Rhythm Channel
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The Rhythm channel of the Double Cross is far more flexible than you might expect. It is NOT simply a clean channel. It takes you from sparkling Country tones to classic crunch in the blink of an eye. In particular, experiment with settings of the Gain and Volume controls in tandem with the Drive and Bright switches. Try the sample settings to hear the wide range of the Rhythm channel.
1)PRESENCE This controls the upper treble frequencies and can be used to accentuate “percussive” tones such as your picking attack. Alternately, by lowering this control, it can help soften biting tones when desired.
2)TREBLE This passive EQ adjusts the high frequency equalization of the amplifier, but also interacts with the Bass and Middle controls as follows: As the Treble is increased, the Bass automatically decreases and the Middle slides down in frequency. Conversely, if the Treble is decreased, the Bass automatically increases and the Middle slides up in frequency. This interaction is typical of
10tem.
3)MIDDLE This passive EQ adjusts the midrange equalization of the amplifier. It interacts with the Bass and Treble as described in the Treble EQ section. For a heavier, more distorted sound, set the Mid- dle lower. For more of a
4)RHYTHM INDICATOR The word “RHYTHM” lights up when this chan- nel is active.
5)BASS This passive EQ adjusts the low frequency equalization of the amplifier. It interacts with the Middle and Treble as described in the Treble EQ section. For a tighter low end, use the Bass EQ set in its lower range. This is particularly helpful when using the amp at very loud settings.
6)VOLUME The Volume control sets the overall level of the Rhythm channel and can be used to balance the volume between it and the
Lead channels. The inclusion of individual Volume controls for each channel means that the Rhythm channel of the Double Cross can be