Alesis Hammerfall DSP System manual Terminology

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30.8 Terminology

Single Speed

Sample rate range originally used in Digital Audio. Typical applications are 32 kHz (digital radio broadcast), 44.1 kHz (CD), and 48 kHz (DAT).

Double Speed

Doubles the original sample rate range, in order to achieve higher audio quality and improved audio processing. 64 kHz is practically never used, 88.2 kHz is quite rare in spite of certain ad- vantages. 96 kHz is a common format. Sometimes called Double Fast.

Quad Speed

Controversially discussed way of ensuring hi-end audio quality and processing by quadrupling the sample frequency. 128 kHz is non-existant, 176.4 kHz is rare, if at all then 192 kHz is used, e.g. for DVD Audio.

Single Wire

Standard audio data transfer, where the audio signal's sample rate is equal to the rate of the digital signal. Used from 32 to 192 kHz. Sometimes called Single Wide.

Double Wire

Before 1998 there were no receiver/transmitter circuits available that could receive or transmit more than 48 kHz. Higher sample rates were transferred by splitting odd and even bits across the L/R channels of a single AES connection. This provides for twice the data rate, and hence twice the sample rate. A stereo signal subsequently requires two AES/EBU ports.

The Double Wire method is an industry standard today, however it has a number of different names, like Dual AES, Double Wide, Dual Line and Wide Wire. The AES3 specification uses the uncommon term Single channel double sampling frequency mode. When used with the ADAT format, the term S/MUX is commonly used.

Double Wire not only works with Single Speed signals, but also with Double Speed. As an ex- ample, Pro Tools HD, whose AES receiver/transmitter only work up to 96 kHz, uses Double Wire to transmit 192 kHz. Four channels of 96 kHz turn into two channels of 192 kHz.

Quad Wire

Similar to Double Wire, with samples of one channel spread across four channels. This way single speed devices can transmit up to 192 kHz, but need two AES/EBU ports to transmit one channel. Also called Quad AES.

S/MUX

Since the ADAT hardware interface is limited to Single Speed, the Double Wire method is used for sample rates up to 96 kHz, but usually referred to as S/MUX (Sample Multiplexing). An ADAT port supports four channels this way. With MADI S/MUX is used as well, to transmit up to 96kHz although the 48K Frame format is used.

S/MUX4

The Quad Wire method allows to transmit two channels at up to 192 kHz via ADAT. The method is referred to as S/MUX4. With MADI S/MUX4 is used as well, to transmit up to 192 kHz although the 48K Frame format is used.

Note: All conversions of the described methods are lossless. The existing samples are just spread or re-united between the channels.

48K Frame

Most often used MADI format. Supports up to 64 channels at up to 48 kHz.

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User's Guide HDSP MADI © RME

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Contents Madi TotalMix Bit / 96 kHz SyncAlignZLMSyncCheck SteadyClockDriver Installation and Operation Windows GeneralDriver Installation and Operation Mac OS Connections and TotalMixTechnical Reference Hdsp Madi Package Contents Brief Description and CharacteristicsIntroduction System RequirementsHardware Connectors Hardware InstallationExternal Connectors Accessories WarrantyInternal Connectors Blue JumperAppendix TrademarksCE / FCC Compliance Statements FCCDriver Installation and Operation Windows Driver Installation Driver UpdateDeinstalling the Drivers Driver and FirmwareFirmware Update Configuring the Hdsp MadiSettings Dialog Quick Boot Safe ModeBuffer Size SyncCheckSettings dialog DDS Clock Modes Synchronisation SyncCheck Operation and Usage PlaybackAC-3 / DTS DVD-Playback AC-3/DTS under MMEMultichannel Multi-client Operation Low Latency under MME Buffer Size AdjustmentASIO-Multiclient Recording Known Problems Operation under AsioOperation under Gsif Gigasampler Interface Common ProblemsWindows 2000/XP Using multiple Hdsp Madi / AES-32 DIGICheckHotline Troubleshooting Input signal cannot be monitored in real-timeInstallation Driver Installation and Operation Mac OS Driver and Flash Update Flash UpdateConfiguring the Hdsp Madi Safe Mode Settings dialog DDS Clock Modes Synchronisation Round about Driver Installation Mac OS X FAQMidi doesnt work Repairing Disk Permissions Supported Sample RatesPCI card and PCI slot compatibility Various InformationHotline Troubleshooting Users Guide Hdsp Madi RME Connections and TotalMix Connections HeadphonesMadi I/Os Word Clock MidiWord Clock Input and Output InputTechnical Description and Usage Remember that a digital system can only have one masterCabling and Termination Operation TotalMix Routing and Monitoring OverviewUsers Guide Hdsp Madi RME User Interface Elements of a Channel Tour de TotalMixSubmix View Submix View Mute und SoloQuick Access Panel PresetsPreset Preset BanksMonitor Panel PreferencesMain Monitor Editing the NamesStereo Pan Law Hotkeys Menu Options Level Meter TotalMix The Matrix Elements of the Matrix ViewAdvantages of the Matrix TotalMix Super-FeaturesAsio Direct Monitoring Windows only Copy Routings to other Channels Selection and Group-based OperationDelete Routings Recording a Subgroup Loopback Mixing several input signals into one record channelRecording a Softwares playback Using external Effects Devices TotalMix Midi Remote Control SetupElement MappingMeaning in TotalMix Preset 3 38 / 56 / #G Preset 5 3A / 58 / #ASimple Midi Control Loopback DetectionUsers Guide Hdsp Madi RME Technical Reference Tech Info Inputs Technical SpecificationsOutputs Digital Transfer Modes Resolution / Bits per SampleStereo Monitor Output Phones Technical Background Madi BasicsLock and SyncCheck Latency and Monitoring How much Zero is Zero?Oversampling Sample frequency kHz 44.1 88.2Core Audios Safety Offset DS Double SpeedQS Quad Speed SteadyClock PCI Performance Terminology 96K Frame