Panasonic P2HDXAG-HPX500 manual Pre-shooting setup, Lens setup, Fujinon 2 varieties

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AG-HPX500

Pre-shooting setup

 

 

 

Pre-shooting setup (1)

(*The contents of this section are intended for users who are not accustomed to working with professional video cameras.)

The camera design of the AG-HPX500 is a chassis design suitable for use by broadcasting professionals, and it may seem difficult to use for those accustomed to using the AG-HVX200. However, once an understanding of the essentials of setup and operation has been gained, shooting becomes easy for any user, including AG-HVX200 users.

Lens setup, battery setup, audio setup, etc.?

Setup specifications for the professional-quality video camera

Lens setup

As the lens mount of the AG-HPX500 is a "B4 mount," the type generally found on video cameras for professional or broadcasting use, a wide variety of professional-quality lenses can be used. However, in order to obtain the benefits of the AG-HPX500's unique Chromatic Aberration Compensation (CAC) function and get the best color results, use of one of the maker-endorsed digital HD lenses (shown below) is recommended.

Canon (3 varieties)

KJ10ex4.5B IRSD PS12

KJ16ex7.7B IRSD PS12

KJ21ex7.6B IRSD PS12

Fujinon (2 varieties)

XA17x7.6BERM-M58B

XA17x7.6BRM-M58B

*The above list shows compatible lens varieties as of Feb. 2007. The range of compatible lenses is expected to grow in the future. *2/3-inch mount-compatible HD cine-lenses such as Carl Zwiss Digiprimes may also be attached.

*Note) It may be possible to use some high-performance SD lenses, but when using lenses other than those endorsed by the maker, please be aware that there is a risk of adverse effects such as vignetting (reduction of the image periphery) or color bleeding.

Things to keep in mind when using a 35mm film lens adapter with the AG-HPX500

*When shooting movies or commercials with a 35mm film camera lens, it is possible to shoot using a lens adapter, but please be sure to use an adapter for a 2/3-inch lens.

(For example, when using a P + S Technik image converter, use a pro35 which is compatible with a B4 mount, rather than a mini35 such as is used with the AG-HVX200.)

*Also, in such a case, depending on the equipment, there is a possibility that the image will be recorded upside down. If this is occurring, one can invert the LCD monitor while shooting, but it is impossible to invert the viewfinder or the HD-SDI output. It is necessary to flip the image using a nonlinear editing system.

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Contents P2HD XAG-HPX500 Practical Guidebook P2HD 59.94Hz Ntsc and 50Hz PAL settings Shooting ProcedureSetting the recording format Recording format = Scene File settingRecording codec and format AG-HPX500 recording codecImage formats and codecs supported by the AG-HPX500 Checking the format General HD recording methodsStandard recording Shutter speed guide Gamma Setting Eight-Mode GammaAbout the difference between Native pN and over60p Mode Variable Frame Rate-capable recording modesData capacity for each recording type Dvcpro HD Pre-shooting setup Lens setupFujinon 2 varieties Battery setup Setup for shooting Gain / Iris / WBAudio setup Lens, iris and image quality adjustmentFlange Back = Back Focus = Rear Focus Setting the WB White BalanceGain Selecting a tripodCopying To and Loading From SD Cards Saving Scene Files and User FilesControl settings for connected backup devices Connecting to an external tape deck AJ-HD1400When storing data on a Dvcpro HD tape, etc Other Functions ControlVariable Frame Rate Overcrank/Undercrank shooting Overcrank shootingUndercrank shooting Procedure for using VFR required settings Set the camera mode to FilmcamSet the frame rate to one of rates between 12 Pre-REC Special RecordingOne-shot recording Loop RecordingInterval Recording Settings for special recording modesBasic thumbnail operations Using P2 CardsPlaying back selected file Select SlotSelect Delete and press the button Deleting Clips and Formatting P2 or SD CardFrom the Setup menu, select Ingesting procedures Using Apples Final Cut ProOther Functions PC Mode From P2 to non-linear editing workstationFrom the pulldown menu, select Using Final Cut Pro to capture P2 dataImporting P2 data backed up on a hard drive Configuring Removing Advanced Pulldown / Duplicate framesInstallation of frame rate converter If variable frame rate over 60p/50p mode is usedExamples of exporting data from FCP Creating archives using P2Viewer Where to obtain P2ViewerP2Viewer screen Next, select the storing destination Next Select Show Show Secondary BinOn the lower section Backing up data onto a HDD 1394 Host mode ProceduresP2 data back-up and creating archives Backing up data onto a HDD using an OS Creating archives using FCPBacking up from AG-HPX500 to a HDD Data size 280 x 1080 pixels Size Pixel ratio Interlace Data sizeSize Pixel ratio AG-HPX500 AG-HVX200 Latest P2 equipmentClip Thumbnail Bayonet MountFrame Rate Converter Gold Mount/V MountMXF File Native ModeShot Marker Span FilesP2HD XAG-HPX500

P2HDXAG-HPX500 specifications

The Panasonic P2HDXAG-HPX500 is a state-of-the-art digital cinema camera that has been designed for professional filmmakers and broadcasters looking for high-quality video production. This camera is part of Panasonic's renowned P2 HD range, which is known for its reliability and superior performance. The HPX500 is particularly favored for its versatility in various shooting environments, making it an excellent choice for documentary filmmaking, event coverage, and corporate videos.

One of the standout features of the HPX500 is its high-definition recording capability. It supports both 720p and 1080i resolutions, utilizing the Advanced Video Codec High Definition (AVC-HD) format. This allows users to achieve stunningly sharp images and rich colors, providing a cinematic experience that elevates the quality of their projects. Furthermore, the camera can record in full HD at 1920 x 1080 pixels, ensuring that every detail is captured with clarity.

The camera employs a three 1/3-inch CCD sensor configuration, which significantly enhances its sensitivity to light. This results in superior low-light performance, enabling filmmakers to shoot in challenging lighting conditions without compromising image quality. Additionally, the HPX500 incorporates a sophisticated image processing engine that contributes to its excellent color reproduction and dynamic range.

Another notable technology featured in the HPX500 is the integrated P2 card system. This allows for immediate, high-speed recording directly onto the P2 memory cards, providing a reliable and efficient workflow. The cards offer robust storage capacity and exceptional data transfer speeds, which are crucial for high-definition video shoots. Moreover, the camera supports dual card slots, enabling simultaneous recording for backup or extended media management, which is vital for live event coverage.

The ergonomic design of the HPX500 ensures that it is user-friendly, even during extended shooting sessions. It features adjustable viewing angles and a comprehensive set of manual controls that empower operators to make quick adjustments on the fly. The camera also has multiple connectivity options, including HD-SDI, allowing for seamless integration with existing production equipment.

In summary, the Panasonic P2HDXAG-HPX500 is a powerful digital cinema camera equipped with advanced technologies that cater to the needs of professional filmmakers. With its high-definition recording capability, enhanced low-light performance, robust P2 card system, and user-friendly design, the HPX500 stands out as a reliable choice for high-quality video production across various genres.
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