Panasonic P2HDXAG-HPX500 manual Variable Frame Rate-capable recording modes

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P 2 H D XA G - H P X 5 0 0

 

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Variable Frame Rate

 

Data capacity according to

PRACTICAL GUIDEBOOK

 

 

 

collection format

 

 

 

 

 

 

 

Variable Frame Rate-capable recording modes

About the difference between Native (pN) and "over60p" Mode

When recording in native (pN) mode, it is possible to check data recorded at Variable Frame Rate (VFR), such as slow motion or quick motion, with camera output. Also, only valid frames are recorded, extending the recording time and allowing more data to be stored on the P2 card than is possible in normal mode. (See accompanying table)

Over60 = Varicam-compatible mode; VFR recording is possible, but the difference in pulldown systems makes it impossible to check the VFR with camera output. A frame rate converter such as hardware or NLE should be used.

About standard recording (over60)

As with Varicam, regardless of the camera's frame rate setting, recording will occur at 60 frames per second (over60). For example, when 24p mode is selected, 60 frames will be recorded with 2:3 pulldown. Thus, no matter what frame rate is selected, it is necessary to have the storage capacity for 60 frames, including duplicate frames. The advantages of standard recording are: output from the IEEE 1394 interface to DVCPRO HD is possible during recording, and when recording for extended periods, FS-100 data storage or DVCPRO HD tape storage in the AJ-HD1400, etc., is possible. For undercrank and overcrank shooting, as long as special effects are not required, shooting in native mode (30pN/25pN/24pN) is recommended in order to save space on the P2 card.

*To check variable frame when using 720p, a frame rate converter (hard device such as the AJ-FRC27, or similar software) is necessary.

About native recording

30pN/25pN/24pN are recording formats. The letter "N" indicates Native. In native mode, video data is recorded on the P2 card at the frame rate used by the camera. In this mode, it is possible to record on a P2 card for 2 to 2.5 times as long as in standard (30p/25p/24p) mode. Another major advantage of native mode is that it allows on-the-spot playback of variable frame data without a frame rate converter. After recording, it is possible to output to DVCPRO HD from the IEEE 1394 interface.

*Native recording is the recommended mode for chroma key synthesis.

Usage of native recording

720/24pN

720/30pN

720/25pN

Commercials, music videos, CG synthesis, Blu-Ray/HD-DVD content,

Web video, mobile-terminal video (progressive moving image), etc.

Variable frame rate functions at the 720P setting when "OPERATION TYPE" is set to FILM CAM.

Data capacity for each recording type (DVCPRO HD)

Standard recording

1G=1 minute

Native recording

1G=2 minutes (using 30pN/25pN)

 

1G=2.5 minutes (using 24pN)

Recording time for P2 card using VFR (16GB)

Format *1

Recording codec

Recording time*3

Recording time

(One card using)

(Four card using)

720/60p

 

 

 

720/50p

 

 

 

720/24p(over 60p)

 

16 minutes

64 minutes

720/25p(over 60p)

 

 

 

HD

DVCPRO HD

 

 

720/30p(over 60p)

 

 

 

720/24pN(Native)*2

 

40 minutes

160 minutes

2

 

 

 

720/25pN(Native)*

 

32 minutes

128 minutes

2

 

720/30pN(Native)*

 

 

 

*1 "24p" is recorded as 23.98p, "30p" as 29.97p, and "60p" / "60i" as 59.94p and 59.94i respectively. *2 Only valid frames will be recorded when in native mode.

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*3 When using 8GB P2 cards or mini DV tape, the stated recording times are valid when using two P2 cards, or when using AY-DVM60, respectively. When one 8B card is used,

recording time will be 1/2 of that shown.

