USING DIGITAL SOUND FIELD PROCESSOR (DSP)
This unit incorporates a sophisticated,
The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital recreations of actual acoustic environments. The data for these sound fields was recorded at actual locations using sophisticated sound field measurement equipment.
Note
The channel level balance between the left and right rear speakers may vary depending on the sound field you are listening to. This is due to the fact that most of these sound field are
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1 | DOLBY PRO LOGIC ( |
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| ) | Reproduces video discs, video tapes and similar sources which | ||||||||||||||
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| Functions when the input signal is analog or PCM | are Dolby Surround encoded and bear the “DOLBY SUR- | ||||||||||||||||
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| audio, or encoded with the Dolby Digital in | ROUND” logo. | ||||||||||||||||
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| Speaker output: main, center, rear | The | ||||||||||||||||
| DOLBY DIGITAL ( |
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| decoder precisely reproduces sounds and sound effects of a | |||||||||
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| source encoded with Dolby Surround. The realization of a | |||||||||||
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| Functions when the input signal is encoded with the | |||||||||||||||||
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| highly efficient decoding process improves crosstalk and | |||||||||||||||||
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| Dolby Digital (not in | |||||||||||||||||
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| channel separation and makes sound positioning smoother | |||||||||||||||||
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| Speaker output: main, center, rear | |||||||||||||||||
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| and more precise. | |||||||||||||||||
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2 | DOLBY PRO LOGIC ENHANCED | Reproduces video discs, video tapes and similar sources which | |||||||||||||||||
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| are Dolby Surround encoded and bear the “DOLBY SUR- | ||
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| Functions when the input signal is analog or PCM | ROUND” logo. | ||||||||||||||||
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| audio, or encoded with the Dolby Digital in |
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| This program ideally simulates the | ||||||||||||||
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| Speaker output: main, center, rear | systems of the 35 mm film theater. The Dolby Surround | ||||||||||||||||
| DOLBY DIGITAL ENHANCED | decoding and the digital sound field processing is precisely | |||||||||||||||||
| performed without altering the original sound orientation. The | ||||||||||||||||||
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| surround effects produced by this sound field folds around the | ||||||
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| Functions when the input signal is encoded with the | |||||||||||||||||
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| viewer naturally from the rear to the left and right and toward | |||||||||||||||||
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| Dolby Digital (not in | |||||||||||||||||
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| the screen. | |||||||||||||||||
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| Speaker output: main, center, rear | |||||||||||||||||
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| Note: If the main channel sound is considerably altered by |
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| overadjustment of BASS or TREBLE, the relationship with the |
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| rear channels may produce an unnatural effect. |
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3 | 70 mm MOVIE THEATER |
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| Ideal for reproducing video discs, video tapes and similar | ||||||||||||||
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| sources which are Dolby Surround encoded and bear the | ||||||
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| Functions when the input signal is analog or PCM | “DOLBY SURROUND” logo. | ||||||||||||||||
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| audio, or encoded with the Dolby Digital in |
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| This program is ideal for precisely reproducing the sound | ||||||||||||||
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| Speaker output: main, center, rear | design of the newest 70 mm/Dolby Digital | ||||||||||||||||
| DIGITAL MOVIE THEATER |
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| The sound field is made to be similar to that of the newest | ||||||||||||||
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| movie theaters, so the reverberations of the sound field itself | |||||||||||||||
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| are restrained as much as possible. The three dimensional | ||||||
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| Functions when the input signal is encoded with the | |||||||||||||||||
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| feeling of the sound field is emphasized, and dialog is precisely | |||||||||||||||||
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| Dolby Digital (not in | |||||||||||||||||
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| oriented on the screen. You can enjoy watching | |||||||||||||||||
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| Speaker output: main, center, rear | |||||||||||||||||
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| adventure movies, etc. with considerable presence. | |||||||||||||||||
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