Alesis 12R manual Proper gain staging of other equipment

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Operating Instructions

Proper gain staging of other equipment

The total noise performance of your system depends on proper gain control of all the elements. A "noisy mixer" is usually a quiet mixer in a system whose gain structure is incorrect. As a good starting point, set most volume level controls of other equipment at 3/4 or 75% of full. This will decrease the possibility of overload distortion and keep the amount of background noise to a minimum.

Turn down amplifier levels: In particular, don't set the input controls of a power amplifier "wide open" if you have to run the faders of the mixer in the bottom half of the travel (and the meter of the Multimix 12R well below the "0" mark) to keep the system from being too loud or feeding back. It's better to run the mixer at its normal level, and turn down the amplifier's controls for the desired level. By turning the amplifier's own volume controls down, you turn down the residual noise of everything that precedes it in the signal chain, resulting in a quieter, more controllable system.

However, if the mixer output is too loud, and the input stage of the amplifier being used is an active circuit (instead of a passive voltage divider type), it is possible to clip the preamp stage of the amplifier and cause nasty distortion even if the amp level is low. Use good judgment and consult the manual for your amplifier for more information.

Distortion caused by EQ: If a large amount of EQ is used, it may become necessary to decrease either the trim control, or the channel fader, or both. The EQ is capable of adding quite a bit of gain and is a frequent cause of overload distortion problems. The PEAK LEDs monitor the signal after the EQ circuit, both pre and post fader.

Multimix 12R Reference Manual

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Contents Reference Manual Page Important Safety Instructions Page Page Page Page Page CE Declaration Of Conformity Front Panel Table of Contents Applications Dimensional DrawingConventions Using this manualIntroduction Alesis Multimix 12R Microphone Preamplifier/MixerGrounding Instructions Installation AC powerUnpacking Use clean power Power switchMounting Connections InputsCable common sense Microphone Inputs Phantom power Line-level devices synthesizers, CD players, video Phantom Power will not be Used Tape in jacks Phonograph turntables How to connect effect devices and signal processors Effects via Aux Send and Aux ReturnAbout stereo effect devices Using Aux 1 as an effects send Connecting an in-line processor Connections To a stage monitor foldback system OutputsTo a stereo PA system or instrument amplifier To a mono systemTo a stereo tape recorder To another mixerIn-line Adat recording To an Adat multitrack recorderUsing two Multimix 12Rs for more flexibility Connections Monitor Out PhonesConnections Before turning the mixer on, zero out the controls Operating InstructionsPeak LED method Setting input trim levelsMetering/Unity Gain method Aux Send levels Typical Fader and Control LevelsUnity gain points Trim gain rangesProper gain staging of other equipment AUX System Effects Send/Receive How to Set Aux Send and Return LevelsPage Output distortion Using the meterSystem noise ground loops, hum, induced noise Avoiding noise① to Eliminate HUM if the Above has Failed Page Operating Instructions Applications Multitrack recordingTracking/Overdubbing Mixdown Using the High and LOW EQ controls Monitoring AUX 1 in the Phones jack Troubleshooting Index TroubleshootingPage Maintenance/Service Exterior cleaningRefer All Servicing to Qualified Technicians Specifications ConnectorsFrequency Response Impedance LevelsPower Noise performance typicalDistortion THD+N Dimensional Drawing Block Diagram Level diagram Tape IndexWarranty / Contact Alesis Contact Information