Alesis Hammerfall DSP System manual Technical Background, Madi Basics

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30. Technical Background

30.1 MADI Basics

MADI, the serial Multichannel Audio Digital Interface, has been defined already in 1989 as an extension of the existing AES3 standard following several manufacturers' wish. The format also known as AES/EBU, a balanced bi-phase signal, is limited to two channels. Simply put, MADI contains 28 of those AES/EBU signals in serial, i. e. after one another, and the sample rate can still even vary by +/-12.5%. The limit which cannot be exceeded is a data rate of 100Mbit/s.

Because an exact sampling frequency is used in most cases, the 64 channel mode was intro- duced officially in 2001. It allows for a maximum sample rate of 48 kHz + ca. 1%, corresponding to 32 channels at 96 kHz, without exceeding the maximum data rate of 100 Mbit/s. The effective data rate of the port is 125 Mbit/s due to additional coding.

Older devices understand and generate only the 56 channel format. Newer devices often work in the 64 channel format, but offer still no more than 56 audio channels. The rest is being eaten up by control commands for mixer settings etc.. The ADI-648 and the HDSP MADI show that this can be done in a much better way, with an invisible transmission of 16 MIDI channels and the MADI signal still being 100% compatible.

For the transmission of the MADI signal, proved methods known from network technology were applied. Most people know unbalanced (coaxial) cables with 75 Ohms BNC plugs, they are not expensive and easy to get. The optical interface is much more interesting due to its complete galvanic separation, but for many users it is a mystery, because very few have ever dealt with huge cabinets full of professional network technology. Therefore here are some explanations regarding 'MADI optical'.

The cables used are standard in computer network technology. They are thus not at all expensive, but unfortunately not available in every computer store.

The cables have an internal fibre of only 50 or 62.5 µm diameter and a coating of 125 µm. They are called network cables 62.5/125 or 50/125, the former mostly being blue and the lat- ter mostly being orange. Although in many cases not clearly labeled, these are always (!) glass fibre cables. Plastic fibre cables (POF, plastic optical fibre) can not be manufactured in such small diameters.

The plugs used are also an industry standard and called SC. Please don't mix them up with ST connectors, which look similar to BNC connectors and are being screwed. Plugs used in the past (MIC/R) were unnecessarily big and are not being used any longer.

The cables are available as a duplex variant (2 cables being glued together) or as a simplex variant (1 cable). The ADI-648's opto module supports both variants.

The transmission uses the multimode technique which supports cable lengths of up to al- most 2 km. Single mode allows for much longer distances, but it uses a completely different fibre (8 µm). By the way, due to the wave-length of the light being used (1300 nm), the opti- cal signal is invisible to the human eye.

User's Guide HDSP MADI © RME

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Contents TotalMix Bit / 96 kHz SyncAlignZLMSyncCheck SteadyClock MadiGeneral Driver Installation and Operation WindowsConnections and TotalMix Driver Installation and Operation Mac OSTechnical Reference Hdsp Madi Brief Description and Characteristics Package ContentsIntroduction System RequirementsHardware Installation Hardware ConnectorsExternal Connectors Warranty AccessoriesInternal Connectors Blue JumperTrademarks AppendixFCC CE / FCC Compliance StatementsDriver Installation and Operation Windows Driver Update Driver InstallationDeinstalling the Drivers Driver and FirmwareConfiguring the Hdsp Madi Firmware UpdateSettings Dialog Safe Mode Quick BootBuffer Size SyncCheckSettings dialog DDS Clock Modes Synchronisation SyncCheck Playback Operation and UsageDVD-Playback AC-3/DTS under MME AC-3 / DTSMultichannel Low Latency under MME Buffer Size Adjustment Multi-client OperationASIO-Multiclient Recording Operation under Asio Known ProblemsCommon Problems Operation under Gsif Gigasampler InterfaceWindows 2000/XP DIGICheck Using multiple Hdsp Madi / AES-32Input signal cannot be monitored in real-time Hotline TroubleshootingInstallation Driver Installation and Operation Mac OS Flash Update Driver and Flash UpdateConfiguring the Hdsp Madi Safe Mode Settings dialog DDS Clock Modes Synchronisation Mac OS X FAQ Round about Driver InstallationMidi doesnt work Supported Sample Rates Repairing Disk PermissionsPCI card and PCI slot compatibility Various InformationHotline Troubleshooting Users Guide Hdsp Madi RME Connections and TotalMix Headphones ConnectionsMadi I/Os Midi Word ClockWord Clock Input and Output InputRemember that a digital system can only have one master Technical Description and UsageCabling and Termination Operation Overview TotalMix Routing and MonitoringUsers Guide Hdsp Madi RME User Interface Tour de TotalMix Elements of a ChannelSubmix View Mute und Solo Submix ViewPresets Quick Access PanelPreset Banks PresetPreferences Monitor PanelEditing the Names Main MonitorStereo Pan Law Hotkeys Menu Options Level Meter Elements of the Matrix View TotalMix The MatrixTotalMix Super-Features Advantages of the MatrixAsio Direct Monitoring Windows only Selection and Group-based Operation Copy Routings to other ChannelsDelete Routings Mixing several input signals into one record channel Recording a Subgroup LoopbackRecording a Softwares playback Using external Effects Devices Setup TotalMix Midi Remote ControlMapping ElementMeaning in TotalMix Preset 5 3A / 58 / #A Preset 3 38 / 56 / #GSimple Midi Control Loopback DetectionUsers Guide Hdsp Madi RME Technical Reference Tech Info Technical Specifications InputsOutputs Transfer Modes Resolution / Bits per Sample DigitalStereo Monitor Output Phones Madi Basics Technical BackgroundLock and SyncCheck How much Zero is Zero? Latency and MonitoringOversampling Sample frequency kHz 44.1 88.2DS Double Speed Core Audios Safety OffsetQS Quad Speed SteadyClock PCI Performance Terminology 96K Frame