Harman MFXI, MPMI manual SUB-GROUP Routing

Page 15

 

 

this to monitor the post-EQ signal from the channel.

12

MIX/SUB SWITCH

When this switch is up, the channel’s post-pan-pot signal is routed to the Mix (left

 

 

and right) buses. When the switch is depressed, the post-pan-pot signal is routed

 

 

to the Sub-group (left and right) buses.

13 PEAK LED

This is used to indicate that the signal is close to distorting (clipping) on a specific

 

 

channel.

14

SP LED

The SP LED glows when a signal is present. The feed point for the LED is post-insert,

 

 

pre-EQ.

15

INPUT CHANNEL FADER

This is used to control the level fed to the Mix Bus and post-fade sends.

16

MIX OUTPUTS (XLR)

Connect these to your analogue recording device, or to your amplification system.

& MONO OUT (¼” Jack)

 

17 SUB-GROUP OUTPUTS

These outputs can be connected to a separate amplifier system or to an external

(¼” Jack)

processor.

18 SUB-GROUP ROUTING

The sub-group mix can be routed to the main mix, in mono or stereo.

19 MASTER FADERS

These faders control the overall level of the mix and sub-group outputs.

20 MAIN METERS

These show the level of the mix outputs.When the master SOLO LED is lit, the meters

 

 

show the level of the selected AFL/PFL signal.

21 MONITOR OUTPUTS

These are used to feed your monitoring system. This can be directly connected to

(¼” Jack)

powered monitors, or indirectly via an amplifier to standard monitors.

22 MONITOR CONTROL

This controls the level of the signal sent to your monitoring system.

23

MONITOR SELECT SWITCH

This switch selects the signal source to be monitored. Note that the 2-TK input can

 

 

be monitored also, see item 31 below.

24 PHONES CONTROL

This controls the level of the signal sent to the headphones jack socket.

25 HEADPHONES (¼” Jack)

Plug your headphones into this socket. Recommended headphones impedance is

 

 

32 ohms or greater.

26

AUX 1 & 2 OUTPUTS

These outputs can be used to send the channel signal to an artist’s monitors (head

(¼” Jacks)

phones/in-ear/stage monitors), external FX or secondary PA/monitor system.

27 AUX CONTROLS

The rotary controls set the output levels of the two Aux Outputs. The After Fade

& AFL SWITCHES

(AFL) Listen switches route their respective aux output signal to the monitor/

 

 

headphones outputs.

28 AUX 2 POST/PRE SWITCH

This switch globally changes the AUX 2 feed on all the input modules to be either

 

STEREO INPUTS (¼” Jack)

post-fade or pre-fade.

29

These two pairs of inputs can be used to connect line level stereo inputs from key-

 

 

boards, sound modules, samplers, computer based audio cards etc. These inputs

 

 

pass through a stereo channel strip, with EQ, Auxes and a Balance control. Mono

 

 

sources may be used by plugging into the left jack only.

30

2-TRACK IN (RCA Phono)

You can connect the playback from your recording device here.

31

2-TRACK OUT

Use these to control the 2 Track signal. The MONITOR switch sends the signal to the

 

 

monitor outputs and phones, whilst the TO MIX switch sends it to the main mix.

32

RECORD OUTPUTS (RCA Phono) You can connect these to the inputs of your recording device.

33 PHANTOM POWER

Press this to globally switch the phantom power (48V) on for condenser microphones.

 

 

WARNING: Do Not apply Phantom Power before

 

 

connecting a microphone.

34

STEREO RETURN INPUTS

This pair of inputs accept 3-pole ‘A’ gauge (TRS) jacks. Use these inputs for sources

 

 

such as keyboards, drum machines, synths or CDs. The inputs are BALANCED. Mono

 

 

sources may be used by plugging into the left jack only.

35

STEREO RETURN CONTROL

This control sets the level of signal routed to the main mix busses.

36

FX BUS OUTPUT

This output carries the signal from the FX bus. It could be used as a third Aux Output

 

 

if desired if the FX Processor is not needed at the time. The FX sends on the inputs

 

 

channels to the FX bus are always post-fade.

37

FX CONTROL & AFL SWITCH

The rotary control regulates the signal level being fed from the FX bus to the FX

 

 

processor and to the FX BUS OUTPUT socket. The After-Fade Listen (AFL) switch

 

 

routes this post-FX-control, pre-FX signal to the monitor/headphones outputs.

38

FOOTSWITCH CONNECTOR

This is used by the FX Processor, see page 33.

39

LEXICON® FX PROCESSOR

See the information starting on page 33 .

Soundcraft MFXi MPMi User Guide Issue 1210

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Contents User Guide Page User Guide Potters BAR Contents Important Safety Instructions Neutral Blue US White Live Hot Brown US Black Safety Symbol Guide Soundcraft MFXi MPMi User Guide Issue Consignes DE Sécurité Importantes Vert et Jaune US Vert/Jaune Informations utiles sur l’utilisation de la console Guide DES Symboles DE SécuritéAvertissement RemarquesIntroduction Advice for Those WHO Push the Boundaries60-SECOND Guide MFXi SUB-GROUP Routing MIC 60-SECOND Guide MPMiBe monitored also, see item 30 below Insert Point Wiring UPMic Input Line InputAux and FX Bus Outputs HeadphonesStereo Inputs Stereo 1/2 Mix OutputsPolarity Phase Grounding and ShieldingCables UK customers should contact their local dealer Problem SolvingProducts Under Warranty OUT-OF-WARRANTY ProductsAUX Outputs Block Diagram MFXiMPMi High-pass Filter Mono Input Channels MFXi shownHF EQ MID EQLF EQ Input Channel Fader Signal Present SP LEDPAN MuteMF EQ Stereo Input Channels MFXi shownInputs Stereo 1/2 GainChannel Peak LED BalanceFader PFLSoundcraft MFXi MPMi User Guide Issue Master Section MFXi Master Section MPMi Headphones Socket Power IndicatorPhantom Power Headphones LevelSUB to MIX Meters & Solo LEDMIX Fader SUB FadersFX AFL 23 PRE/POST SwitchMute FX Footswitch FX MasterSet Audio Levels Lexicon FX Processor OverviewFX Operation Select and Load a ProgramFX Processor Controls MFXi only Reverbs Karaoke Reverb ControlsDelays Modulated Effects Delay ControlsTremelo/Pan Factory ResetPhaser FlangerEffects Data Chart Crosstalk @ 1kHz MFXi/MPMi Typical SpecificationsUsing Your MFXi/MPMi Console Microphone PlacementInitial Setup Page STE1 STE2 Effects 48V Used forFitting Optional RACK-MOUNT Brackets Dimensions ExtenderMixer Applications Instrument and Vocal Sources Configurations can be driven by the MFXiPlayer Application 3 Places of WorshipStudio Control Room Application 4 RecordingTypical Connecting Leads ‘Y’ Cables Unbalanced Glossary See above Pre-fadePosition A highpass or lowpass derived responseBenefit of this Warranty may not be assigned by the End User WarrantySoundcraft MFXi MPMi User Guide Issue Balboa Boulevard Soundcraft Soundcraft USA