Panasonic P2HDXAG-HPX500 manual MXF File, Native Mode, Shot Marker, Span Files, Text Memo

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ING

ING stands for "IT news gathering." The P2 system proposed and advanced by Matsushita Electric Industrial aims to replace conventional ENG (electric news gathering) with ING employing advanced information technology (IT).

MXF File

MXF stands for "material exchange format," a general-use media container format used in the video industry. It functions as a container for storing and transferring video and audio data as well as related metadata. Video and audio data using a variety of sizes, codecs, and sampling rates can be stored. MXF is not a compression format or video type. P2 uses the MXF wrapper to store data in formats such as DV, DVCPRO, DVCPRO 50, and DVCPRO HD. The use of the MXF wrapper makes it possible to transfer and store specialized media data using general-use computer systems. It also provides compatibility with multiple media types.

Native Mode

In native mode the video data is recorded on the P2 card at the frame rate used by the camera, such as 720/24pN, 720/25pN, or 720/30pN. Only valid frames are recorded, extending the recording time.

Shot Marker

This is a marking function that can be used, for example, to distinguish between good takes and outtakes. A shot marker may be added to each clip in the P2 data. Marks may be added or removed during or after recording. It is possible to display only marked clips when mounting video data on a PC (using P2Viewer).

Span Files

Span files are created when a video file is recorded spanning two or more P2 cards. When P2Viewer or a nonlinear editing (NLE) system supporting P2 is used, a set of span files is treated as a single video file rather than as multiple files.

Text Memo

By pressing the Text Memo button during video recording or preview, you can record blank text memos wherever you want (up to a maximum of 100 memos). Later you can search for memos using P2Viewer and insert appropriate text, such as the shooting location or scene information.

Non-linear Editing Terms

Redundant and Duplicate Frames

In the FCP manual the term "duplicate frames" is used to refer to cases where the same material is used two or more times in a single timeline, and "redundant frames" refers to cases where multiple instances of the same frame exist before pull-down processing. However, in new information concerning FCP5, "duplicate frames" is used in place of "redundant frames," so the terms may be considered as interchangeable.

Production Note

AG-HPX500 Camera Operation;HIDEUMI OKA / Videonetwork

NLE Engineer : KOTARO TAKANO / VFX Director

Model : YOU TEJIMA

Still Camera: HYOJI OHFUDE (Studio OXI),MITSUKO HONDA

Design : MORIHIRO YAKABI

Special Thanks to : MASANORI(Igrec.co.,ltd), NAOYA TAIRA,YUZO FUSE,SANAE ITO

Kurosawa Film Studio

Edit : Yukihiro Ishikawa / Editor in Chief DVJAPAN

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Contents P2HD XAG-HPX500 Practical Guidebook P2HD Recording format = Scene File setting Shooting Procedure59.94Hz Ntsc and 50Hz PAL settings Setting the recording formatAG-HPX500 recording codec Recording codec and formatImage formats and codecs supported by the AG-HPX500 General HD recording methods Checking the formatStandard recording Shutter speed guide Gamma Setting Eight-Mode GammaVariable Frame Rate-capable recording modes About the difference between Native pN and over60p ModeData capacity for each recording type Dvcpro HD Lens setup Pre-shooting setupFujinon 2 varieties Lens, iris and image quality adjustment Setup for shooting Gain / Iris / WBBattery setup Audio setupSelecting a tripod Setting the WB White BalanceFlange Back = Back Focus = Rear Focus GainCopying To and Loading From SD Cards Saving Scene Files and User FilesOther Functions Control Connecting to an external tape deck AJ-HD1400Control settings for connected backup devices When storing data on a Dvcpro HD tape, etcOvercrank shooting Variable Frame Rate Overcrank/Undercrank shootingUndercrank shooting Set the camera mode to Filmcam Procedure for using VFR required settingsSet the frame rate to one of rates between 12 Loop Recording Special RecordingPre-REC One-shot recordingInterval Recording Settings for special recording modesSelect Slot Using P2 CardsBasic thumbnail operations Playing back selected fileSelect Delete and press the button Deleting Clips and Formatting P2 or SD CardFrom P2 to non-linear editing workstation Ingesting procedures Using Apples Final Cut ProFrom the Setup menu, select Other Functions PC ModeFrom the pulldown menu, select Using Final Cut Pro to capture P2 dataImporting P2 data backed up on a hard drive Configuring Removing Advanced Pulldown / Duplicate framesIf variable frame rate over 60p/50p mode is used Installation of frame rate converterExamples of exporting data from FCP Where to obtain P2Viewer Creating archives using P2ViewerP2Viewer screen Next Select Show Show Secondary Bin Next, select the storing destinationOn the lower section Procedures Backing up data onto a HDD 1394 Host modeP2 data back-up and creating archives Creating archives using FCP Backing up data onto a HDD using an OSBacking up from AG-HPX500 to a HDD Data size Data size 280 x 1080 pixels Size Pixel ratio InterlaceSize Pixel ratio AG-HPX500 AG-HVX200 Latest P2 equipmentGold Mount/V Mount Bayonet MountClip Thumbnail Frame Rate ConverterSpan Files Native ModeMXF File Shot MarkerP2HD XAG-HPX500

P2HDXAG-HPX500 specifications

The Panasonic P2HDXAG-HPX500 is a state-of-the-art digital cinema camera that has been designed for professional filmmakers and broadcasters looking for high-quality video production. This camera is part of Panasonic's renowned P2 HD range, which is known for its reliability and superior performance. The HPX500 is particularly favored for its versatility in various shooting environments, making it an excellent choice for documentary filmmaking, event coverage, and corporate videos.

One of the standout features of the HPX500 is its high-definition recording capability. It supports both 720p and 1080i resolutions, utilizing the Advanced Video Codec High Definition (AVC-HD) format. This allows users to achieve stunningly sharp images and rich colors, providing a cinematic experience that elevates the quality of their projects. Furthermore, the camera can record in full HD at 1920 x 1080 pixels, ensuring that every detail is captured with clarity.

The camera employs a three 1/3-inch CCD sensor configuration, which significantly enhances its sensitivity to light. This results in superior low-light performance, enabling filmmakers to shoot in challenging lighting conditions without compromising image quality. Additionally, the HPX500 incorporates a sophisticated image processing engine that contributes to its excellent color reproduction and dynamic range.

Another notable technology featured in the HPX500 is the integrated P2 card system. This allows for immediate, high-speed recording directly onto the P2 memory cards, providing a reliable and efficient workflow. The cards offer robust storage capacity and exceptional data transfer speeds, which are crucial for high-definition video shoots. Moreover, the camera supports dual card slots, enabling simultaneous recording for backup or extended media management, which is vital for live event coverage.

The ergonomic design of the HPX500 ensures that it is user-friendly, even during extended shooting sessions. It features adjustable viewing angles and a comprehensive set of manual controls that empower operators to make quick adjustments on the fly. The camera also has multiple connectivity options, including HD-SDI, allowing for seamless integration with existing production equipment.

In summary, the Panasonic P2HDXAG-HPX500 is a powerful digital cinema camera equipped with advanced technologies that cater to the needs of professional filmmakers. With its high-definition recording capability, enhanced low-light performance, robust P2 card system, and user-friendly design, the HPX500 stands out as a reliable choice for high-quality video production across various genres.
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