Tascam owner manual Using the DS-M7.1, Muting and soloing, Bass management, Soloing

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5 – Using the DS-M7.1

Once you have set up the connections, assigned the inputs and outputs, and followed the procedures in the Setup Guide, you can start using your DS-M7.1.

Return or bus? Use the RTN/BUS key to select between return inputs (the signal coming in from the mastering recorder)—the key lights in this mode— and bus inputs (from the console).

Surround or stereo? Select either the surround or the stereo program source (from the analog TRS monitor inputs) using the SRND/ST key.

Dimming the output Press the DIM key to dim the output by the amount set in “SPL Reference Level” on page 17. The DIM key lights when active.

Alternative speakers A pair of speakers con- nected to the LC and RC outputs of the monitors can be used as an alternative pair of speakers (e.g. near- field reference) and accessed using the ALT SPK key. This will automatically produce a stereo downmix to these speakers.

NOTE

This function is only useful for surround patterns that do not use the LC and RC speakers. If these speakers are used (7.1), the function is available, but not very useful.

Muting and soloing

Muting Typically, the MUTE CONTROL keys are used to mute individual channels, or combinations of channels, in the monitor mix.

When the appropriate key(s) is/are pressed in this mute mode, they light.

Muting all the channels The MUTE ALL key can be pressed so that it flashes, and mutes all chan- nels together.

Soloing

The SOLO/MUTE key can be pressed so that it lights. In this case, the MUTE CONTROL keys act as solo keys and flash when they are active (soloing their channel).

There are two methods of soloing, exclusive soloing (only one channel at a time is soloed) and mix solo- ing, where channels are added to the mix one at a time (the reverse of muting, where they are sub- tracted one at a time).

Exclusive versus mix solo To change between the two solo modes:

1Press the SYSTEM key, and use the cursor keys until a screen similar to the following appears:

[SYSTEM]<>

LFEGain +10dB

SoloExclusive

WordIN Normal

2Use the VALUE control to set the Solo parameter value to Mix or Exclusive.

Bass management

Bass management refers to the ability to derive the LFE output based on a crossover from the satellite speakers instead of from the console LFE output bus. This is useful for simulating various consumer speaker systems which utilize bass management instead of a discrete LFE channel.

There are two types: type 1, where the subwoofer signal is created from the main channels, and type 2, where the LFE channel is fed to the other channels to create the illusion of a separate bass channel. See the illustrations here:

Turn the selected bass management on or off with the BASS MGT key under the SPL meter. When this is off, the normal levels apply.

These two types are provided for the simulation of systems with and without dedicated subwoofers. Note that the bass management has nothing to do with the actual mix to and from the tracking (stem) recorder—it is purely for monitor signals.

Press the BASS MGMT function key (under the dis- play) to enter the setup screen.

TASCAM DS-M7.1 21

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Contents Professional Digital Surround Monitor Controller Important Safety Precautions Important Safety Instructions Table of Contents About the unit Surround Monitoring System DS-M7.1Digital Mixing Console Installing the DS-M7.1 About the unit Front panel Parts of the DS-M7.1Function keys Parts of the DS-M7.1 Slot 2/TRK Recorder I/O Tdif Rear panelParts of the DS-M7.1 Connecting the console Connecting the tracking recorderConnections Connecting the mastering stem recorder Inverting the word clock Word clock errorsMonitor connections InsertsControl room stereo inputs Other monitoring settingsDimmer and mute control connections Choosing the surround format Routing and patchingMatching output channels to surround channels Configuring the Input Summing RouterMuting and soloing Using the DS-M7.1Bass management SoloingType High speed operation Type 1 bass managementType 2 bass management Stem recorder DS-M7.1Multitrack Recorder Multi-bus mixing consoleDownmixing Mono Formats5.1 In the 7.1 to 5.1 downmix, the attenuation values are Format 5.1 In the 5.1 to 5.1 downmix, the attenuation values are Lcrs 4.1 In the 5.1 to 4.1 downmix, the attenuation values are Lcrs mono Lcrs formatLR to mono LR formatSpecifications Analog connectionsAES/EBU connections Specifications Analog monitor sectionAnalog CR inputs stereo Analog inputs Audio performance Analog outputsDimensional drawings General specificationsMaking up a remote control cable Standard cableExtended cable Analog insert I/O Digital insert I/O AES/EBU Block diagramDS-M7.1

DS-M7.1 specifications

The Tascam DS-M7.1 is an advanced digital mixing console designed to meet the needs of professional audio production and post-production environments. Known for its high-quality sound, versatility, and robust feature set, the DS-M7.1 offers a range of tools that make it ideal for music production, broadcasting, and film scoring.

One of the standout features of the Tascam DS-M7.1 is its digital audio processing capabilities. It supports high-resolution audio formats, allowing users to work with sample rates up to 192 kHz and 24-bit depth. This ensures that the sound quality remains pristine, capturing every nuance of the audio being mixed. The console features 48 input channels, providing ample space for multiple audio sources, and allowing sound engineers to create complex mixes without compromising on quality.

The DS-M7.1 also incorporates advanced digital signal processing technologies. It comes with a suite of built-in effects, including EQ, compression, and reverb, all designed to enhance the creative possibilities for audio engineers. Users can customize and automate these effects, ensuring that every mix is tailored to the specific requirements of a project. Moreover, the integration of powerful DAW control features allows seamless operation with popular digital audio workstations, streamlining the workflow in busy production settings.

Another key characteristic of the Tascam DS-M7.1 is its user-friendly interface. The console features an ergonomic design with touch-sensitive faders and color-coded controls, allowing for intuitive navigation through various settings. The touch-screen interface provides quick access to essential parameters, enabling users to make adjustments in real time without disrupting the flow of the session.

In terms of connectivity, the DS-M7.1 ensures compatibility with a wide range of devices. It includes multiple digital and analog inputs and outputs, as well as options for surround sound mixing. This makes the console a suitable choice for projects that require immersive audio experiences, such as film and video game soundtracks.

Overall, the Tascam DS-M7.1 is a sophisticated digital mixing console that brings together high-quality audio, versatility, and ease of use, making it a valuable tool for professionals in the audio industry. Whether for live sound, studio recording, or post-production, the DS-M7.1 stands out as a reliable solution that meets the demands of today’s complex audio projects.