Alesis Hammerfall DSP System manual Recording

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12.5 Recording

Unlike analog soundcards which produce empty wave files (or noise) when no input signal is present, digital I/O cards always need a valid input signal to start recording.

To take this into account, RME has included two unique features in the HDSP MADI: a compre- hensive I/O signal status display (showing sample frequency, lock and sync status) in the Set- tings dialog, and the protective Safe Mode / Frequency function.

If a 48 kHz signal is fed to the input and the application is set to 44.1 kHz, Safe Mode / Fre- quency stops the system from recording. This prevents faulty takes, which often go unnoticed until later on in the production. Such tracks appear to have the wrong playback rate - the audio quality as such is not affected.

The sample frequency shown in the Settings dialog (see chapter 11, screenshot Settings) is useful as a quick display of the current configuration (the box itself and all connected external equipment). If no sample frequency is recognized, it will read ‘No Lock’.

This way, configuring any suitable audio application for digital recording is simple. After select- ing the required input, HDSP MADI displays the current sample frequency. This parameter can then be changed in the application’s audio attributes (or similar) dialog.

The screenshot to the right shows a typical dialog used for changing basic parameters such as sample frequency and resolution in an audio ap- plication.

Any bit resolution can be selected, providing it is supported by both the audio hardware and the software. Even if the input signal is 24 bit, the application can still be set to record at 16-bit reso- lution. The lower 8 bits (and therefore any signals about 96dB below maximum level) are lost en- tirely. On the other hand, there is nothing to gain from recording a 16-bit signal at 24-bit resolution - this would only waste precious space on the hard disk.

It often makes sense to monitor the input signal or send it directly to the output. This can be done at zero latency using TotalMix (see chapter 24).

Currently two solutions exist which enable an automated control of real-time monitoring. ZLM allows monitoring in Punch I/O mode - with this the system behaves like a tape machine. This method has been implemented in all versions of Samplitude (by Magix), and can be activated using the global track option 'Hardware monitoring during Punch'. As ZLM is limited to MME, this mode is no longer supported since TotalMix version 2.3.

The second solution is Steinberg’s ASIO protocol with our ASIO 2.0 drivers and all ASIO 2.0 compatible programs (even Samplitude…). When 'ASIO Direct Monitoring' has been switched on, the input signal is routed in real-time to the output whenever a recording is started.

User's Guide HDSP MADI © RME

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Contents TotalMix Bit / 96 kHz SyncAlignZLMSyncCheck SteadyClock MadiGeneral Driver Installation and Operation WindowsConnections and TotalMix Driver Installation and Operation Mac OSTechnical Reference Hdsp Madi Brief Description and Characteristics Package ContentsIntroduction System RequirementsHardware Installation Hardware ConnectorsExternal Connectors Warranty AccessoriesInternal Connectors Blue JumperTrademarks AppendixFCC CE / FCC Compliance StatementsDriver Installation and Operation Windows Driver Update Driver InstallationDeinstalling the Drivers Driver and FirmwareConfiguring the Hdsp Madi Firmware UpdateSettings Dialog Safe Mode Quick BootBuffer Size SyncCheckSettings dialog DDS Clock Modes Synchronisation SyncCheck Playback Operation and UsageDVD-Playback AC-3/DTS under MME AC-3 / DTSMultichannel Low Latency under MME Buffer Size Adjustment Multi-client OperationASIO-Multiclient Recording Operation under Asio Known ProblemsCommon Problems Operation under Gsif Gigasampler InterfaceWindows 2000/XP DIGICheck Using multiple Hdsp Madi / AES-32Input signal cannot be monitored in real-time Hotline TroubleshootingInstallation Driver Installation and Operation Mac OS Flash Update Driver and Flash UpdateConfiguring the Hdsp Madi Safe Mode Settings dialog DDS Clock Modes Synchronisation Mac OS X FAQ Round about Driver InstallationMidi doesnt work Supported Sample Rates Repairing Disk PermissionsPCI card and PCI slot compatibility Various InformationHotline Troubleshooting Users Guide Hdsp Madi RME Connections and TotalMix Headphones ConnectionsMadi I/Os Midi Word ClockWord Clock Input and Output InputRemember that a digital system can only have one master Technical Description and UsageCabling and Termination Operation Overview TotalMix Routing and MonitoringUsers Guide Hdsp Madi RME User Interface Tour de TotalMix Elements of a ChannelSubmix View Mute und Solo Submix ViewPresets Quick Access PanelPreset Banks PresetPreferences Monitor PanelEditing the Names Main MonitorStereo Pan Law Hotkeys Menu Options Level Meter Elements of the Matrix View TotalMix The MatrixTotalMix Super-Features Advantages of the MatrixAsio Direct Monitoring Windows only Selection and Group-based Operation Copy Routings to other ChannelsDelete Routings Mixing several input signals into one record channel Recording a Subgroup LoopbackRecording a Softwares playback Using external Effects Devices Setup TotalMix Midi Remote ControlMapping ElementMeaning in TotalMix Preset 5 3A / 58 / #A Preset 3 38 / 56 / #GSimple Midi Control Loopback DetectionUsers Guide Hdsp Madi RME Technical Reference Tech Info Technical Specifications InputsOutputs Transfer Modes Resolution / Bits per Sample DigitalStereo Monitor Output Phones Madi Basics Technical BackgroundLock and SyncCheck How much Zero is Zero? Latency and MonitoringOversampling Sample frequency kHz 44.1 88.2DS Double Speed Core Audios Safety OffsetQS Quad Speed SteadyClock PCI Performance Terminology 96K Frame