Harman 1210KA manual Mono Input Channel EFX shown, Gain

Page 20

MONO INPUT CHANNEL - EFX shown

1 Mic Input

The MIC input accepts XLR-type connectors and is designed to suit a wide range of BALANCED or UNBALANCED signals. Professional dynamic, condenser or ribbon mics are best because these will be LOW IMPEDANCE. You can use low-cost HIGH IMPEDANCE mics, but the level of background noise will be higher. If you turn the PHANTOM POWER on (top right-hand side of the mixer) the socket provides a suit- able powering voltage for professional condenser mics.

ONLY connect condenser microphones with the +48V powering OFF, and ONLY turn the +48V powering on or off with all output faders DOWN, to prevent damage to the mixer or external devices.

TAKE CARE when using unbalanced sources, which may be damaged by the phantom power voltage on pins 2 & 3 of the XLR connector.

Unplug any mics if you want to use the LINE Input. The input level is set using the GAIN knob.

2 Line Input

Accepts 3-pole ‘A’ gauge (TRS) jacks. Use this input for sources other than mics, such as keyboards, drum machines, synths, tape machines or DI’d guitars. The input is BALANCED for low noise and top quality from professional equipment, but you can use UNBALANCED sources by wiring up the jacks as shown below, although you should then keep cable lengths as short as possible. Unplug anything in the MIC input if you want to use this socket. Set the input level using the GAIN knob.

3 Insert Point

The unbalanced, pre-EQ insert point is a break in the channel signal path, allowing limiters, compressors, special EQ or other signal processing units to be added in the signal path. The Insert is a 3-pole ‘A’ gauge jack socket which is normally bypassed. When a jack is inserted, the signal path is broken, just before the EQ section.

The Send may also be tapped off as an alternative pre-fade, pre-EQ direct output if required, using a lead with tip and ring shorted together so that the signal path is not interrupted (see below).

4 Gain

This knob sets how much of the source signal is sent to the rest of the mixer. Too high, and the signal will distort as it overloads the channel. Too low, and the level of any background hiss will be more noticeable and you may not be able to get enough signal level to the output of the mixer.

18

Soundcraft EFX/EPM User Guide Issue 1210

Image 20
Contents User Guide Soundcraft EFX/EPM User Guide Issue User Guide EPM Models Contents Safety Symbol Guide Important Safety Instructions Neutral Blue US White Live Hot Brown US Black Advice for Those WHO Push the Boundaries IntroductionOverview 60-SECOND Guide EFXPhantom Power Peak LEDMaster Faders Main MetersPFL 60-SECOND Guide EPMAUX 1/2 Sends 23 2-TRACK Controls Mono OUT ¼ Jack22 2-TRACK Inputs Wiring UP Mic InputLine Input Insert PointStereo Inputs Stereo 1/2 and Stereo Mix InsertsMix Outputs Aux & FX Bus OutputsGrounding and Shielding HeadphonesPolarity Phase If in doubt please contact Soundcraft customer support Problem SolvingProducts Under Warranty OUT-OF-WARRANTY Products Block Diagram Soundcraft EFX Block Diagram Soundcraft EPM Mono Input Channel EFX shown GainLF EQ HF EQMID EQ Aux 2 Send EPM only PANMute Input Channel FaderGain control sets the level of the channel signal Inputs Stereo 1/2Gain MF EQChannel Peak LED BalanceFader Soundcraft EFX/EPM User Guide Issue Power Indicator Master Section EFXMIX OUTPUTS, Inserts & Mono Output Bargraph MetersHeadphones Jack AUX 1 PRE/POST Switch and AUX 2 on EPMTrack Track to MIXFootswitch EFX only FX BUS Output EFX only Aux 2 on EPMStereo Return Inputs EFX only Stereo Return Level EFX onlySet Audio Levels FX OperationSelect and Load a Program FX Processor Controls EFX only Reverbs Reverb Controls KaraokeDelays Delay Controls Modulated EffectsPhaser FlangerTremelo/Pan VibratoFactory Reset Effects Data Chart EFX only Initial Setup Using Your EFX or EPM ConsoleMicrophone Placement Page Applications Application 3 Places of Worship using EFX Application 4 Recording Soundcraft EFX/EPM User Guide Issue Glossary Distort the signal PhasePeaking BandTypical Connecting Leads Soundcraft EFX/EPM User Guide Issue Soundcraft EFX/EPM User Guide Issue Karaoke MARK-UP Sheets EPM Soundcraft EFX/EPM User Guide Issue Fitting Optional Rackmount Ears Part numbers for the kits areSoundcraft EFX/EPM User Guide Issue EPM/EFX Typical Specifications Soundcraft EFX/EPM User Guide Issue Warranty Benefit of this Warranty may not be assigned by the End UserSoundcraft EFX/EPM User Guide Issue Soundcraft EFX/EPM User Guide Issue Page Soundcraft Soundcraft USA Balboa Boulevard