Harman 1210KA Peak LED, Master Faders, Main Meters, Monitor Control, Phones Control, AUX Control

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11 PEAK LED

This is used to indicate that the signal is close to distorting (clipping) on a

 

 

specific channel.

12

INPUT CHANNEL FADER

This is used to control the level fed to the Mix Bus and post-fade sends.

13

MIX OUTPUTS (XLR) &

Connect these to your analogue recording device, or to your amplification

MONO OUT (¼” Jack)

system.

14

MIX INSERTS (¼” Jack)

This is a pre-fade break in the signal path which can be used to feed a

 

 

dynamics or mastering device. The signal is sent from the tip of the jack plug

 

MONITOR O/Ps (¼” Jack)

and the return path comes back in on the ring of the jack plug.

15

These are used to feed your monitoring system.This can be directly connected

 

 

to powered monitors, or indirectly via an amplifier to standard monitors.

16 MASTER FADERS

These faders control the overall level of the mix outputs.

17 MAIN METERS

These show the level of the mix outputs. When the PFL ACTIVE LED is lit, the

 

 

meters show the level of the selected PFL signal.

18 MONITOR CONTROL

This controls the level of the signal sent to your monitoring system.

19 PHONES CONTROL

This controls the level of the signal sent to the headphones jack socket.

20 AUX 1 OUTPUT (¼” Jack)

This output can be used to send the channel signal to an artist’s monitors

 

 

(headphones/in-ear/stage monitors). It is switchable pre/post fade.

21 AUX CONTROL

This switch globally switches the AUX1 feed on all the input modules to be

 

STEREO INPUTS (¼” Jack)

either pre or post-fade.

22

These two inputs can be used to connect line level stereo inputs from key-

 

 

boards, sound modules, samplers, computer based audio cards etc. These

 

 

inputs pass through a normal channel strip, with EQ, Auxes and a Balance

 

 

control.

23

2-TRACK INPUTS

Here you can connect the playback from your recording device.

(RCA Phono)

 

24

2-TRACK CONTROLS

Use these to control the 2 Track signal. The MONITOR switch sends the signal

 

 

to the monitor outputs and phones, whilst the TO MIX switch sends it to the

 

 

main mix.

25 RECORD OUTPUTS

You can connect these to the inputs of your recording device.

(RCA Phono)

 

26 PHANTOM POWER

Press this to switch the phantom power (48V) on for condenser microphones.

 

 

WARNING: Do Not apply Phantom Power before connecting a

 

 

microphone.

27 HEADPHONES (¼” Jack)

Plug your headphones into this socket. Recommended headphones imped-

 

 

ance is 150 ohms or greater.

28

STEREO RETURN INPUTS

This pair of inputs accept 3-pole ‘A’ gauge (TRS) jacks. Use these inputs for

 

 

sources such as keyboards, drum machines, synths or CDs. The inputs are

 

 

BALANCED. Mono sources may be used by plugging into the left jack only.

29

STEREO RETURN CONTROL This control sets the level of signal routed to the main mix busses. There is

 

 

an associated PK LED to warn of signals which are too high.

30

FX BUS OUTPUT

This output carries the signal from the FX bus. It could be used as a second

 

 

Aux Output if desired, if the FX Processor is not needed at the time. The FX

 

 

sends on the inputs channels to the FX bus are always post-fade.

31

FOOTSWITCH CONNECTOR

This is used by the FX Processor, see page 26.

32

LEXICON® FX PROCESSOR

See the information starting on page 27

Soundcraft EFX/EPM User Guide Issue 1210

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Image 11 Contents
User Guide Soundcraft EFX/EPM User Guide Issue User Guide EPM Models Contents Safety Symbol Guide Important Safety Instructions Neutral Blue US White Live Hot Brown US Black Introduction Advice for Those WHO Push the Boundaries60-SECOND Guide EFX OverviewMain Meters Phantom PowerPeak LED Master FadersPFL 60-SECOND Guide EPMAUX 1/2 Sends 23 2-TRACK Controls Mono OUT ¼ Jack22 2-TRACK Inputs Insert Point Wiring UPMic Input Line InputAux & FX Bus Outputs Stereo Inputs Stereo 1/2 and StereoMix Inserts Mix OutputsGrounding and Shielding HeadphonesPolarity Phase If in doubt please contact Soundcraft customer support Problem SolvingProducts Under Warranty OUT-OF-WARRANTY Products Block Diagram Soundcraft EFX Block Diagram Soundcraft EPM Gain Mono Input Channel EFX shownLF EQ HF EQMID EQ Input Channel Fader Aux 2 Send EPM onlyPAN MuteMF EQ Gain control sets the level of the channel signalInputs Stereo 1/2 GainChannel Peak LED BalanceFader Soundcraft EFX/EPM User Guide Issue Bargraph Meters Power IndicatorMaster Section EFX MIX OUTPUTS, Inserts & Mono OutputTrack to MIX Headphones JackAUX 1 PRE/POST Switch and AUX 2 on EPM TrackStereo Return Level EFX only Footswitch EFX onlyFX BUS Output EFX only Aux 2 on EPM Stereo Return Inputs EFX onlySet Audio Levels FX OperationSelect and Load a Program FX Processor Controls EFX only Reverbs Karaoke Reverb ControlsDelays Modulated Effects Delay ControlsVibrato PhaserFlanger Tremelo/PanFactory Reset Effects Data Chart EFX only Initial Setup Using Your EFX or EPM ConsoleMicrophone Placement Page Applications Application 3 Places of Worship using EFX Application 4 Recording Soundcraft EFX/EPM User Guide Issue Glossary Band Distort the signalPhase PeakingTypical Connecting Leads Soundcraft EFX/EPM User Guide Issue Soundcraft EFX/EPM User Guide Issue Karaoke MARK-UP Sheets EPM Soundcraft EFX/EPM User Guide Issue Part numbers for the kits are Fitting Optional Rackmount EarsSoundcraft EFX/EPM User Guide Issue EPM/EFX Typical Specifications Soundcraft EFX/EPM User Guide Issue Benefit of this Warranty may not be assigned by the End User WarrantySoundcraft EFX/EPM User Guide Issue Soundcraft EFX/EPM User Guide Issue Page Balboa Boulevard Soundcraft Soundcraft USA