Tascam DS-M7.1 owner manual Downmixing

Page 25

Downmixing, as explained earlier, is the process of folding a surround mix into a format using fewer channels. This is done for the purpose of checking compatibility.

Downmixing is enabled and disabled on the DS- M7.1 using the DOWN MIX/MONO key under the SPL readout and control. When downmixing is active, the key is lit (it flashes in mono downmix mode, see below).

The settings for downmix are made using the DOWNMIX function key.

1Press the DOWNMIX function key so that the screen shows something similar to the follow- ing:

[DOWNMIX]

Pattern 7.1>5.1

LC>L,RC>R -1.5dB

LC+RC>C -4.5dB

7 – Downmixing

 

 

Source pattern

Available downmix

targets

 

 

 

6.1

5.1

 

 

 

LR

 

 

 

MONO

 

 

5.1

LCRS

 

 

 

4.1

 

 

 

LR

 

 

 

MONO

 

 

LCRS (both formats) - see “A

LR

note on LCRS” on page 20

 

MONO

 

 

 

LR

MONO

 

 

LR & LcRC

MONO

 

 

2The first parameter, Pattern, sets the downmix “folddown” pattern. The patterns available here depend on the source format currently in use:

 

Source pattern

Available downmix

 

targets

 

 

 

 

 

7.1

 

5.1

 

 

 

 

 

LR

 

 

 

 

 

MONO

 

 

 

Depending on the value picked here, the other values (that is, the amount by which the source busses are attenuated before they are folded into the target bus- ses) will change.

Note that some busses may pass through more than one attenuator before reaching their destination.

These patterns are shown graphically, with an list of the parameters and options available in each pattern.

The default downmix pattern for all source patterns is LR.

A note on the mono downmix

The mono downmix is accessed using the shifted DOWN MIX key. When the SHIFT key is held down and the DOWN MIX/MONO key is pressed (whether it

is currently active or not), the mono downmix is enabled.

Pressing the DOWN MIX/MONO key while it is flash- ing returns it to its previous status.

TASCAM DS-M7.1 25

Page 24 Page 26
Image 25
Page 24 Page 26
Contents Professional Digital Surround Monitor Controller Important Safety Precautions Important Safety Instructions Table of Contents Surround Monitoring System DS-M7.1 About the unitDigital Mixing Console Installing the DS-M7.1 About the unit Front panel Parts of the DS-M7.1Function keys Parts of the DS-M7.1 Slot 2/TRK Recorder I/O Tdif Rear panelParts of the DS-M7.1 Connecting the tracking recorder Connecting the consoleConnections Connecting the mastering stem recorder Inverting the word clock Word clock errorsMonitor connections InsertsControl room stereo inputs Other monitoring settingsDimmer and mute control connections Choosing the surround format Routing and patchingMatching output channels to surround channels Configuring the Input Summing RouterMuting and soloing Using the DS-M7.1Bass management SoloingType Type 1 bass management High speed operationType 2 bass management Stem recorder DS-M7.1Multitrack Recorder Multi-bus mixing consoleDownmixing Mono Formats5.1 In the 7.1 to 5.1 downmix, the attenuation values are Format 5.1 In the 5.1 to 5.1 downmix, the attenuation values are Lcrs 4.1 In the 5.1 to 4.1 downmix, the attenuation values are Lcrs mono Lcrs formatLR to mono LR formatAnalog connections SpecificationsAES/EBU connections Analog monitor section SpecificationsAnalog CR inputs stereo Analog inputs Audio performance Analog outputsDimensional drawings General specificationsStandard cable Making up a remote control cableExtended cable Analog insert I/O Digital insert I/O AES/EBU Block diagramDS-M7.1

DS-M7.1 specifications

The Tascam DS-M7.1 is an advanced digital mixing console designed to meet the needs of professional audio production and post-production environments. Known for its high-quality sound, versatility, and robust feature set, the DS-M7.1 offers a range of tools that make it ideal for music production, broadcasting, and film scoring.

One of the standout features of the Tascam DS-M7.1 is its digital audio processing capabilities. It supports high-resolution audio formats, allowing users to work with sample rates up to 192 kHz and 24-bit depth. This ensures that the sound quality remains pristine, capturing every nuance of the audio being mixed. The console features 48 input channels, providing ample space for multiple audio sources, and allowing sound engineers to create complex mixes without compromising on quality.

The DS-M7.1 also incorporates advanced digital signal processing technologies. It comes with a suite of built-in effects, including EQ, compression, and reverb, all designed to enhance the creative possibilities for audio engineers. Users can customize and automate these effects, ensuring that every mix is tailored to the specific requirements of a project. Moreover, the integration of powerful DAW control features allows seamless operation with popular digital audio workstations, streamlining the workflow in busy production settings.

Another key characteristic of the Tascam DS-M7.1 is its user-friendly interface. The console features an ergonomic design with touch-sensitive faders and color-coded controls, allowing for intuitive navigation through various settings. The touch-screen interface provides quick access to essential parameters, enabling users to make adjustments in real time without disrupting the flow of the session.

In terms of connectivity, the DS-M7.1 ensures compatibility with a wide range of devices. It includes multiple digital and analog inputs and outputs, as well as options for surround sound mixing. This makes the console a suitable choice for projects that require immersive audio experiences, such as film and video game soundtracks.

Overall, the Tascam DS-M7.1 is a sophisticated digital mixing console that brings together high-quality audio, versatility, and ease of use, making it a valuable tool for professionals in the audio industry. Whether for live sound, studio recording, or post-production, the DS-M7.1 stands out as a reliable solution that meets the demands of today’s complex audio projects.
Top Page Image Contents