Arcam AVR250 manual Before making connections, Inserting the batteries into the remote control

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Before making connections

Before connecting your equipment it is important to think about the following points, as these will affect your choice of connections and subsequent use of the system.

Audio

Wherever possible, connect both analogue and digital outputs of digital sources. This enables use of a digital input for the main zone with the corresponding analogue input used for recording onto an analogue tape deck or VCR, or for the Zone 2 output.

Video

The AVR250 allows for conversion between different video formats. This means that the AVR250 can convert between composite, S-video and component, if required.

For example, if you are watching a composite input from a VCR, you may view it from the S-video or Component/RGB video outputs of the AVR250. This allows you to use a single (typically high-quality Component/RGB) connection between the AVR250 and your display device.

However, neither the record loops nor Zone 2 work from the video converter. This means that to record a S-video or composite signal, a S-video or composite signal (respectively) must be supplied; to view video in Zone 2, a composite signal is required.

The video quality hierarchy is as follows:

nComponent/RGB – highest

nS-video – middle

nComposite – lowest

If all the video inputs are connected simultaneously from one device, e.g., a DVD player, the AVR250 will select automatically the best format available.

Zone 2

A line-level signal from the stereo analogue audio together with the composite video inputs are available for Zone 2. The analogue inputs from source components are required because the AVR250 provides no analogue-to-digital, DSP processing or digital-to-analogue conversion; the composite video connections are required since the AVR250 does not perform video format conversion for Zone 2.

For these reasons, we recommend that source devices that have a digital connection are also connected to the analogue inputs. High quality YUV/RGB and S-video sources should also have their composite outputs connected to the AVR250 for use in Zone 2.

English

Inserting the batteries into the remote control

The remote control requires 2 ‘AAA’ batteries to operate. To insert the batteries into the remote control, please follow these instructions:

1.Open the battery compartment cover on the back of the remote control.

2.Insert two AAA batteries into the battery compartment, following the polarity indications given inside the compartment itself.

3.Close the cover.

Notes on inserting the remote control batteries

n Incorrect use of batteries can result in hazards such as leakage and bursting.

n Do not mix old and new batteries together.

n Do not use different kinds of battery together—although they may look similar, different batteries may have different voltages.

n Ensure that the plus (+) and minus () ends of each battery match the indications in the battery compartment.

n Remove batteries from equipment that is not going to be used for a month or more.

n When disposing of used batteries, please comply with governmental (or other) regulations that apply in your country or area.

Using the remote control

Please keep in mind the following when using the remote control:

n Ensure that there are no obstacles between the remote control and the remote sensor on the AVR250. The remote has a range of about 7 metres. (If the remote sensor is obscured, the remote control input jack on the rear panel is available. Please contact your dealer for further information.)

n Remote operation may become unreliable if strong sunlight or fluorescent light is shining on the remote sensor of the AVR250.

n Replace the batteries when you notice a reduction in the operating range of the remote control.

