Alesis Hammerfall DSP System manual Submix View, Mute und Solo

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You will certainly have noticed that the signal at the outputs 7/8 did not change while you were routing channel 4 to other outputs and setting different gain values for those. With all analog and most digital mixing desks, the fader setting would affect the level for every routed bus - not so for TotalMix. TotalMix allows for setting all fader values individually. Therefore the faders and the panpots jump to the appropriate setting as soon as another routing is chosen.

Sometimes you will want the routings not to be independent. Let's say you have sent a signal to several submixes, and now want to change the signal's volume a bit on all these submixes. Dragging the faders by use of the right mouse button activates Post Send mode and causes all routings of the current input or playback channel to be changed in a relative way. Please note that the fader settings of all routings are memorized. So when pulling the fader to the bottom (maximum attenuation), the individual settings are back when you right click the mouse and pull the fader up. The individual settings get lost in m.a. position as soon as the fader is clicked with the left mouse button. As long as no single level is at m.a. position, the left mouse button can be used to change the current routing's gain.

The checkmarks are un-checked by moving the fader to m.a. This setting deactivates the rout- ing...why route if there is no level? Click onto '7+8' in the routing window, pull the fader down, open the routing window again - the checkmark is gone.

The number of channels is reduced automatically when entering Double Speed mode (96 kHz). The display is adjusted accordingly, and all fader settings remain stored.

24.5 Submix View

Such a wide range of possibilities make it difficult to maintain the overview. Because practically all hardware outputs can be used for different submixes, as shown (up to 32 completely inde- pendent stereo submixes, 16 4-channel submixes etc.). And when opening the routing windows you might see an army of checkmarks, but you don't get an overwiev, i.e., how the signals come together and where. This problem is solved by Submix View mode. In this mode, all routing fileds jump to the routing pair just being selected. You can then see immediately, which chan- nels, which fader and pan settings make a submix (for example '1+2'). At the same time the Submix View simplifies setting up the mixer, as all channels can be set simultaneously to the same routing destination with just one click.

Changing to a different destination (output channel) is done in any routing field, or by a click on the desired output pair in the bottom row.

24.6 Mute und Solo

Mute operates pre-fader, thus mutes all currently active routings of the channel. As soon as any Mute button is pressed, the Mute Master button lights up in the Quick Access area. It allows to switch all selected mutes off and on again. You can comfortably make mute-groups or activate and deactivate several Mutes simultaneously.

The same holds true for the Solo and the Solo Master buttons. As with conventional mixing desks, Solo operates only for the output defined as Monitor Main, as a solo-in-place, post fader. As soon as one Solo button is pressed, the Solo Master button lights up in the Quick Access area. It allows to switch all selected Solos off and on again. You can comfortably make solo-groups or activate and deactivate several Solos simultaneously.

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User's Guide HDSP MADI © RME

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Contents Madi TotalMix Bit / 96 kHz SyncAlignZLMSyncCheck SteadyClockDriver Installation and Operation Windows GeneralDriver Installation and Operation Mac OS Connections and TotalMixTechnical Reference Hdsp Madi Package Contents Brief Description and CharacteristicsIntroduction System RequirementsHardware Installation Hardware ConnectorsExternal Connectors Accessories WarrantyInternal Connectors Blue JumperAppendix TrademarksCE / FCC Compliance Statements FCCDriver Installation and Operation Windows Driver Installation Driver UpdateDeinstalling the Drivers Driver and FirmwareConfiguring the Hdsp Madi Firmware UpdateSettings Dialog Quick Boot Safe ModeBuffer Size SyncCheckSettings dialog DDS Clock Modes Synchronisation SyncCheck Operation and Usage PlaybackDVD-Playback AC-3/DTS under MME AC-3 / DTSMultichannel Low Latency under MME Buffer Size Adjustment Multi-client OperationASIO-Multiclient Recording Known Problems Operation under AsioCommon Problems Operation under Gsif Gigasampler InterfaceWindows 2000/XP Using multiple Hdsp Madi / AES-32 DIGICheckHotline Troubleshooting Input signal cannot be monitored in real-timeInstallation Driver Installation and Operation Mac OS Driver and Flash Update Flash UpdateConfiguring the Hdsp Madi Safe Mode Settings dialog DDS Clock Modes Synchronisation Mac OS X FAQ Round about Driver InstallationMidi doesnt work Repairing Disk Permissions Supported Sample RatesPCI card and PCI slot compatibility Various InformationHotline Troubleshooting Users Guide Hdsp Madi RME Connections and TotalMix Headphones ConnectionsMadi I/Os Word Clock MidiWord Clock Input and Output InputTechnical Description and Usage Remember that a digital system can only have one masterCabling and Termination Operation TotalMix Routing and Monitoring OverviewUsers Guide Hdsp Madi RME User Interface Elements of a Channel Tour de TotalMixSubmix View Submix View Mute und SoloQuick Access Panel PresetsPreset Preset BanksMonitor Panel PreferencesEditing the Names Main MonitorStereo Pan Law Hotkeys Menu Options Level Meter TotalMix The Matrix Elements of the Matrix ViewTotalMix Super-Features Advantages of the MatrixAsio Direct Monitoring Windows only Selection and Group-based Operation Copy Routings to other ChannelsDelete Routings Mixing several input signals into one record channel Recording a Subgroup LoopbackRecording a Softwares playback Using external Effects Devices TotalMix Midi Remote Control SetupMapping ElementMeaning in TotalMix Preset 3 38 / 56 / #G Preset 5 3A / 58 / #ASimple Midi Control Loopback DetectionUsers Guide Hdsp Madi RME Technical Reference Tech Info Technical Specifications InputsOutputs Transfer Modes Resolution / Bits per Sample DigitalStereo Monitor Output Phones Technical Background Madi BasicsLock and SyncCheck Latency and Monitoring How much Zero is Zero?Oversampling Sample frequency kHz 44.1 88.2Core Audios Safety Offset DS Double SpeedQS Quad Speed SteadyClock PCI Performance Terminology 96K Frame