 

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Contents P2HD XAG-HPX500 Practical Guidebook P2HD Shooting Procedure 59.94Hz Ntsc and 50Hz PAL settingsSetting the recording format Recording format = Scene File settingImage formats and codecs supported by the AG-HPX500 Recording codec and formatAG-HPX500 recording codec Standard recording Checking the formatGeneral HD recording methods Gamma Setting Eight-Mode Gamma Shutter speed guideData capacity for each recording type Dvcpro HD About the difference between Native pN and over60p ModeVariable Frame Rate-capable recording modes Fujinon 2 varieties Pre-shooting setupLens setup Setup for shooting Gain / Iris / WB Battery setupAudio setup Lens, iris and image quality adjustmentSetting the WB White Balance Flange Back = Back Focus = Rear FocusGain Selecting a tripodSaving Scene Files and User Files Copying To and Loading From SD CardsConnecting to an external tape deck AJ-HD1400 Control settings for connected backup devicesWhen storing data on a Dvcpro HD tape, etc Other Functions ControlUndercrank shooting Variable Frame Rate Overcrank/Undercrank shootingOvercrank shooting Set the frame rate to one of rates between 12 Procedure for using VFR required settingsSet the camera mode to Filmcam Special Recording Pre-RECOne-shot recording Loop RecordingSettings for special recording modes Interval RecordingUsing P2 Cards Basic thumbnail operationsPlaying back selected file Select SlotDeleting Clips and Formatting P2 or SD Card Select Delete and press the buttonIngesting procedures Using Apples Final Cut Pro From the Setup menu, selectOther Functions PC Mode From P2 to non-linear editing workstationUsing Final Cut Pro to capture P2 data From the pulldown menu, selectConfiguring Removing Advanced Pulldown / Duplicate frames Importing P2 data backed up on a hard driveExamples of exporting data from FCP Installation of frame rate converterIf variable frame rate over 60p/50p mode is used P2Viewer screen Creating archives using P2ViewerWhere to obtain P2Viewer On the lower section Next, select the storing destinationNext Select Show Show Secondary Bin P2 data back-up and creating archives Backing up data onto a HDD 1394 Host modeProcedures Backing up from AG-HPX500 to a HDD Backing up data onto a HDD using an OSCreating archives using FCP Size Pixel ratio Data size 280 x 1080 pixels Size Pixel ratio InterlaceData size Latest P2 equipment AG-HPX500 AG-HVX200Bayonet Mount Clip ThumbnailFrame Rate Converter Gold Mount/V MountNative Mode MXF FileShot Marker Span FilesP2HD XAG-HPX500

P2HDXAG-HPX500 specifications

The Panasonic P2HDXAG-HPX500 is a state-of-the-art digital cinema camera that has been designed for professional filmmakers and broadcasters looking for high-quality video production. This camera is part of Panasonic's renowned P2 HD range, which is known for its reliability and superior performance. The HPX500 is particularly favored for its versatility in various shooting environments, making it an excellent choice for documentary filmmaking, event coverage, and corporate videos.

One of the standout features of the HPX500 is its high-definition recording capability. It supports both 720p and 1080i resolutions, utilizing the Advanced Video Codec High Definition (AVC-HD) format. This allows users to achieve stunningly sharp images and rich colors, providing a cinematic experience that elevates the quality of their projects. Furthermore, the camera can record in full HD at 1920 x 1080 pixels, ensuring that every detail is captured with clarity.

The camera employs a three 1/3-inch CCD sensor configuration, which significantly enhances its sensitivity to light. This results in superior low-light performance, enabling filmmakers to shoot in challenging lighting conditions without compromising image quality. Additionally, the HPX500 incorporates a sophisticated image processing engine that contributes to its excellent color reproduction and dynamic range.

Another notable technology featured in the HPX500 is the integrated P2 card system. This allows for immediate, high-speed recording directly onto the P2 memory cards, providing a reliable and efficient workflow. The cards offer robust storage capacity and exceptional data transfer speeds, which are crucial for high-definition video shoots. Moreover, the camera supports dual card slots, enabling simultaneous recording for backup or extended media management, which is vital for live event coverage.

The ergonomic design of the HPX500 ensures that it is user-friendly, even during extended shooting sessions. It features adjustable viewing angles and a comprehensive set of manual controls that empower operators to make quick adjustments on the fly. The camera also has multiple connectivity options, including HD-SDI, allowing for seamless integration with existing production equipment.

In summary, the Panasonic P2HDXAG-HPX500 is a powerful digital cinema camera equipped with advanced technologies that cater to the needs of professional filmmakers. With its high-definition recording capability, enhanced low-light performance, robust P2 card system, and user-friendly design, the HPX500 stands out as a reliable choice for high-quality video production across various genres.