Tascam DS-M7.1 owner manual Function keys

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2 – Parts of the DS-M7.1

Function keys

These keys all have two functions: the unshifted function, as shown by the label above the keys, and the color-coded (to match the SHIFT key) shifted function, as shown by the lower label. The shifted function is enabled when the SHIFT indicator is lit.

4STATUS/INPUT The STATUS key brings up the Status screen, where the settings relating to the master status of the system can be viewed (but not changed).

As the INPUT key, it is used to route and assign the inputs.

5SYSTEM/OUTPUT As the SYSTEM key, system settings are made on the screen brought up by pressing this key.

As the OUTPUT key, it enables assignment of the monitor outputs to the channels of the selected sur- round format.

6INSERT/DELAY The DS-M7.1 allows either an analog or digital insert loop in the monitoring path. Use the INSERT key to control this insert.

In shifted mode, the DELAY key is used to compen- sate for speaker placement. See the Setup Guide for details.

7DOWNMIX/TRIM Downmixing refers to the practice of monitoring a surround mix “folded down” to a format with fewer channels, in order to check mix compatibility. The DS-M7.1 allows you, for example, to hear how a 5.1 mix will sound when played through a 2-speaker stereo system. Use this to set up the downmix parameters.

As the shifted TRIM key, this key is used to set up the relative levels of the surround channels. See the Setup Guide for details.

8BASS MGT/TEST Used to select the type of Bass Management used, and to set up the subwoofer crossover frequency, relative level, etc. for when bass management is enabled (see “Bass management” on page 21).

As the shifted TEST key, it is used to set up the pink noise parameters for level testing. See the Setup Guide for details.

9SHIFT key and indicator This latching shift key alters the behavior of the function keys listed above. It also is used with the DOWN MIX key for mono downmixing.

AVALUE Use this rotary encoder to set the val- ues shown on the display.

BCURSOR keys Use these keys to navigate between the parameters shown on the display.

CMUTE CONTROL keys and indicators These correspond to the channels of the different surround formats supported by the DS- M7.1. When a surround format is selected, the indi- cators of those channels which are valid for the for- mat are lit. For example, if 5.1 is selected, the L, C, R, LS, RS and LFE indicators are lit.

The keys act as monitor mute keys or solo keys (depending on the status of the SOLO/MUTE key, and are also used for selecting channels when setting up the relative levels of the channels (see the Setup Guide for details).

DALT SPK Pressing this key selects speakers connected to the LC and RC channels. When in sur- round mode, pressing this key automatically per- forms an LR downmix to the LC and RC channels.

ESPL REFERENCE indicator and LEVEL control Use these to set and view the SPL level output by the DS-M7.1 when it is properly cali- brated. See the Setup Guide for full details of its operation and its relationship to the software SPL setting.

NOTE

If the output level is adjusted with this control so that it exceeds the level set in the LCD menu (see the Setup Guide), there is a risk of clipping and degradation of sound quality.

FSOLO/MUTE Switches the function of the MUTE CONTROL keys between muting and soloing (the type of solo mode, exclusive or mix, is user- selectable).

GSRND/ST Switches easily between the selected surround format from the CONSOLE or MASTER I/O connectors and stereo (input from the dedicated CR stereo inputs on the rear panel).

HBUS/RTN Switches monitoring between the bus inputs (from the mixing console—the indicator is unlit) and the return inputs (from the mixdown recorder—the indicator is lit).

The default as shipped from the factory is bus (the indicator is unlit).

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Contents Professional Digital Surround Monitor Controller Important Safety Precautions Important Safety Instructions Table of Contents About the unit Surround Monitoring System DS-M7.1Digital Mixing Console Installing the DS-M7.1 About the unit Front panel Parts of the DS-M7.1Function keys Parts of the DS-M7.1 Slot 2/TRK Recorder I/O Tdif Rear panelParts of the DS-M7.1 Connecting the console Connecting the tracking recorderConnections Connecting the mastering stem recorder Inverting the word clock Word clock errorsMonitor connections InsertsControl room stereo inputs Other monitoring settingsDimmer and mute control connections Choosing the surround format Routing and patchingMatching output channels to surround channels Configuring the Input Summing RouterMuting and soloing Using the DS-M7.1Bass management SoloingType High speed operation Type 1 bass managementType 2 bass management Stem recorder DS-M7.1Multitrack Recorder Multi-bus mixing consoleDownmixing Mono Formats5.1 In the 7.1 to 5.1 downmix, the attenuation values are Format 5.1 In the 5.1 to 5.1 downmix, the attenuation values are Lcrs 4.1 In the 5.1 to 4.1 downmix, the attenuation values are Lcrs mono Lcrs formatLR to mono LR formatSpecifications Analog connectionsAES/EBU connections Specifications Analog monitor sectionAnalog CR inputs stereo Analog inputs Audio performance Analog outputsDimensional drawings General specificationsMaking up a remote control cable Standard cableExtended cable Analog insert I/O Digital insert I/O AES/EBU Block diagramDS-M7.1

DS-M7.1 specifications

The Tascam DS-M7.1 is an advanced digital mixing console designed to meet the needs of professional audio production and post-production environments. Known for its high-quality sound, versatility, and robust feature set, the DS-M7.1 offers a range of tools that make it ideal for music production, broadcasting, and film scoring.

One of the standout features of the Tascam DS-M7.1 is its digital audio processing capabilities. It supports high-resolution audio formats, allowing users to work with sample rates up to 192 kHz and 24-bit depth. This ensures that the sound quality remains pristine, capturing every nuance of the audio being mixed. The console features 48 input channels, providing ample space for multiple audio sources, and allowing sound engineers to create complex mixes without compromising on quality.

The DS-M7.1 also incorporates advanced digital signal processing technologies. It comes with a suite of built-in effects, including EQ, compression, and reverb, all designed to enhance the creative possibilities for audio engineers. Users can customize and automate these effects, ensuring that every mix is tailored to the specific requirements of a project. Moreover, the integration of powerful DAW control features allows seamless operation with popular digital audio workstations, streamlining the workflow in busy production settings.

Another key characteristic of the Tascam DS-M7.1 is its user-friendly interface. The console features an ergonomic design with touch-sensitive faders and color-coded controls, allowing for intuitive navigation through various settings. The touch-screen interface provides quick access to essential parameters, enabling users to make adjustments in real time without disrupting the flow of the session.

In terms of connectivity, the DS-M7.1 ensures compatibility with a wide range of devices. It includes multiple digital and analog inputs and outputs, as well as options for surround sound mixing. This makes the console a suitable choice for projects that require immersive audio experiences, such as film and video game soundtracks.

Overall, the Tascam DS-M7.1 is a sophisticated digital mixing console that brings together high-quality audio, versatility, and ease of use, making it a valuable tool for professionals in the audio industry. Whether for live sound, studio recording, or post-production, the DS-M7.1 stands out as a reliable solution that meets the demands of today’s complex audio projects.