A. Open the cover of the remote control

battery compartment

B. Insert the batteries into the remote

control

C. Close the cover of the remote control

battery compartment

AVR250

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Contents AVR250 Safety compliance Safety guidelinesImportant safety instructions Contents Safety Using this handbookBefore you start IntroductionBefore making connections Inserting the batteries into the remote controlPositioning the unit InstallationAVR250 rear panel CablesAnalogue audio connections Audio connectionsSubwoofer output Connection of record decksVideo connections Scart RGB 4-WIRE ConnectionComposite/S-video video connections High quality Component video connectionsUsing bare wire ended leads Connecting loudspeakersUsing spade terminals Zone 2 connectionsConnecting to a power supply Connecting the AM and FM antennasSet-up mode Configuring the AVR250Set-up Menu Index Navigating the Set-up menu2/S-VIDEOtrigger is not active in this mode General Settings‘Basic’ Set-up Menus Select Cvbs statusSurr L/R Small Large Subwoofer SettingsSpeaker Sizes Distance measurements for 5.1 Speaker delay settings Speaker Delay SettingsEX Settings Level settingsTest Tone Cycle Use Channels 6+7 forADV 3 Digital Settings ADV 2 Video Settings‘Advanced’ Set-up Menus ADV 1 Speaker EqADV 4 Zone 2 Settings Saving Settings and Exit Set-upADV 5 Analogue Settings Save Set-upRemote control Volume control Switching on/offOperating your AVR250 Front panel displayInput selection HeadphonesStereo Direct ZoneEffects/FX Remote control buttonsMode Treble/BassTuning to a station Using the tunerStoring a preset Deleting a presetUsing the Main Menu Decoder splits the centre signal equally to Using ZoneIntroduction EffectDigital multi-channel sources Surround modesMulti-channel source modes Two-channel source modesDSP Effects Modes Speaker positioningBi-wiring your loudspeakers Bi-wiring and bi-amping loudspeakersBefore you start important information Bi-amping your systemTroubleshooting No Zone 2 audio when playing DTS film Source switching changes randomly or freezes on one sourceUnable to adjust bass and treble controls Hum on an analogue inputScart S-video cable with audio back to processor Scart connectionsScart RGB cable with audio back to processor IR Remote Codes Command Command codePreset System code Command Command codePower toggle Mute Preset/Tune down Preset/Tune up Preset/Tune mode toggleRadio interference Technical specificationsContinual improvement policy On line registration GuaranteeWorldwide Guarantee Appendix Serial programming interface Command and response formatsPower / Alimentation / Betriebsbereitschaft / Stroom Example / Exemple / Beispiel / Voorbeeld Mute / Coupure du son / Stumm / DempenChange l’entrée audio et vidéo d’une zone Changes the audio and video input to a zoneÄnderung des Audio- oder Videoeingangs einer Zone De audio- en video-ingang naar een zone wijzigenChange l’entrée vidéo de la zone principale Changes the video input for the main zoneÄnderung der Videoquelle der Hauptzone De video-ingang voor de hoofdzone wijzigenDirect mode / Mode Direct / Direktmodus / Modus Direct Navigation / Navigation / Navigation / Navigatie Effect / Effet / Effekt / EffectStore / Mémorisation / Speichern / Opslaan Preset / Présélection / Voreinstellung / VoorinstellingRDS / Système RDS / RDS / RDS Tune / Réglage / Senderabstimmung / Afstemmen
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AVR250 specifications

The Arcam AVR250 is a distinguished model in the realm of home theater receivers, embodying high-performance audio and video processing capabilities that cater to discerning audiophiles and home cinema enthusiasts alike. Designed by Arcam, a company renowned for its commitment to delivering premium sound, the AVR250 stands out through its thoughtful engineering and robust feature set.

At the heart of the AVR250 lies a powerful amplification stage capable of delivering a peak output of 100 watts per channel into 8 ohms, ensuring that even the most demanding speakers can be driven with ease. This level of power translates into dynamic audio experiences, whether you're enjoying your favorite movies, music, or gaming. The receiver also incorporates a sophisticated digital signal processing engine that enhances sound quality and ensures accurate reproduction of all audio formats.

One of the standout features of the AVR250 is its support for multiple surround sound formats, including Dolby Digital, DTS, and Dolby Pro Logic II. This enables users to experience surround sound in its full glory, bringing their favorite films to life with immersive audio tracks that add depth and realism to the viewing experience. The AVR250 also boasts an array of connectivity options, including HDMI inputs that support high-definition video and audio signals, allowing seamless integration with modern multimedia devices such as Blu-ray players, gaming consoles, and streaming devices.

In addition to its robust audio capabilities, the Arcam AVR250 is also equipped with video processing technologies. It can upscale standard definition content to high-definition resolution, ensuring that older media looks sharper and more vibrant on modern displays. The receiver also features video switching capabilities, allowing users to connect multiple video sources and effortlessly switch between them.

User-friendliness is another hallmark of the AVR250, featuring an intuitive on-screen display and remote control that make setup and operation straightforward. The receiver also offers advanced room correction technologies, which utilize microphone measurements to optimize sound performance in various room acoustics. This ensures that audiences receive the best possible sound quality tailored to their specific environment.

In summary, the Arcam AVR250 exemplifies a blend of power, quality, and versatility. With its advanced audio technologies, comprehensive connectivity options, and user-friendly design, this home theater receiver is poised to elevate cinematic experiences and music reproduction in any home. Whether you are an audiophile or a casual viewer, the AVR250 caters to a wide array of listening preferences, making it a worthy addition to any audio setup.