11 PEAK LED | This is used to indicate that the signal is close to distorting (clipping) on a | |
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| specific channel. |
12 | INPUT CHANNEL FADER | This is used to control the level fed to the Mix Bus and |
13 | MIX OUTPUTS (XLR) & | Connect these to your analogue recording device, or to your amplification |
MONO OUT (¼” Jack) | system. | |
14 | MIX INSERTS (¼” Jack) | This is a |
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| dynamics or mastering device. The signal is sent from the tip of the jack plug |
| MONITOR O/Ps (¼” Jack) | and the return path comes back in on the ring of the jack plug. |
15 | These are used to feed your monitoring system.This can be directly connected | |
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| to powered monitors, or indirectly via an amplifier to standard monitors. |
16 MASTER FADERS | These faders control the overall level of the mix outputs. | |
17 MAIN METERS | These show the level of the mix outputs. When the PFL ACTIVE LED is lit, the | |
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| meters show the level of the selected PFL signal. |
18 MONITOR CONTROL | This controls the level of the signal sent to your monitoring system. | |
19 PHONES CONTROL | This controls the level of the signal sent to the headphones jack socket. | |
20 AUX 1 OUTPUT (¼” Jack) | This output can be used to send the channel signal to an artist’s monitors | |
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| |
21 AUX CONTROL | This switch globally switches the AUX1 feed on all the input modules to be | |
| STEREO INPUTS (¼” Jack) | either pre or |
22 | These two inputs can be used to connect line level stereo inputs from key- | |
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| boards, sound modules, samplers, computer based audio cards etc. These |
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| inputs pass through a normal channel strip, with EQ, Auxes and a Balance |
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| control. |
23 |
| Here you can connect the playback from your recording device. |
(RCA Phono) |
| |
24 |
| Use these to control the 2 Track signal. The MONITOR switch sends the signal |
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| to the monitor outputs and phones, whilst the TO MIX switch sends it to the |
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| main mix. |
25 RECORD OUTPUTS | You can connect these to the inputs of your recording device. | |
(RCA Phono) |
| |
26 PHANTOM POWER | Press this to switch the phantom power (48V) on for condenser microphones. | |
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| WARNING: Do Not apply Phantom Power before connecting a |
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| microphone. |
27 HEADPHONES (¼” Jack) | Plug your headphones into this socket. Recommended headphones imped- | |
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| ance is 150 ohms or greater. |
28 | STEREO RETURN INPUTS | This pair of inputs accept |
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| sources such as keyboards, drum machines, synths or CDs. The inputs are |
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| BALANCED. Mono sources may be used by plugging into the left jack only. |
29 | STEREO RETURN CONTROL This control sets the level of signal routed to the main mix busses. There is | |
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| an associated PK LED to warn of signals which are too high. |
30 | FX BUS OUTPUT | This output carries the signal from the FX bus. It could be used as a second |
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| Aux Output if desired, if the FX Processor is not needed at the time. The FX |
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| sends on the inputs channels to the FX bus are always |
31 | FOOTSWITCH CONNECTOR | This is used by the FX Processor, see page 26. |
32 | LEXICON® FX PROCESSOR | See the information starting on page 27 |
Soundcraft EFX/EPM User Guide Issue 1210 | 9 |