
| 
 | and other equipment which would otherwise show up | 
| 
 | as hum. If the output is driving a device or amplifier | 
| 
 | that has an unbalanced input, connect the  | 
| 
 | nal to the ground at the destination, not at the output of | 
| 
 | your SPIRIT STUDIO console. | 
| 
 | 
 | 
| Polarity | You will probably be familiar with the concept of polar- | 
| 
 | ity in electrical signals and this is of particular | 
| 
 | importance to balanced audio signals. Just as a bal- | 
| 
 | anced signal is highly effective at cancelling out | 
| 
 | unwanted interference, so two microphones picking up | 
| 
 | the same signal can cancel out, or cause serious deg- | 
| 
 | radation of the signal if one of the cables has the +ve | 
| 
 | and  | 
| 
 | real problem when microphones are close together and | 
| 
 | you should therefore take care always to connect pins | 
| 
 | correctly when wiring audio cables. | 
| Source | BALANCED TO BALANCED | 
+
-
GND
LINK
Input
+
-
| Source | UNBALANCED TO BALANCED | 
| 
 | + | 
| GND | 
 | 
| LINK | 
 | 
Input
+
-
| Source | UNBALANCED TO UNBALANCED | Input | 
+
GND
LINK
If ground link absent, or mains earth isolated from source ground, then connect shield at both ends
+
Grounding and Shielding
For optimum performance it is vital that all signals are referenced to a solid, 
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