Panasonic P2HDXAG-HPX500 manual

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C o n t e n t s

P3_4	1	AG-HPX500 Basic Setting for Aquisition
P5_6	2	AG-HPX500 Recording codec and format
P7_8	3	Variable Frame Rate Data capacity according to collection format / AG-HPX500 Pre-shooting setup
P9_10	4	AG-HPX500 Pre-shooting setup
P11_12	5	Hot Swap feature of the P2 system Method of back up various data
P13_14	6	Special Effect Variable Frame Rate
P15_16	7	Special Recording Pre-REC/One-Shot/Loop REC/Interval REC
P17_18	8	Using P2 Cards
P19_20	9	From P2 to non-linear editing workstation
P21_22	10	Editing of Advanced mode (pA) Frame rate converter (Software)
P23_24	11	Method of operating P2Viewer
P25_26	12	P2 data back-up and creating archives
P27_28	13	P2-compatible non-linear editing systems other than Apple Final Cut Pro
P29_30	P2HD	P2HD X AG-HPX500 List of Terms

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Contents P2HD XAG-HPX500 Practical Guidebook P2HD Recording format = Scene File setting Shooting Procedure59.94Hz Ntsc and 50Hz PAL settings Setting the recording formatRecording codec and format AG-HPX500 recording codecImage formats and codecs supported by the AG-HPX500 Checking the format General HD recording methodsStandard recording Shutter speed guide Gamma Setting Eight-Mode GammaAbout the difference between Native pN and over60p Mode Variable Frame Rate-capable recording modesData capacity for each recording type Dvcpro HD Pre-shooting setup Lens setupFujinon 2 varieties Lens, iris and image quality adjustment Setup for shooting Gain / Iris / WBBattery setup Audio setupSelecting a tripod Setting the WB White BalanceFlange Back = Back Focus = Rear Focus GainCopying To and Loading From SD Cards Saving Scene Files and User FilesOther Functions Control Connecting to an external tape deck AJ-HD1400Control settings for connected backup devices When storing data on a Dvcpro HD tape, etcVariable Frame Rate Overcrank/Undercrank shooting Overcrank shootingUndercrank shooting Procedure for using VFR required settings Set the camera mode to FilmcamSet the frame rate to one of rates between 12 Loop Recording Special RecordingPre-REC One-shot recordingInterval Recording Settings for special recording modesSelect Slot Using P2 CardsBasic thumbnail operations Playing back selected fileSelect Delete and press the button Deleting Clips and Formatting P2 or SD CardFrom P2 to non-linear editing workstation Ingesting procedures Using Apples Final Cut ProFrom the Setup menu, select Other Functions PC ModeFrom the pulldown menu, select Using Final Cut Pro to capture P2 dataImporting P2 data backed up on a hard drive Configuring Removing Advanced Pulldown / Duplicate framesInstallation of frame rate converter If variable frame rate over 60p/50p mode is usedExamples of exporting data from FCP Creating archives using P2Viewer Where to obtain P2ViewerP2Viewer screen Next, select the storing destination Next Select Show Show Secondary BinOn the lower section Backing up data onto a HDD 1394 Host mode ProceduresP2 data back-up and creating archives Backing up data onto a HDD using an OS Creating archives using FCPBacking up from AG-HPX500 to a HDD Data size 280 x 1080 pixels Size Pixel ratio Interlace Data sizeSize Pixel ratio AG-HPX500 AG-HVX200 Latest P2 equipmentGold Mount/V Mount Bayonet MountClip Thumbnail Frame Rate ConverterSpan Files Native ModeMXF File Shot MarkerP2HD XAG-HPX500

P2HDXAG-HPX500 specifications

The Panasonic P2HDXAG-HPX500 is a state-of-the-art digital cinema camera that has been designed for professional filmmakers and broadcasters looking for high-quality video production. This camera is part of Panasonic's renowned P2 HD range, which is known for its reliability and superior performance. The HPX500 is particularly favored for its versatility in various shooting environments, making it an excellent choice for documentary filmmaking, event coverage, and corporate videos.

One of the standout features of the HPX500 is its high-definition recording capability. It supports both 720p and 1080i resolutions, utilizing the Advanced Video Codec High Definition (AVC-HD) format. This allows users to achieve stunningly sharp images and rich colors, providing a cinematic experience that elevates the quality of their projects. Furthermore, the camera can record in full HD at 1920 x 1080 pixels, ensuring that every detail is captured with clarity.

The camera employs a three 1/3-inch CCD sensor configuration, which significantly enhances its sensitivity to light. This results in superior low-light performance, enabling filmmakers to shoot in challenging lighting conditions without compromising image quality. Additionally, the HPX500 incorporates a sophisticated image processing engine that contributes to its excellent color reproduction and dynamic range.

Another notable technology featured in the HPX500 is the integrated P2 card system. This allows for immediate, high-speed recording directly onto the P2 memory cards, providing a reliable and efficient workflow. The cards offer robust storage capacity and exceptional data transfer speeds, which are crucial for high-definition video shoots. Moreover, the camera supports dual card slots, enabling simultaneous recording for backup or extended media management, which is vital for live event coverage.

The ergonomic design of the HPX500 ensures that it is user-friendly, even during extended shooting sessions. It features adjustable viewing angles and a comprehensive set of manual controls that empower operators to make quick adjustments on the fly. The camera also has multiple connectivity options, including HD-SDI, allowing for seamless integration with existing production equipment.

In summary, the Panasonic P2HDXAG-HPX500 is a powerful digital cinema camera equipped with advanced technologies that cater to the needs of professional filmmakers. With its high-definition recording capability, enhanced low-light performance, robust P2 card system, and user-friendly design, the HPX500 stands out as a reliable choice for high-quality video production across various genres.