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| this to monitor the |
12 | MIX/SUB SWITCH | When this switch is up, the channel’s |
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| and right) buses. When the switch is depressed, the |
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| to the |
13 PEAK LED | This is used to indicate that the signal is close to distorting (clipping) on a specific | |
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| channel. |
14 | SP LED | The SP LED glows when a signal is present. The feed point for the LED is |
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15 | INPUT CHANNEL FADER | This is used to control the level fed to the Mix Bus and |
16 | MIX OUTPUTS (XLR) | Connect these to your analogue recording device, or to your amplification system. |
& MONO OUT (¼” Jack) |
| |
17 | These outputs can be connected to a separate amplifier system or to an external | |
(¼” Jack) | processor. | |
18 | The | |
19 MASTER FADERS | These faders control the overall level of the mix and | |
20 MAIN METERS | These show the level of the mix outputs.When the master SOLO LED is lit, the meters | |
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| show the level of the selected AFL/PFL signal. |
21 MONITOR OUTPUTS | These are used to feed your monitoring system. This can be directly connected to | |
(¼” Jack) | powered monitors, or indirectly via an amplifier to standard monitors. | |
22 MONITOR CONTROL | This controls the level of the signal sent to your monitoring system. | |
23 | MONITOR SELECT SWITCH | This switch selects the signal source to be monitored. Note that the |
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| be monitored also, see item 31 below. |
24 PHONES CONTROL | This controls the level of the signal sent to the headphones jack socket. | |
25 HEADPHONES (¼” Jack) | Plug your headphones into this socket. Recommended headphones impedance is | |
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| 32 ohms or greater. |
26 | AUX 1 & 2 OUTPUTS | These outputs can be used to send the channel signal to an artist’s monitors (head |
(¼” Jacks) | ||
27 AUX CONTROLS | The rotary controls set the output levels of the two Aux Outputs. The After Fade | |
& AFL SWITCHES | (AFL) Listen switches route their respective aux output signal to the monitor/ | |
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| headphones outputs. |
28 AUX 2 POST/PRE SWITCH | This switch globally changes the AUX 2 feed on all the input modules to be either | |
| STEREO INPUTS (¼” Jack) |
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29 | These two pairs of inputs can be used to connect line level stereo inputs from key- | |
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| boards, sound modules, samplers, computer based audio cards etc. These inputs |
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| pass through a stereo channel strip, with EQ, Auxes and a Balance control. Mono |
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| sources may be used by plugging into the left jack only. |
30 | You can connect the playback from your recording device here. | |
31 |
| Use these to control the 2 Track signal. The MONITOR switch sends the signal to the |
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| monitor outputs and phones, whilst the TO MIX switch sends it to the main mix. |
32 | RECORD OUTPUTS (RCA Phono) You can connect these to the inputs of your recording device. | |
33 PHANTOM POWER | Press this to globally switch the phantom power (48V) on for condenser microphones. | |
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| WARNING: Do Not apply Phantom Power before |
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| connecting a microphone. |
34 | STEREO RETURN INPUTS | This pair of inputs accept |
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| such as keyboards, drum machines, synths or CDs. The inputs are BALANCED. Mono |
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| sources may be used by plugging into the left jack only. |
35 | STEREO RETURN CONTROL | This control sets the level of signal routed to the main mix busses. |
36 | FX BUS OUTPUT | This output carries the signal from the FX bus. It could be used as a third Aux Output |
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| if desired if the FX Processor is not needed at the time. The FX sends on the inputs |
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| channels to the FX bus are always |
37 | FX CONTROL & AFL SWITCH | The rotary control regulates the signal level being fed from the FX bus to the FX |
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| processor and to the FX BUS OUTPUT socket. The |
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| routes this |
38 | FOOTSWITCH CONNECTOR | This is used by the FX Processor, see page 33. |
39 | LEXICON® FX PROCESSOR | See the information starting on page 33 . |
Soundcraft MFXi MPMi User Guide Issue 1210 | 13 |