SoundCraft Audio Mixing Console Model Spirit Studio manual Example 4 Live Public Address

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plugging the Tape input to the appropriate Group Out- put.

Example 4 - Live Public Address

Although primarily designed for recording, your SPIRIT STUDIO console can also serve very well as a mixer for live sound reinforcement. In the basic con- figuration shown, an assortment of sources are connected to the input channels, microphone to mic in- puts and a keyboard and guitar to line inputs. Note that some guitars would not produce sufficient level for a di- rect connection, and would require a D.I. box connected via the microphone input. The main stereo output is connected to the power amplifiers and speak- ers, fed from the channels, via the subgroups if necessary. An effects processor or graphic equaliser

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Contents Page WD6 5PZ User Guide Introduction Page Basic Principles of Recording MixerClipped Signal Noise Connections and Connectors Getting StartedBalanced and Unbalanced Pole stereo Jack Pole mono JackPolarity Grounding and ShieldingPage Input Channel Path +48V Phantom PowerGetting to Know Your Console Microphone InputGain Control Line InputLine Select CHANNEL/MONITOR Input ReverseDirect HF/LF EqualiserEQ to Monitor High and LOW MID Sweep EQAuxiliary Sends Channel PAN Channel PFL/PEAK LEDChannel on Channel Fader Input Monitor PathMIX & Groups Tape Send & ReturnGroup Section Group Inserts Group FadersGroup Outputs PFLStereo Effects Return Auxiliary MasterAuxiliary Output TrimMaster Section Oscillator MIX InsertsMIX Master Faders Foldback Master FadersRM Source to FB1 & FB2 LinkFoldback Outputs Track ReplayUsing Your Spirit Studio Console Initial SET UPPage Page Applications Example 2 Playback/ Mix-Down Example 3 Overdubbing Example 4 Live Public Address Care of Your Mixer GlossaryPage Selectable Options Selecting Average Response on BargraphsModification of Tape Sends & 2 Track Return Level Master PCB SC2973Mix Noise NoiseBuss Noise R.RInput & Output Impedances CrosstalkFrequency Response Input & Output Levels