Tascam DS-M7.1 Stem recorder, Multitrack Recorder, Multi-bus mixing console, Monitoring system

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6 – Note on DS-M7.1 usage

Many pre-mixes for film are made that are greater than 8 tracks. The DS-M7.1 can still be useful in these conditions, as explained here.

If a large format (24 or more output busses) console is used, a number (8 or 16) of the busses can be used to feed the stem recorder.

The returns from the stem recorder can then be fed back through the console inputs and routed to a dif- ferent set of eight busses, which are then used to feed the DS-M7.1 for monitoring.

Although this does not allow BUS/RTN switching, the DS-M7.1’s monitoring control (bass management and downmix facilities, etc.) can still be used to great effect in this environment.


Stem recorder tracks		Stem recorder
return via faders		Stem recorder
return via faders

8 or 16 busses to the stem recorder

Multitrack

recorder

Tracks for mixing

Multi-bus mixing console

8 (or 6) busses containing stem tracks

sent for monitoring

DS-M7.1

Monitoring system

24 TASCAM DS-M7.1

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Contents Professional Digital Surround Monitor Controller Important Safety Precautions Important Safety Instructions Table of Contents About the unit Surround Monitoring System DS-M7.1Digital Mixing Console Installing the DS-M7.1 About the unit Parts of the DS-M7.1 Front panelFunction keys Parts of the DS-M7.1 Rear panel Slot 2/TRK Recorder I/O TdifParts of the DS-M7.1 Connecting the console Connecting the tracking recorderConnections Connecting the mastering stem recorder Word clock errors Inverting the word clockInserts Monitor connectionsOther monitoring settings Control room stereo inputsDimmer and mute control connections Routing and patching Choosing the surround formatConfiguring the Input Summing Router Matching output channels to surround channelsUsing the DS-M7.1 Muting and soloingBass management SoloingType High speed operation Type 1 bass managementType 2 bass management DS-M7.1 Stem recorderMultitrack Recorder Multi-bus mixing consoleDownmixing Formats Mono5.1 In the 7.1 to 5.1 downmix, the attenuation values are Format 5.1 In the 5.1 to 5.1 downmix, the attenuation values are Lcrs 4.1 In the 5.1 to 4.1 downmix, the attenuation values are Lcrs format Lcrs monoLR format LR to monoSpecifications Analog connectionsAES/EBU connections Specifications Analog monitor sectionAnalog CR inputs stereo Audio performance Analog outputs Analog inputsGeneral specifications Dimensional drawingsMaking up a remote control cable Standard cableExtended cable Block diagram Analog insert I/O Digital insert I/O AES/EBUDS-M7.1

DS-M7.1 specifications

The Tascam DS-M7.1 is an advanced digital mixing console designed to meet the needs of professional audio production and post-production environments. Known for its high-quality sound, versatility, and robust feature set, the DS-M7.1 offers a range of tools that make it ideal for music production, broadcasting, and film scoring.

One of the standout features of the Tascam DS-M7.1 is its digital audio processing capabilities. It supports high-resolution audio formats, allowing users to work with sample rates up to 192 kHz and 24-bit depth. This ensures that the sound quality remains pristine, capturing every nuance of the audio being mixed. The console features 48 input channels, providing ample space for multiple audio sources, and allowing sound engineers to create complex mixes without compromising on quality.

The DS-M7.1 also incorporates advanced digital signal processing technologies. It comes with a suite of built-in effects, including EQ, compression, and reverb, all designed to enhance the creative possibilities for audio engineers. Users can customize and automate these effects, ensuring that every mix is tailored to the specific requirements of a project. Moreover, the integration of powerful DAW control features allows seamless operation with popular digital audio workstations, streamlining the workflow in busy production settings.

Another key characteristic of the Tascam DS-M7.1 is its user-friendly interface. The console features an ergonomic design with touch-sensitive faders and color-coded controls, allowing for intuitive navigation through various settings. The touch-screen interface provides quick access to essential parameters, enabling users to make adjustments in real time without disrupting the flow of the session.

In terms of connectivity, the DS-M7.1 ensures compatibility with a wide range of devices. It includes multiple digital and analog inputs and outputs, as well as options for surround sound mixing. This makes the console a suitable choice for projects that require immersive audio experiences, such as film and video game soundtracks.

Overall, the Tascam DS-M7.1 is a sophisticated digital mixing console that brings together high-quality audio, versatility, and ease of use, making it a valuable tool for professionals in the audio industry. Whether for live sound, studio recording, or post-production, the DS-M7.1 stands out as a reliable solution that meets the demands of today’s complex audio projects.