Alesis manual Using two Multimix 12Rs for more flexibility

Page 31

Connections

2.Connect the stereo/TRS end to the INSERT jack of channel 1 of the Multimix 12R.

3.Connect the mono plug from the tip connector to the input of the ADAT. NOTE: the ADAT’s tracks are arranged from left to right on the back panel, and the mixer’s channels are from right to left, so the wires will have to cross over.

4.Connect the mono plug from the ring connector to the output of the ADAT.

If you're not sure which mono plug is from the tip and which is from the ring, check to see if the cable box has that information. If not, simply try it one way and play a prerecorded tape from the ADAT. If you can't hear output from the mixer with the faders and master up, swap the input and output plugs the other way.

5.Plug in channels 2-8 of the mixer to tracks 2-8 of the ADAT in the same way.

INPUT

 

 

 

 

 

 

INPUT

OUTPUT

 

 

 

 

 

 

OUTPUT

1

2

3

4

5

6

7

8

LOCATE/PLAY

PUNCH

 

DIGITAL

 

 

 

SYNC

LRC REMOTE

IN/OUT

 

 

 

 

IN

 

OUT

 

IN

OUT

 

 

 

 

Using two Multimix 12Rs for more flexibility:

The in-line method may be used for recording one source to a track. But if you want to record a mix of microphones or other sources onto a pair of tracks, two Multimix 12Rs can do the job more quietly and in a smaller space than expensive dedicated recording consoles. One 12R is the "source" mixer which feeds the ADAT's inputs, and the other is the "monitor/mixdown" mixer which receives the ADAT's outputs.

1.Plug the -10 dBV MAIN OUT jacks of the "source" 12R to track inputs 1 and 2 of the ADAT.

Multimix 12R Reference Manual

21

Image 31
Contents Reference Manual Page Important Safety Instructions Page Page Page Page Page CE Declaration Of Conformity Front Panel Table of Contents Applications Dimensional DrawingConventions Using this manualIntroduction Alesis Multimix 12R Microphone Preamplifier/MixerGrounding Instructions AC power InstallationUnpacking Power switch Use clean powerMounting Inputs ConnectionsCable common sense Microphone Inputs Phantom power Line-level devices synthesizers, CD players, video Phantom Power will not be Used Tape in jacks Phonograph turntables Effects via Aux Send and Aux Return How to connect effect devices and signal processorsAbout stereo effect devices Using Aux 1 as an effects send Connecting an in-line processor Connections To a stage monitor foldback system OutputsTo a stereo PA system or instrument amplifier To a mono systemTo a stereo tape recorder To another mixerIn-line Adat recording To an Adat multitrack recorderUsing two Multimix 12Rs for more flexibility Connections Monitor Out PhonesConnections Before turning the mixer on, zero out the controls Operating InstructionsPeak LED method Setting input trim levelsMetering/Unity Gain method Aux Send levels Typical Fader and Control LevelsUnity gain points Trim gain rangesProper gain staging of other equipment AUX System Effects Send/Receive How to Set Aux Send and Return LevelsPage Output distortion Using the meterSystem noise ground loops, hum, induced noise Avoiding noise① to Eliminate HUM if the Above has Failed Page Operating Instructions Multitrack recording ApplicationsTracking/Overdubbing Mixdown Using the High and LOW EQ controls Monitoring AUX 1 in the Phones jack Troubleshooting Index TroubleshootingPage Exterior cleaning Maintenance/ServiceRefer All Servicing to Qualified Technicians Connectors SpecificationsFrequency Response Impedance LevelsNoise performance typical PowerDistortion THD+N Dimensional Drawing Block Diagram Level diagram Tape IndexWarranty / Contact Alesis Contact Information