Roland G6037008-01, ME-70 Appendices, Preset Patch List, Specifications, Patch Explanation Number

Appendices

Preset Patch List

Patch	Explanation	PU
Number
1-1	Rough distortion sound, good for backing.	S/H
1-2	Well sustained distortion sound, good for solos.	S/H
1-3	Crunch sound suitable for blues.	S/H
1-4	Clean sound for arpeggio.	S/H
2-1	Metal sound good for riffs.	H
2-2	Fuzz sound of the 60s with UNI-V. Speed of UNI-V effect can be changed with expression pedal.	S
2-3	Crunch sound, good for chord strokes.	S/H
2-4	Tight, clean sound, good for rhythm.	S/H
3-1	Drive sound for 70s hard rock.	S/H
3-2	Metal sound, good for single-coil pickups.	S
3-3	Rotary sound of the 70s. Speed of ROTARY effect can be changed with expression pedal.	S/H
3-4	Jazz sound, suitable for neck pickup.	H
4-1	Sweet drive sound for latin rock. Level of DELAY effect can be controlled with expression pedal.	H
4-2	This is a whimsical sound suited to 1970s progressive rock.	S
4-3	Tremolo sound, good for 60s surf rock.	S
4-4	Clean sound with T.WAH for funk.	S
5-1	Distortion sound for 80s metal.	H
5-2	This raises the pitch by an octave when the expression pedal is operated. It is suited to single-note phrases.	S/H
5-3	Crunch sound with COMPRESSOR for solos.	S
5-4	Phaser sound, good for rhythm.	S/H
6-1	Drive sound, good for punk rock.	S/H
6-2	Twin-lead-like distortion sound for single-note phrases in A minor (C major.)	S/H
6-3	90s alternative-rock sound.	S/H
6-4	Clean sound with pedal wah, good for rhythm.	S/H
7-1	Mild lead sound for jazz-fusion.	S/H
7-2	This produces an effect like a talk box when the pedal is operated.	S/H
7-3	Slap-back echo sound for country.	S
7-4	Clean tone for 60s Liverpool sound.	S
8-1	Heavy distortion combining sound an octave lower.	H
8-2	Wild distortion with FLANGER.	H
8-3	Hard rock sound with PHASER.	H
8-4	Changes a single-coil-pickup sound to a clean, humbucker sound.	S
9-1	This tone is suited to solos that combine PEDAL WAH and DISTORTION.	S/H
9-2	Synth-like sound using SLOW GEAR.	S
9-3	This is a crunch sound that uses a dotted eighth note delay. Pressing the number pedals changes the delay time.	S
9-4	Fretless guitar sound.	S

ΠS = Patch that is optimal for a single-coil pickup

The entries under “PU” in the chart indicate the type of pickup suited to the respective patch.

ΠH = Patch that is optimal for a humbucking pickup

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Specifications

ME-70: GUITAR MULTIPLE EFFECTS

	24-bit + AF method
AD	Œ	AF method (Adaptive Focus method)
		This is a proprietary method from Roland & BOSS
Conversion
		that vastly improves the signal-to-noise (S/N) ra-
		tio of the A/D and D/A converters.
DA	24-bit
Conversion
Sampling	44.1 kHz
Frequency
Patch	36 (User) + 36 (Preset)
Nominal	GUITAR INPUT: -10 dBu
Input Level	AUX IN: -18 dBu
Input	GUITAR INPUT: 1M ohm
Impedance	AUX IN: 22k ohms
Nominal	-10 dBu
Output Level

Output	2k ohms
Impedance
Display	7 segments, 2 digits LED
	DC 9 V
Power Supply
	Dry Batteries (R6/LR6(AA) type) x 6
	AC Adaptor (BOSS PSA series: sold separately)
Current Draw	130 mA
Expected bat-	Alkaline: 12 hours
	Carbon: 3.5 hours
tery life under
	(These figures will vary depending on the
continuous use
	actual conditions of use.)
	384 (W) x 229 (D) x 74 (H) mm
	15-1/8 (W) x 9-1/16 (D) x 2-15/16 (H) inches
Dimensions	Maximum height:
	384 (W) x 229 (D) x 100 (H) mm
	15-1/8 (W) x 9-1/16 (D) x 3-15/16 (H) inches
Weight	3.5 kg, 7 lbs 12 oz (including batteries)
	Owner's Manual
Accessories	Dry Batteries (Alkaline: LR6 (AA) type) x 6
	Roland Service (Information Sheet)

Options	AC Adaptor: BOSS PSA series
	Footswitch: BOSS FS-5U, FS-6

Œ0 dBu = 0.775 Vrms

ŒIn the interest of product improvement, the specifications and/or ap- pearance of this unit are subject to change without prior notice.

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E-17