Kustom none manual Rhythm Channel Settings, American Clean Classic Chime Black Angus

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American Clean

used for moderately distorted sounds, rather than strictly being

a clean channel.

7)DRIVE When more gain is desired, activate this switch by pressing it downward. This will maximize the amount of crunch and overdrive in this channel, but it can also be used for a fatter clean sound when the gain is set lower.

8)BRIGHT Activating this switch will increase the high frequencies of the signal, while also reduc- ing low frequencies for a chunkier, tighter attack.

9)GAIN The Gain control adjusts the gain at the input of the am- plifier and is used in conjunction with the Volume control to adjust the amount of distortion and vol- ume for this channel. For cleaner sounds, the Gain control should be set in its lower range and the Vol- ume set higher. For some break- up, the Gain and Volume controls should be set in their middle ranges. For more overdrive, set the Gain higher and the Volume lower.

American Clean

Classic Chime

Black Angus

Rhythm Channel Settings

11

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Contents Page Table of Contents FCC Statements Page S a f e t y I n f o r m a t i o n S a f e t y I n f o r m a t i o n S a f e t y I n f o r m a t i o n S a f e t y I n f o r m a t i o n Front Control Panel 8BOOST INDICATOR When lit, this indicates that the Boost func- tion is active Rhythm Channel Rhythm Channel Settings American Clean Classic Chime Black AngusLead I Channel Lead I Channel Settings Thick Modern Cranked Vintage Heavy DynamicLead II Channel Lead II Channel Settings Tight Aggression Fluid Legato Unleashed MonsterBright Bright + GainBright + Tight THE CROSS4 Bright + Thick 5 Bright + Thick + TightTight + Thick Bright + Gain +Rear Control Panel Vintage 30-loaded Straight-front4x12 speaker cabinet. When the switch is OUT, it emulates the same speakers in a Slant- front 412 cabinet. Kustom went to great lengths to make sure that this signal sounded like the actual amp head and speaker cabinet combinations. This was accomplished in a studio envi- ronment using condenser microphones to analyze the tonality of the Double Cross when heard at “head level” versus “close mic’d” directly in front of the speaker. The result is a signal that reflects the true characteristics of these cabinets as heard by a player. If you haven’t tried the Double Cross’ Direct Out yet, we urge you to experiment with it for both live and studio ap- plications 0 dBV 1v Rack Effects Optimal 10dBV 0.3v Pedal Effects OptimalEffects Loop Syncing Amp Specifications Nominal Signal to NoiseSystem Gain Effects LoopSignal Flow Diagram