Panasonic P2HDXAG-HPX500 manual Data size 280 x 1080 pixels Size Pixel ratio Interlace

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P 2 H D XA G - H P X 5 0 0

 

13

P2-compatible non-linear editing systems

PRACTICAL GUIDEBOOK

 

other than Apple Final Cut Pro

 

 

 

 

 

 

P2-compatible non-linear editing systems other than Apple Final Cut Pro

or the latest compatibility information for Windows-based non-linear editing systems and

P2-based equipment, visit the following URL:

https://eww.pavc.panasonic.co.jp/pro-av/sales_o/p2comp/index.html

*For compatibility with Windows Vista and related information regarding the latest updates and patches for each software, visit the manufacturer's web site, or contact the manufacturer/vendor directly.

Canopus EDIUS Pro Version 4 and REXCEED series http://www.canopus.com

Avid Xpress Pro / Avid Media Composer http://www.avid.com

Media Composer set

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Appendix: Information regarding composition and post-processing of images

The following data/information are required following the non-linear editing work to move on to work with compositing software or go into post-production. While working with compositing or editing of extracted still images, share the following information with your operators and designers to work on compositing processes more efficiently.

 

Data size

280 x 1080 pixels

1080 size

Pixel ratio

1.5

 

Interlace

odd number fields are prioritized

When displaying images on Adobe Photoshop, set the horizontal/vertical pixel ratio to 1.5 for accuracy.

*If you are preparing still images for printing, correct the resolution to 1920 x 1080. The pixels will need to be set back to "square".

Data size

960 x 720 pixel

720 size

1.33

Pixel ratio

*If you are preparing still images for printing, correct the resolution to 1280 x 720. The pixels will need to be set back to "square".

PAL mode

Data size

1440 x 1080 pixels

(50p/25p)

Pixel ratio

1.33

1080 size

Interlace

odd number fields are prioritized

* If you are preparing still images for printing, correct the resolution to 1920 x 1080.The pixels will need to be set back to "square".

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Contents P2HD XAG-HPX500 Practical Guidebook P2HD Shooting Procedure 59.94Hz Ntsc and 50Hz PAL settingsSetting the recording format Recording format = Scene File settingAG-HPX500 recording codec Recording codec and formatImage formats and codecs supported by the AG-HPX500 General HD recording methods Checking the formatStandard recording Gamma Setting Eight-Mode Gamma Shutter speed guideVariable Frame Rate-capable recording modes About the difference between Native pN and over60p ModeData capacity for each recording type Dvcpro HD Lens setup Pre-shooting setupFujinon 2 varieties Setup for shooting Gain / Iris / WB Battery setupAudio setup Lens, iris and image quality adjustmentSetting the WB White Balance Flange Back = Back Focus = Rear FocusGain Selecting a tripodSaving Scene Files and User Files Copying To and Loading From SD CardsConnecting to an external tape deck AJ-HD1400 Control settings for connected backup devicesWhen storing data on a Dvcpro HD tape, etc Other Functions ControlOvercrank shooting Variable Frame Rate Overcrank/Undercrank shootingUndercrank shooting Set the camera mode to Filmcam Procedure for using VFR required settingsSet the frame rate to one of rates between 12 Special Recording Pre-RECOne-shot recording Loop RecordingSettings for special recording modes Interval RecordingUsing P2 Cards Basic thumbnail operationsPlaying back selected file Select SlotDeleting Clips and Formatting P2 or SD Card Select Delete and press the buttonIngesting procedures Using Apples Final Cut Pro From the Setup menu, selectOther Functions PC Mode From P2 to non-linear editing workstationUsing Final Cut Pro to capture P2 data From the pulldown menu, selectConfiguring Removing Advanced Pulldown / Duplicate frames Importing P2 data backed up on a hard driveIf variable frame rate over 60p/50p mode is used Installation of frame rate converterExamples of exporting data from FCP Where to obtain P2Viewer Creating archives using P2ViewerP2Viewer screen Next Select Show Show Secondary Bin Next, select the storing destinationOn the lower section Procedures Backing up data onto a HDD 1394 Host modeP2 data back-up and creating archives Creating archives using FCP Backing up data onto a HDD using an OSBacking up from AG-HPX500 to a HDD Data size Data size 280 x 1080 pixels Size Pixel ratio InterlaceSize Pixel ratio Latest P2 equipment AG-HPX500 AG-HVX200Bayonet Mount Clip ThumbnailFrame Rate Converter Gold Mount/V MountNative Mode MXF FileShot Marker Span FilesP2HD XAG-HPX500

P2HDXAG-HPX500 specifications

The Panasonic P2HDXAG-HPX500 is a state-of-the-art digital cinema camera that has been designed for professional filmmakers and broadcasters looking for high-quality video production. This camera is part of Panasonic's renowned P2 HD range, which is known for its reliability and superior performance. The HPX500 is particularly favored for its versatility in various shooting environments, making it an excellent choice for documentary filmmaking, event coverage, and corporate videos.

One of the standout features of the HPX500 is its high-definition recording capability. It supports both 720p and 1080i resolutions, utilizing the Advanced Video Codec High Definition (AVC-HD) format. This allows users to achieve stunningly sharp images and rich colors, providing a cinematic experience that elevates the quality of their projects. Furthermore, the camera can record in full HD at 1920 x 1080 pixels, ensuring that every detail is captured with clarity.

The camera employs a three 1/3-inch CCD sensor configuration, which significantly enhances its sensitivity to light. This results in superior low-light performance, enabling filmmakers to shoot in challenging lighting conditions without compromising image quality. Additionally, the HPX500 incorporates a sophisticated image processing engine that contributes to its excellent color reproduction and dynamic range.

Another notable technology featured in the HPX500 is the integrated P2 card system. This allows for immediate, high-speed recording directly onto the P2 memory cards, providing a reliable and efficient workflow. The cards offer robust storage capacity and exceptional data transfer speeds, which are crucial for high-definition video shoots. Moreover, the camera supports dual card slots, enabling simultaneous recording for backup or extended media management, which is vital for live event coverage.

The ergonomic design of the HPX500 ensures that it is user-friendly, even during extended shooting sessions. It features adjustable viewing angles and a comprehensive set of manual controls that empower operators to make quick adjustments on the fly. The camera also has multiple connectivity options, including HD-SDI, allowing for seamless integration with existing production equipment.

In summary, the Panasonic P2HDXAG-HPX500 is a powerful digital cinema camera equipped with advanced technologies that cater to the needs of professional filmmakers. With its high-definition recording capability, enhanced low-light performance, robust P2 card system, and user-friendly design, the HPX500 stands out as a reliable choice for high-quality video production across various genres.