Panasonic P2HDXAG-HPX500 manual Setup for shooting Gain / Iris / WB, Battery setup, Audio setup

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P 2 H D XA G - H P X 5 0 0

 

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AG-HPX500

PRACTICAL GUIDEBOOK

 

Pre-shooting setup

 

 

 

 

 

 

Pre-shooting setup (2)

Battery setup

For the AG-HPX500 battery bracket, attachment of an Anton bracket (Gold Mount) for professional-quality batteries is standard. The battery menu also lists items made by other companies, and their compatible V-mount batteries (at the automatic default setting, 12 varieties are listed), so any professional-quality batteries in general use can be used. Also, the camera has full compatibility with info lithium batteries, so if one selects battery from the menu, the battery information (display of quantity remaining, etc.) will be returned via the viewfinder.

(Note that the camera is not compatible with the small battery used in the AG-HVX200.)

Audio setup

With the AG-HPX500, a Canon connector (3-pin XLR) can be used for the audio input, and individual sounds can be matched independently, so separate audio strains can be input with 1/2ch. Phantom +48v power supply is also possible, so efficient mikes such as gun mikes can be directly connected.

(*No slot-in wireless function)

Setup for shooting: Gain / Iris / WB

Lens, iris and image quality adjustment

The lens may be one of the most difficult parts of the camera to understand, but when compared with the AG-HVX200, the lack of auto-focus is the only substantial difference. Otherwise, it can be used in much the same way. The focus must be adjusted manually, but setting the focus in advance makes this easy. First, zoom in the object you want to shoot, rotate the focus ring adjust it, and then adjust zoom as you want..

Iris adjustment may be done automatically, but there is also an easy way to do it manually. Turn on the zebra pattern inside the VF (viewfinder), and then adjust the iris ring so that the zebra pattern does not appear on the object you wish to shoot (for example, on the skin of a person you are shooting.) The zebra pattern setting (within Camera Setup) should be 100% (or 95%). The VF and LCD monitor of the AG-HPX500 do not respond to HD signals, so when capturing on a site where you require a more severe focus, use an SD connection to an external monitor such as the optional 7.9 inch/multi-format monitor in order to confirm that the image has HD picture quality.

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Contents P2HD XAG-HPX500 Practical Guidebook P2HD Setting the recording format Shooting Procedure59.94Hz Ntsc and 50Hz PAL settings Recording format = Scene File settingAG-HPX500 recording codec Recording codec and formatImage formats and codecs supported by the AG-HPX500 General HD recording methods Checking the formatStandard recording Gamma Setting Eight-Mode Gamma Shutter speed guideVariable Frame Rate-capable recording modes About the difference between Native pN and over60p ModeData capacity for each recording type Dvcpro HD Lens setup Pre-shooting setupFujinon 2 varieties Audio setup Setup for shooting Gain / Iris / WBBattery setup Lens, iris and image quality adjustmentGain Setting the WB White BalanceFlange Back = Back Focus = Rear Focus Selecting a tripodSaving Scene Files and User Files Copying To and Loading From SD CardsWhen storing data on a Dvcpro HD tape, etc Connecting to an external tape deck AJ-HD1400Control settings for connected backup devices Other Functions ControlOvercrank shooting Variable Frame Rate Overcrank/Undercrank shootingUndercrank shooting Set the camera mode to Filmcam Procedure for using VFR required settingsSet the frame rate to one of rates between 12 One-shot recording Special RecordingPre-REC Loop RecordingSettings for special recording modes Interval RecordingPlaying back selected file Using P2 CardsBasic thumbnail operations Select SlotDeleting Clips and Formatting P2 or SD Card Select Delete and press the buttonOther Functions PC Mode Ingesting procedures Using Apples Final Cut ProFrom the Setup menu, select From P2 to non-linear editing workstationUsing Final Cut Pro to capture P2 data From the pulldown menu, selectConfiguring Removing Advanced Pulldown / Duplicate frames Importing P2 data backed up on a hard driveIf variable frame rate over 60p/50p mode is used Installation of frame rate converterExamples of exporting data from FCP Where to obtain P2Viewer Creating archives using P2ViewerP2Viewer screen Next Select Show Show Secondary Bin Next, select the storing destinationOn the lower section Procedures Backing up data onto a HDD 1394 Host modeP2 data back-up and creating archives Creating archives using FCP Backing up data onto a HDD using an OSBacking up from AG-HPX500 to a HDD Data size Data size 280 x 1080 pixels Size Pixel ratio InterlaceSize Pixel ratio Latest P2 equipment AG-HPX500 AG-HVX200Frame Rate Converter Bayonet MountClip Thumbnail Gold Mount/V MountShot Marker Native ModeMXF File Span FilesP2HD XAG-HPX500

P2HDXAG-HPX500 specifications

The Panasonic P2HDXAG-HPX500 is a state-of-the-art digital cinema camera that has been designed for professional filmmakers and broadcasters looking for high-quality video production. This camera is part of Panasonic's renowned P2 HD range, which is known for its reliability and superior performance. The HPX500 is particularly favored for its versatility in various shooting environments, making it an excellent choice for documentary filmmaking, event coverage, and corporate videos.

One of the standout features of the HPX500 is its high-definition recording capability. It supports both 720p and 1080i resolutions, utilizing the Advanced Video Codec High Definition (AVC-HD) format. This allows users to achieve stunningly sharp images and rich colors, providing a cinematic experience that elevates the quality of their projects. Furthermore, the camera can record in full HD at 1920 x 1080 pixels, ensuring that every detail is captured with clarity.

The camera employs a three 1/3-inch CCD sensor configuration, which significantly enhances its sensitivity to light. This results in superior low-light performance, enabling filmmakers to shoot in challenging lighting conditions without compromising image quality. Additionally, the HPX500 incorporates a sophisticated image processing engine that contributes to its excellent color reproduction and dynamic range.

Another notable technology featured in the HPX500 is the integrated P2 card system. This allows for immediate, high-speed recording directly onto the P2 memory cards, providing a reliable and efficient workflow. The cards offer robust storage capacity and exceptional data transfer speeds, which are crucial for high-definition video shoots. Moreover, the camera supports dual card slots, enabling simultaneous recording for backup or extended media management, which is vital for live event coverage.

The ergonomic design of the HPX500 ensures that it is user-friendly, even during extended shooting sessions. It features adjustable viewing angles and a comprehensive set of manual controls that empower operators to make quick adjustments on the fly. The camera also has multiple connectivity options, including HD-SDI, allowing for seamless integration with existing production equipment.

In summary, the Panasonic P2HDXAG-HPX500 is a powerful digital cinema camera equipped with advanced technologies that cater to the needs of professional filmmakers. With its high-definition recording capability, enhanced low-light performance, robust P2 card system, and user-friendly design, the HPX500 stands out as a reliable choice for high-quality video production across various genres.
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