Yorkville Sound YS1014 owner manual Main Line Out, Monitor Line Out Jack, Record Out Jacks

MONITOR EFX

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CLIP MONITOR MASTER

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PHANTOM			POWER
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LINE OUT			MONITOR
			LINE OUT

MAINS

LINE IN

MAIN EQ

5. Main Line Out

This jack can serve a variety of patching and

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GATE

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routing purposes. It positioned in the signal path

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P L

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after the MP6D's main graphic equalizer and is

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therefore affected by it (i.e. they are post-EQ).

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MOD

The main bus signals are available at line level

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OM

HAR DI

(not speaker level; use the Speaker outputs on

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EFX

Modify

the back panel to drive speakers) from the Line

CLIP

Out jack. Taking a signal from this jack has no

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effect on the operation of the MP6D's built-in

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power amplifiers. It is, therefore, possible to feed

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an external power amplifier or even several inter-

Effect

Modify

Effect

Modify

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1. Room Reverb

decay

9. Fast Echo

decay

connected power amps, with the Main output

2. Hall Reverb

10. Short Decay Echo

delay

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3. Hall Reverb - Vocals

decay

11. Long Decay Echo

signal, while the internal power amplifier is also

4. Hall Reverb w/Echo

12. Chorus

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rate

5. Plate Reverb

decay

13. Flanger

functioning (although, it is not necessary to have

6. Plate Reverb - Vocals

14. Rotary Speaker

7. Plate Reverb w/Echo

15. Distortion

gain

8. Gated Reverb

decay

16. Harmonizer

pitch

speakers connected e.g. if you want to use the

RECORD

MP6D strictly as a mixer).

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The Line In jack is a direct input to the built-

OUT

in power amplifier. This is a switching jack, and

EFX

MP6D

when you plug into the Line In, you interrupt the

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internal flow of signals going from the outputs of

the main mixing bus to the inputs of the built-

in power amp. This allows you to insert a signal

FOOTSWITCH

control device such as a speaker processor, an

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additional equalizer, or a compressor/limiter into the Main signal path. This is accomplished by connecting a patch cable from the Line Out jack to the device's input jack and another patch cable from the device's output jack to the MP6D's Line In jack. If you are using an external power amp for the main PA speakers, you may run a short

patch cable from the Monitor Line Out jack to the Line In jack and simply connect your moni- tor speakers to the MP6D's Speaker outputs on the back panel. It is even possible to connect another mixer to the MP6D's power amplifier via the Line In jack. This slaves the amplifier to that mixer's signals (i.e. it no longer receives the built-in mixer's signals), which means that you could use the built-in mixer to do another, totally separate, mixing job. For example, you could patch the MP6D's Line Out signal to an input on another mixer connected to amps driving a PA speaker system while using the MP6D's amplifier to power control room speakers.

6. Monitor Line Out Jack

The monitor bus output signal is available at line level (not speaker level) from the Monitor Line Out jack and would normally be patched to the input of a mono power amplifier, or one channel of a stereo amp driving monitor speakers. Keeping in mind that there is no inter- nal equalization for the monitor mix, you might want to patch a graphic equalizer between the Monitor Line Out jack and the input of your monitor power amplifier to help regulate feedback. As mentioned under the previous section, the monitor mix signal can alternately be patched to the internal amplifiers via the Line In jack. Ask your dealer about the Yorkville Beta-150EQpower amplifier, it has a built-ingraphic equalizer.

Patching something between things, in this case, means connecting the MP6D's Monitor Line Out jack to the input of an EQ and the output of the EQ to the input of a monitor power amp or the Line In jack.

7. Record Out Jacks

These phono connectors carry the pre-EQ (not affected by the Main EQ) main mix signals. Record Out signal levels are not regulated by the Main master. This allows the level to the speakers to be reduced without lowering the levels to the Record Out jacks. Using phono-to-phono patch cords, connect the Record Out jacks to the Aux. (line-level) inputs on the tape deck. Actual recording levels would now be adjusted using the tape deck's record level control/s.

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