Tascam DS-M7.1 owner manual Making up a remote control cable, Standard cable, Extended cable

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8 – Specifications

Making up a remote control cable

It is possible to make two kinds of remote control cable, allowing the front panel of the DS-M7.1 to be detached and used as a remote control unit.

The first type may be up to 5 m (about 15 feet) long (standard cable), and may use a general-purpose cable.

The second type (extended) allows remote control up to 20 m (over 65 feet) away, and must be constructed using a specially-specified cable (described here).

No guarantee of correct operation can be given if a cable over 20 m, or a cable which is not constructed according to the guidelines here, is used to connect the remote control unit to the main unit.

Standard cable

In this case, a standard RS-232C extension cable of up to 5 m in length may be purchased from a com- puter supply outlet and used.

This cable should be a “straight” shielded cable, with

amale 9-pin D-sub connector on one end, and a female 9-pin D-sub connector on the other. The wir-

ing should be straight through, with 1 connected to 1, 2 to 2, etc. through to 9 to 9.

Note that cables sold for extension purposes are usu- ally fitted with male and female connectors, and for that reason, we recommend the use of these cables.

Extended cable

This cable must be made specially, using a cable with the following specifications:

Shielded twisted-pair cable of at least 22AWG should be used, with a length of 20 m or less.

Amale 9-pin D-sub connector should be attached at one end, and a female 9-pin D-sub connector at the other.

Pin connections should be made straight through: 1 to 1, 2 to 2, through to 9 to 9.

All pins (and frame ground) should be connected.

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Contents Professional Digital Surround Monitor Controller Important Safety Precautions Important Safety Instructions Table of Contents Digital Mixing Console About the unitSurround Monitoring System DS-M7.1 Installing the DS-M7.1 About the unit Parts of the DS-M7.1 Front panelFunction keys Parts of the DS-M7.1 Rear panel Slot 2/TRK Recorder I/O TdifParts of the DS-M7.1 Connections Connecting the consoleConnecting the tracking recorder Connecting the mastering stem recorder Word clock errors Inverting the word clockInserts Monitor connectionsOther monitoring settings Control room stereo inputsDimmer and mute control connections Routing and patching Choosing the surround formatConfiguring the Input Summing Router Matching output channels to surround channelsBass management Using the DS-M7.1Muting and soloing SoloingType Type 2 bass management High speed operationType 1 bass management Multitrack Recorder DS-M7.1Stem recorder Multi-bus mixing consoleDownmixing Formats Mono5.1 In the 7.1 to 5.1 downmix, the attenuation values are Format 5.1 In the 5.1 to 5.1 downmix, the attenuation values are Lcrs 4.1 In the 5.1 to 4.1 downmix, the attenuation values are Lcrs format Lcrs monoLR format LR to monoAES/EBU connections SpecificationsAnalog connections Analog CR inputs stereo SpecificationsAnalog monitor section Audio performance Analog outputs Analog inputsGeneral specifications Dimensional drawingsExtended cable Making up a remote control cableStandard cable Block diagram Analog insert I/O Digital insert I/O AES/EBUDS-M7.1

DS-M7.1 specifications

The Tascam DS-M7.1 is an advanced digital mixing console designed to meet the needs of professional audio production and post-production environments. Known for its high-quality sound, versatility, and robust feature set, the DS-M7.1 offers a range of tools that make it ideal for music production, broadcasting, and film scoring.

One of the standout features of the Tascam DS-M7.1 is its digital audio processing capabilities. It supports high-resolution audio formats, allowing users to work with sample rates up to 192 kHz and 24-bit depth. This ensures that the sound quality remains pristine, capturing every nuance of the audio being mixed. The console features 48 input channels, providing ample space for multiple audio sources, and allowing sound engineers to create complex mixes without compromising on quality.

The DS-M7.1 also incorporates advanced digital signal processing technologies. It comes with a suite of built-in effects, including EQ, compression, and reverb, all designed to enhance the creative possibilities for audio engineers. Users can customize and automate these effects, ensuring that every mix is tailored to the specific requirements of a project. Moreover, the integration of powerful DAW control features allows seamless operation with popular digital audio workstations, streamlining the workflow in busy production settings.

Another key characteristic of the Tascam DS-M7.1 is its user-friendly interface. The console features an ergonomic design with touch-sensitive faders and color-coded controls, allowing for intuitive navigation through various settings. The touch-screen interface provides quick access to essential parameters, enabling users to make adjustments in real time without disrupting the flow of the session.

In terms of connectivity, the DS-M7.1 ensures compatibility with a wide range of devices. It includes multiple digital and analog inputs and outputs, as well as options for surround sound mixing. This makes the console a suitable choice for projects that require immersive audio experiences, such as film and video game soundtracks.

Overall, the Tascam DS-M7.1 is a sophisticated digital mixing console that brings together high-quality audio, versatility, and ease of use, making it a valuable tool for professionals in the audio industry. Whether for live sound, studio recording, or post-production, the DS-M7.1 stands out as a reliable solution that meets the demands of today’s complex audio projects.
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