Alesis Hammerfall DSP System manual Using external Effects Devices

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26.6 Using external Effects Devices

With TotalMix a usage of external hardware - like effects devices - is easy and flexible.

Example 1: The singer (microphone input channel 1) shall have some reverb on his head- phones (outputs 11/12). A direct routing In 1 to Out 11/12 for monitoring had been set up al- ready. The external reverb is connected to a free output, for example channel 8. In active mode Submix View click on channel 8 in the bottom row. Drag the fader of input 1 to about 0 dB and the panorama fully to the right. Adjust the input level at the reverb unit to an optimal setting. Next the output of the reverb unit is connected to a free stereo input, for example 5/6. Use the TotalMix level meters to adjust a matching output level at the reverb unit. Now click on channels 11/12 in the bottom row, and move the fader of inputs 5/6 until the reverb effect gets a bit too loud in the headphones. Now click on channel 8 in the bottom row again and drag fader 1 down a bit until the mix of original signal and reverb is perfect for the singer.

The described procedure is completely identical to the one when using an analog mixing desk. There the signal of the singer is sent to an output (usually labeled Aux), from there to a reverb unit, sent back from the reverb unit as stereo wet signal (no original sound), back in through a stereo input (e.g. Effect return) and mixed to the monitoring signal. The only difference: The Aux sends on mixing desks are post-fader. Changing the level of the original signal causes a change of the effects level (here the reverb) too, so that both always have the same ratio.

Tip: Such a functionality is available in TotalMix via the right mouse button! Dragging the faders by use of the right mouse button causes all routings of the current input or playback channel to be changed in a relative way. This completely equals the function Aux post fader.

Example 2: Inserting an effects device can be done as above, even within the record path. Other than in the example above the reverb unit also sends the original signal, and there is no routing of input 1 directly to outputs 11/12. To insert an effects device like a Compressor/Limiter directly into the record path, the input signal of channel 1 is sent by TotalMix to any output, to the Compressor, back from the Compressor to any input. This input is now selected within the record software.

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User's Guide HDSP MADI © RME

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Contents Madi TotalMix Bit / 96 kHz SyncAlignZLMSyncCheck SteadyClockDriver Installation and Operation Windows GeneralDriver Installation and Operation Mac OS Connections and TotalMixTechnical Reference Hdsp Madi Package Contents Brief Description and CharacteristicsIntroduction System RequirementsHardware Installation Hardware ConnectorsExternal Connectors Accessories WarrantyInternal Connectors Blue JumperAppendix TrademarksCE / FCC Compliance Statements FCCDriver Installation and Operation Windows Driver Installation Driver UpdateDeinstalling the Drivers Driver and FirmwareConfiguring the Hdsp Madi Firmware UpdateSettings Dialog Quick Boot Safe ModeBuffer Size SyncCheckSettings dialog DDS Clock Modes Synchronisation SyncCheck Operation and Usage PlaybackDVD-Playback AC-3/DTS under MME AC-3 / DTSMultichannel Low Latency under MME Buffer Size Adjustment Multi-client OperationASIO-Multiclient Recording Known Problems Operation under AsioCommon Problems Operation under Gsif Gigasampler InterfaceWindows 2000/XP Using multiple Hdsp Madi / AES-32 DIGICheckHotline Troubleshooting Input signal cannot be monitored in real-timeInstallation Driver Installation and Operation Mac OS Driver and Flash Update Flash UpdateConfiguring the Hdsp Madi Safe Mode Settings dialog DDS Clock Modes Synchronisation Mac OS X FAQ Round about Driver InstallationMidi doesnt work Repairing Disk Permissions Supported Sample RatesPCI card and PCI slot compatibility Various InformationHotline Troubleshooting Users Guide Hdsp Madi RME Connections and TotalMix Headphones ConnectionsMadi I/Os Word Clock MidiWord Clock Input and Output InputTechnical Description and Usage Remember that a digital system can only have one masterCabling and Termination Operation TotalMix Routing and Monitoring OverviewUsers Guide Hdsp Madi RME User Interface Elements of a Channel Tour de TotalMixSubmix View Submix View Mute und SoloQuick Access Panel PresetsPreset Preset BanksMonitor Panel PreferencesEditing the Names Main MonitorStereo Pan Law Hotkeys Menu Options Level Meter TotalMix The Matrix Elements of the Matrix ViewTotalMix Super-Features Advantages of the MatrixAsio Direct Monitoring Windows only Selection and Group-based Operation Copy Routings to other ChannelsDelete Routings Mixing several input signals into one record channel Recording a Subgroup LoopbackRecording a Softwares playback Using external Effects Devices TotalMix Midi Remote Control SetupMapping ElementMeaning in TotalMix Preset 3 38 / 56 / #G Preset 5 3A / 58 / #ASimple Midi Control Loopback DetectionUsers Guide Hdsp Madi RME Technical Reference Tech Info Technical Specifications InputsOutputs Transfer Modes Resolution / Bits per Sample DigitalStereo Monitor Output Phones Technical Background Madi BasicsLock and SyncCheck Latency and Monitoring How much Zero is Zero?Oversampling Sample frequency kHz 44.1 88.2Core Audios Safety Offset DS Double SpeedQS Quad Speed SteadyClock PCI Performance Terminology 96K Frame