Panasonic P2HDXAG-HPX500 manual Recording codec and format, AG-HPX500 recording codec

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P 2 H D XA G - H P X 5 0 0

 

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AG-HPX500

PRACTICAL GUIDEBOOK

 

Recording codec and format

 

 

 

 

 

 

Recording codec and format

Operation of the P2 system begins with deciding what to shoot, and how to shoot it (tone, recording format).

AG-HPX500 recording codec

Like the AV-HGX200, the AG-HPX500 has a total of 32 recording formats (14 HD formats and 18 SD formats) that can be selected, depending on shooting conditions.

The codec for recording to P2 card is DVCPRO HD when recording in HD format (1080, 720), while when recording in SD format (480/576), DVCPRO 50, DVCPRO, or DV can be selected.

Setting at HD

Setting at SD

Image formats and codecs supported by the AG-HPX500

With the P2 system, it is possible to have recordings in a variety of these formats on a single P2 card, but it should be noted that at time of playback, the format must be the same as that used when recording.

Image format*1

 

Recording time*3

Recording codec

 

1080/60i

 

 

 

1080/24p(over 60i)

 

 

 

1080/24pA(over 60i)

64 minutes

 

 

1080/30p(over 60i)

 

 

 

 

HD 60Hz

720/60p

 

 

 

720/24p(over 60p)

 

 

 

720/30p(over 60p)

 

DVCPRO HD

 

720/24pN(Native)*2

160 minutes

 

 

720/30pN(Native)*2

128 minutes

 

 

1080/50i

 

 

 

1080/25p(over 50i)

64 minutes

 

HD 50Hz

720/50p

 

 

 

 

720/25p(over 50p)

 

 

 

720/25pN(Native)*2

128 minutes

 

 

480/60i

 

 

SD 60Hz

480/24p(over 60i)

 

 

480/24pA(over 60i)

128 minutes(DVCPRO 50)

 

 

480/30p(over 60i)

256 minutes(DVCPRO/DV)

SD 50Hz

576/50i

 

 

576/25p(over 50i)

 

 

 

 

 

*1: "24p" is recorded as 23.98p, "30p" as 29.97p, and "60p" / "60i" as 59.94p and 59.94i respectively.

*2: Only valid frames will be recorded when in native mode.

*3: Stated recording times are those when four 16GB P2 cards are used. When one card is used, recording time will be 1/4 of that shown. In addition to image format and codec, the function setting and number of cuts may also affect recording time.

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Contents P2HD XAG-HPX500 Practical Guidebook P2HD 59.94Hz Ntsc and 50Hz PAL settings Shooting ProcedureSetting the recording format Recording format = Scene File settingImage formats and codecs supported by the AG-HPX500 Recording codec and formatAG-HPX500 recording codec Standard recording Checking the formatGeneral HD recording methods Shutter speed guide Gamma Setting Eight-Mode GammaData capacity for each recording type Dvcpro HD About the difference between Native pN and over60p ModeVariable Frame Rate-capable recording modes Fujinon 2 varieties Pre-shooting setupLens setup Battery setup Setup for shooting Gain / Iris / WBAudio setup Lens, iris and image quality adjustmentFlange Back = Back Focus = Rear Focus Setting the WB White BalanceGain Selecting a tripodCopying To and Loading From SD Cards Saving Scene Files and User FilesControl settings for connected backup devices Connecting to an external tape deck AJ-HD1400When storing data on a Dvcpro HD tape, etc Other Functions ControlUndercrank shooting Variable Frame Rate Overcrank/Undercrank shootingOvercrank shooting Set the frame rate to one of rates between 12 Procedure for using VFR required settingsSet the camera mode to Filmcam Pre-REC Special RecordingOne-shot recording Loop RecordingInterval Recording Settings for special recording modesBasic thumbnail operations Using P2 CardsPlaying back selected file Select SlotSelect Delete and press the button Deleting Clips and Formatting P2 or SD CardFrom the Setup menu, select Ingesting procedures Using Apples Final Cut ProOther Functions PC Mode From P2 to non-linear editing workstationFrom the pulldown menu, select Using Final Cut Pro to capture P2 dataImporting P2 data backed up on a hard drive Configuring Removing Advanced Pulldown / Duplicate framesExamples of exporting data from FCP Installation of frame rate converterIf variable frame rate over 60p/50p mode is used P2Viewer screen Creating archives using P2ViewerWhere to obtain P2Viewer On the lower section Next, select the storing destinationNext Select Show Show Secondary Bin P2 data back-up and creating archives Backing up data onto a HDD 1394 Host modeProcedures Backing up from AG-HPX500 to a HDD Backing up data onto a HDD using an OSCreating archives using FCP Size Pixel ratio Data size 280 x 1080 pixels Size Pixel ratio InterlaceData size AG-HPX500 AG-HVX200 Latest P2 equipmentClip Thumbnail Bayonet MountFrame Rate Converter Gold Mount/V MountMXF File Native ModeShot Marker Span FilesP2HD XAG-HPX500

P2HDXAG-HPX500 specifications

The Panasonic P2HDXAG-HPX500 is a state-of-the-art digital cinema camera that has been designed for professional filmmakers and broadcasters looking for high-quality video production. This camera is part of Panasonic's renowned P2 HD range, which is known for its reliability and superior performance. The HPX500 is particularly favored for its versatility in various shooting environments, making it an excellent choice for documentary filmmaking, event coverage, and corporate videos.

One of the standout features of the HPX500 is its high-definition recording capability. It supports both 720p and 1080i resolutions, utilizing the Advanced Video Codec High Definition (AVC-HD) format. This allows users to achieve stunningly sharp images and rich colors, providing a cinematic experience that elevates the quality of their projects. Furthermore, the camera can record in full HD at 1920 x 1080 pixels, ensuring that every detail is captured with clarity.

The camera employs a three 1/3-inch CCD sensor configuration, which significantly enhances its sensitivity to light. This results in superior low-light performance, enabling filmmakers to shoot in challenging lighting conditions without compromising image quality. Additionally, the HPX500 incorporates a sophisticated image processing engine that contributes to its excellent color reproduction and dynamic range.

Another notable technology featured in the HPX500 is the integrated P2 card system. This allows for immediate, high-speed recording directly onto the P2 memory cards, providing a reliable and efficient workflow. The cards offer robust storage capacity and exceptional data transfer speeds, which are crucial for high-definition video shoots. Moreover, the camera supports dual card slots, enabling simultaneous recording for backup or extended media management, which is vital for live event coverage.

The ergonomic design of the HPX500 ensures that it is user-friendly, even during extended shooting sessions. It features adjustable viewing angles and a comprehensive set of manual controls that empower operators to make quick adjustments on the fly. The camera also has multiple connectivity options, including HD-SDI, allowing for seamless integration with existing production equipment.

In summary, the Panasonic P2HDXAG-HPX500 is a powerful digital cinema camera equipped with advanced technologies that cater to the needs of professional filmmakers. With its high-definition recording capability, enhanced low-light performance, robust P2 card system, and user-friendly design, the HPX500 stands out as a reliable choice for high-quality video production across various genres.