Tascam DS-M7.1 owner manual Connections, Connecting the console, Connecting the tracking recorder

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3 – Connections

This section describes not only the connections you make between other equipment and the DS-M7.1, but also the software steps necessary to make that other equipment recognizable by and usable with the unit.

Read this section carefully, especially the section on word clock, as it is essential to the proper operation of your system, and may even result in damage to your equipment if the appropriate steps are not car- ried out.

NOTE

When making connections between the DS-M7.1 and other equipment, whether audio or control, both the DS-M7.1 and the other equipment must be turned off, otherwise damage may be caused to the DS-M7.1 and/ or the other equipment.

Only use TASCAM-supplied and TASCAM-approved cables when making TDIF connections to the DS-M7.1. Though the cables and connectors may resemble com- puter cables, they serve different purposes, and meet a different set of specifications. The use of cables other than TASCAM cables will at best cause the equipment to work erratically, and at worst cause damage to the equipment.

Also note that while the TDIF and AES/EBU connectors on this unit are physically identical, the wiring and sig- nals passed through them are very different. Take care to connect only TDIF equipment to TDIF connectors, and AES/EBU equipment to AES/EBU connectors, otherwise damage may occur to your equipment.

If the use of cables other than TASCAM cables causes or results in damage, the warranty is voided.

It is assumed that all necessary optional cards have been fitted to the DS-M7.1.

See the diagram on page 5 as well as the block dia- gram (“Block diagram” on page 39) if you are unsure of signal flow within the DS-M7.1.

Consult your TASCAM dealer for details of suitable approved cables that may be used when using your DS-M7.1 with other equipment.

If you need an extension to the front panel cable to allow the front panel to be used as a remote control unit, see “Making up a remote control cable” on page 38.

Connecting the console

The console can be connected to the built-in CONSOLE I/O connector, or to an optional card fit- ted in slot 1.

Inputs from the console Typically, the con- sole’s busses are connected to the DS-M7.1 inputs. They are sent simultaneously to the tracking and mastering recorders, and may be monitored from the DS-M7.1 as the BUS signals. Since these are used for both tracking and mastering, obviously, the console signal paths must be repatched when the mode is changed. No reconnections need to be made on the DS-M7.1.

Outputs to the console The returns from the DS-M7.1 to the console are driven (as a “thru” assignment) by the tracking recorder (track returns) and should be assigned appropriately on the console, following normal working practice. They may not be monitored directly from the DS-M7.1.

When this connection, together with all other con- nections, have been made, you should set up the DS- M7.1 to recognize the appropriate the console source (TDIF or slot), as described here.

1Press the SYSTEM key and press the cursor keys until the cursor highlights the ConsSel parameter:

[SYSTEM]> MasterSel TDIF

ConsSel TDIF

TrkRecSel TDIF

2Use the VALUE control to select between

TDIF and SLOT1.

When this is done, the inputs and outputs must be routed appropriately, as described later.

Connecting the tracking recorder

The tracking (multitrack) recorder can be connected to the built-in TRK RECORDER I/O TDIF connector, or to an optional card fitted in slot 2.

Inputs from the tracking recorder These connect to the recorder outputs. They are routed to

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Contents Professional Digital Surround Monitor Controller Important Safety Precautions Important Safety Instructions Table of Contents Surround Monitoring System DS-M7.1 About the unitDigital Mixing Console Installing the DS-M7.1 About the unit Front panel Parts of the DS-M7.1Function keys Parts of the DS-M7.1 Slot 2/TRK Recorder I/O Tdif Rear panelParts of the DS-M7.1 Connecting the tracking recorder Connecting the consoleConnections Connecting the mastering stem recorder Inverting the word clock Word clock errorsMonitor connections InsertsControl room stereo inputs Other monitoring settingsDimmer and mute control connections Choosing the surround format Routing and patchingMatching output channels to surround channels Configuring the Input Summing RouterMuting and soloing Using the DS-M7.1Bass management SoloingType Type 1 bass management High speed operationType 2 bass management Stem recorder DS-M7.1Multitrack Recorder Multi-bus mixing consoleDownmixing Mono Formats5.1 In the 7.1 to 5.1 downmix, the attenuation values are Format 5.1 In the 5.1 to 5.1 downmix, the attenuation values are Lcrs 4.1 In the 5.1 to 4.1 downmix, the attenuation values are Lcrs mono Lcrs formatLR to mono LR formatAnalog connections SpecificationsAES/EBU connections Analog monitor section SpecificationsAnalog CR inputs stereo Analog inputs Audio performance Analog outputsDimensional drawings General specificationsStandard cable Making up a remote control cableExtended cable Analog insert I/O Digital insert I/O AES/EBU Block diagramDS-M7.1

DS-M7.1 specifications

The Tascam DS-M7.1 is an advanced digital mixing console designed to meet the needs of professional audio production and post-production environments. Known for its high-quality sound, versatility, and robust feature set, the DS-M7.1 offers a range of tools that make it ideal for music production, broadcasting, and film scoring.

One of the standout features of the Tascam DS-M7.1 is its digital audio processing capabilities. It supports high-resolution audio formats, allowing users to work with sample rates up to 192 kHz and 24-bit depth. This ensures that the sound quality remains pristine, capturing every nuance of the audio being mixed. The console features 48 input channels, providing ample space for multiple audio sources, and allowing sound engineers to create complex mixes without compromising on quality.

The DS-M7.1 also incorporates advanced digital signal processing technologies. It comes with a suite of built-in effects, including EQ, compression, and reverb, all designed to enhance the creative possibilities for audio engineers. Users can customize and automate these effects, ensuring that every mix is tailored to the specific requirements of a project. Moreover, the integration of powerful DAW control features allows seamless operation with popular digital audio workstations, streamlining the workflow in busy production settings.

Another key characteristic of the Tascam DS-M7.1 is its user-friendly interface. The console features an ergonomic design with touch-sensitive faders and color-coded controls, allowing for intuitive navigation through various settings. The touch-screen interface provides quick access to essential parameters, enabling users to make adjustments in real time without disrupting the flow of the session.

In terms of connectivity, the DS-M7.1 ensures compatibility with a wide range of devices. It includes multiple digital and analog inputs and outputs, as well as options for surround sound mixing. This makes the console a suitable choice for projects that require immersive audio experiences, such as film and video game soundtracks.

Overall, the Tascam DS-M7.1 is a sophisticated digital mixing console that brings together high-quality audio, versatility, and ease of use, making it a valuable tool for professionals in the audio industry. Whether for live sound, studio recording, or post-production, the DS-M7.1 stands out as a reliable solution that meets the demands of today’s complex audio projects.
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