’s screen. This information will be superimposed over the video image.

If there is no video source connected or it is turned off, the information will be displayed over a blue colored background (but no video signal is input to this unit).

NOTE: The program titles, parameter data and other information are also displayed on the display panel of this unit.

English

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Contents

DIGITAL SOUND FIELD PROCESSING AMPLIFIER OPERATION MANUAL CONTENTS PRECAUTIONS & SAFETY INSTRUCTIONS We Want You Listening For A Lifetime Page SETUP & ADJUSTMENT 1-1.GETTING STARTED Unpacking Installing the Remote Control Unit Batteries Digital Sound Field Processing Dolby Pro Logic Surround Dolby Pro Logic Surround + DSP Directional Enhancement Circuit + DSP Setting Up Your Speaker System Use of the Center Dialog Speaker Is Recommended Four Possible Types of Speaker System Configurations Recommended 4 Speaker System 5 Speaker System 6 Speaker System 7 Speaker System Speakers and Speaker Placement VIDEO SUPERIMPOSE 1-2.SETUP REAR PANEL (General Model) Page Rear Panel Switch and Control Settings General Instructions for Connections CONNECTING AUDIO/VIDEO SOURCE EQUIPMENTS TO THIS UNIT CONNECTING TO S VIDEO JACKS CONNECTING THE MAIN SPEAKERS AND CENTER SPEAKER(S) TO THIS UNIT CONNECTING THE EFFECT SPEAKERS TO THIS UNIT ADDING A SUBWOOFER CONNECTING SPEAKER SYSTEMS 1-3.CONTROLS & ADJUSTMENTS FRONT PANEL Page REMOTE CONTROL UNIT Page 1-4.ADJUSTMENT MAIN/CENTER/EFFECT SPEAKER LEVEL BALANCE ADJUSTMENT INPUT LEVEL ADJUSTMENT OTHER IMPORTANT SETTINGS AND ADJUSTMENTS IN THE “SET/MENU” MODE DESCRIPTIONS OF THE ITEMS 1.Selecting Center Mode (CENTER MODE NRML/WD PHNTM) 2.Adjusting Center Channel Graphic Equalizer (CENTER GEQ) Operating procedure 3.Initializing parameters on a DSP program (PARAMETER INIT) 4.Locking DSP parameters and other adjustments (MEMORY GUARD) 5. Input level adjustment (INPUT LVL TRIM) GENERAL OPERATION 2-1.PLAYING A SOURCE 2-2.RECORDING A SOURCE TO AUDIO/VIDEO TAPE (OR DUBBING FROM A TAPE TO ANOTHER) To record a source other than the input source to be played 2-3.DIGITAL SOUND FIELD PROGRAMS 2-4.SELECTING SOUND FIELD PROGRAMS 2-5.MUTING THE EFFECT SOUND 2-6.SUPERIMPOSED VIDEO PROGRAM/PARAMETER DISPLAY 2-7.DESCRIPTIONS OF THE SOUND FIELD PROGRAMS Page Page Page Page 2-8.REMOTE CONTROL “LEARNING” FUNCTION Erasing a Learned Function Erasing All Learned Functions CREATING YOUR OWN SOUND FIELDS 3-1.SELECTING AND EDITING PROGRAM PARAMETERS WHAT IS A SOUND FIELD THE ELEMENTS OF A SOUND FIELD Page 3-2.DESCRIPTIONS OF THE DIGITAL SOUND FIELD PARAMETERS ●LIVENESS ●REV. TIME (Reverberation Time) ●DIR. ENHANCEMENT (Directional Enhancement) ●DOLBY PRO LOGIC (for MOVIE THEATER only) ●DELAY TROUBLESHOOTING SPECIFICATIONS