Harman MFXI, MPMI manual Be monitored also, see item 30 below

12	PEAK LED	This is used to indicate that the signal is close to distorting (clipping) on a specific
		channel.
13	SP LED	The SP LED glows when a signal is present. The feed point for the LED is post-insert,
		pre-EQ.
14	INPUT CHANNEL FADER	This is used to control the level fed to the Mix Bus and post-fade sends.
15	MIX OUTPUTS (XLR)	Connect these to your analogue recording device, or to your amplification &
MONO OUT (¼” Jack)		system.
16 SUB-GROUP OUTPUTS		These outputs can be connected to a separate amplifier system or to an external
(¼” Jack)		processor.
17 SUB-GROUP ROUTING		The sub-group mix can be routed to the main mix, in mono or stereo.
18 MASTER FADERS		These faders control the overall level of the mix and sub-group outputs.
19 MAIN METERS		These show the level of the mix outputs.When the master SOLO LED is lit, the meters
		show the level of the selected AFL/PFL signal.
20 MONITOR OUTPUTS		These are used to feed your monitoring system. This can be directly connected to
(¼” Jack)		powered monitors, or indirectly via an amplifier to standard monitors.
21 MONITOR CONTROL		This controls the level of the signal sent to your monitoring system.
22	MONITOR SELECT SWITCH	This switch selects the signal source to be monitored. Note that the 2-TK input can
		be monitored also, see item 30 below.
23 PHONES CONTROL		This controls the level of the signal sent to the headphones jack socket.
24	HEADPHONES (¼” Jack)	Plug your headphones into this socket. Recommended headphones impedance is
		32 ohms or greater.
25 AUX 1, 2 & 3 OUTPUTS		These outputs can be used to send the channel signal to an artist’s monitors
(¼” Jacks)		(headphones/in-ear/stage monitors), external FX or secondary PA/monitor system.
26 AUX CONTROLS		The rotary controls set the output levels of the three Aux Outputs. The After
& AFL SWITCHES		Fade Listen (AFL) switches route their respective aux output signal to the monitor/
		headphones outputs.
27 AUX 2 POST/PRE SWITCH		This switch globally changes the AUX 2 feed on all the input modules to be either
		post-fade or pre-fade.
28	STEREO INPUTS (¼” Jack)	These two pairs of inputs can be used to connect line level stereo inputs from key-
		boards, sound modules, samplers, computer based audio cards etc. These inputs
		pass through a stereo channel strip, with EQ, Auxes and a Balance control. Mono
		sources may be used by plugging into the left jack only.
29	2-TRACK IN (RCA Phono)	You can connect the playback from your recording device here.
30	2-TRACK OUT	Use these to control the 2 Track signal. The Monitor switch sends the signal to the
		monitor outputs and phones, whilst the TO MIX switch sends it to the main mix.
31	Record Outputs (RCA Phono) You can connect these to the inputs of your recording device.
32 PHANTOM POWER		Press this to globally switch the phantom power (48V) on for condenser microphones.
		WARNING: Do Not apply Phantom Power before connecting a micro-
		phone.

Your MPMi console is equipped with a Kensington® Security slot on the rear panel for use with compatible PC/Laptop security cables. For more information about the Kensington range of security devices please visit http://us.kensington.com

Soundcraft MFXi MPMi User Guide Issue 1210 15